Calvin Klein Eternity

Eternity is one of those classic smelling Calvin Klein fragrances with a ton of ingredients that kind of sends em off into ‘meh’ territory for some reason.

Eternity

Eternity

In Bottle: Spicy carnation with rose and lily notes there’s a hint of citrus up top with a bit of earthiness too.

Applied: Citrus opener that follows with a sharp green and clean note that fades away rather quickly to reveal very spicy carnation with a bit of sage and a lily and rose flowery midstage. This stuff smells like a spicy flower bouquet and if you let it keep aging on your skin, you’ll be treated to a woodsier interpretation near the end that falls into a warm spicy and earth fragrance that finishes itself off with a faded carnation note.

Extra: Eternity was composed by Sophia Grojsman who also did fragrance such as White Linen for Estee Lauder and Lancome’s Tresor.

Design: Eternity is bottled rather simply in a tasteful shape and with subdued design elements. It’s a rectangular glass bottle with a metal topper. Very nicely done, Calvin Klein. But then again, CK has always been pretty good about its bottle designs. Kudos.

Fragrance Family: Spicy Floral

Notes: Citrus, mandarin, green notes, freesia, sage, lily, carnation, violet, rose, jasmine, lily of the valley, marigold, narcissus, heliotrope, sandalwood, musk, amber, patchouli.

I’m not wild about this fragrance for some reason. Maybe it’s because I used to smell this a lot when I was around this one woman who swore by her Eternity and wouldn’t wear anything else. It’s been almost a decade since I was around her but maybe that’s why I feel like Eternity just isn’t exciting to me. You smell a perfume for a certain amount of time and it just ceases to be amazing, I suppose.

Reviewed in This Post: Eternity, 2002, Eau de Parfum.


Calvin Klein CK One

CK One brings back memories of the early 90s. Where people these days love their Viva la Juicys, the early 90s seemed to be marked with the citrus-y smell of CK One.

CK One

In Bottle: Opens on a rather tart but very crisp and dewy fruity citrus note. There’s a pineapple in there but it’s not your  run-of-the-mill fruity sweet and tropical pineapple. This is tart pineapple and I quite like it.

Applied: That clean, green and crisp opening with the tart pineapple and the citrus. CK One takes its citrus and leads into a clean floral mid-stage dominated by lily of the valley, iris and a very potent lemon note that works well to keep this fragrance fresh and clean. The best part of CK One for me is the dry down where the citrus is gone and whats left are florals clinging to clean and diving into a base of tame cedar and sandalwood. I don’t so much smell the oakmoss in this than I smell the green notes that were in the opening. The closer is a green, floral woods.

Extra: I remember being a little girl and first smelling CK One. It was at a department store and we had little money at that time for things like this. But I always tried to sneak a smell. I don’t remember if I liked it or not, I only knew that Calvin Klein–at the time–was some fancy brand and one of the girls in my class bragged about wearing this perfume.

Design: Very simple bottle. Flat and rectangular with frosted glass. The sprayer is quite uniform-looking too but it’s still an extremely recognizable design. There’s something very utilitarian about this that I love. Maybe it’s the lack of fanciful shapes and colors. I actually like the design, but I think it might be a bit on the plain side.

Fragrance Family: Fresh

Notes: Pineapple, green notes, mandarin orange, papaya, bergamot, cardamom, lemon, nutmeg, violet, orris root, jasmine, lily-of-the-valley, rose, sandalwood, amber, musk, cedar, oakmoss.

CK One isn’t anywhere near as big a deal for me now as it was back then. Still, there’s moments when I smell this and remember sneaking sprays at the makeup counter while my mother and the sales associate gabbed about sunblock.

Reviewed in This Post: CK One, 2002, Eau de Toilette.


Calvin Klein Obsession for Women

Call me crazy, but I don’t like Obsession for Women. I like the men’s version a bit better but both of them fell off my radar and into ‘Eh, don’t like it and can’t get myself to’ territory. Much like how Poison by Dior ended up there.

Obsession for Women

In Bottle: Warm and spicy, very reminiscent of Opium but not as smooth or as smoky. I smell the animalic in this up front too.

Applied: Obsession opens with a slight spray of green citrus which is quickly joined by the civet note. Civet is used well in most perfumes, often as a touch of sensuality and Obsession is no exception. Anyway, after the light citrus and civet open up, the fragrance digs a bit into a fruity jasmine and rose blend dolled up with a lot of spiciness. There must be cloves or cinnamon in there somewhere. Obsession’s projection, by the way, is very good as is its longevity. You’ll be waiting a rather long time for it to dry down but the fragrance dries so naturally into a deeper woodsy floral amping up the civet a little and mingling those spices with a very warm amber quality to it and a slight smokiness that eeks itself into the scene at the very end.

Extra: Obsession was released in 1985 during the crazy trend with oriental perfumes.

Design: Obsession’s bottled in a oval glass with a golden liquid inside. The cap is a rich brown shade. The packing looks nice enough and a bottle of Obsession is definitely easy to ID. It’s clean, it’s simple, it’s pretty good.

Fragrance Family: Oriental

Notes: Green notes, mandarin orange, vanilla, peach, basil, bergamot, lemon, spices, coriander, sandalwood, orange blossom, jasmine, oakmoss, cedar and rose, amber, amber, musk, civet, vanilla, vetiver, incense.

Obsession is a well done perfume. I just want to get that out there, I just don’t like it because I believe it’s very similar to Opium and Opium did this concept better which makes Obsession seem rather unnecessary to me. But then, Opium is stronger, so if you liked it but thought it came on way too much, try out Obsession and see if this will work better for you.

Reviewed in This Post: Obsession for Women, 2004, Eau de Parfum.


Calvin Klein Euphoria

I know Calvin Klein’s been curiously overlooked in this blog for a while and here’s why–I don’t really like anything in their line. Even the hallmarks of Calvin Klein fragrances; Obsession and CK One. But I kept seeing Euphoria around and I’ve smelled it a few times before and decided to just get a few reviews out there because I know a lot of people love CK.

Euphoria

In Bottle: Sweet synthetic apple and berries smelling up top. The sugar isn’t mixing well with the pomegranate or the berries to my nose and it’s turning things into a bit of a cough syrup factory.

Applied: Syrupy sweet berries and a really obnoxious synthetic apple note on the opening that digs into the middle with the same syrupy sweet quality. The middle stage is marked with a series of banal florals, all of which are sweet and clean and try to clean up the sugary mess in the opening but all I get is sugar florals, sugar violets particular, trying to do what they can with a dewy green and clean note supporting them. Peaking up in the mid-stage is also a woodsiness that makes the mid-stage even more appealing. I think I would have liked the mid-stage of Euphoria a lot more if it was just the florals. Cut out the fruity sweetness in the opening and see how things go from there. But since we’re playing up the sweet, Euphoria’s end stage heads into a floral, warm and woodsy closer. Rather nice closing on this fragrance, actually.

Extra: There, I know a lot of people really like Euphoria but it did nothing for me. While the sweetness did not get to cloying levels, I felt the sugar in this fragrance was largely unnecessary.

Design: Euphoria’s bottle always manages to get knocked over every time I go hear it. The bottle itself is a purple glass shaped into a sort of abstract leave. The cap is a tall metallic rectangle that sticks up from the leaf. The design is interesting but the cap and how tall it is really annoys me.

Fragrance Family: Fruity Floral

Notes: Apple, berries, green leaves, rose, lotus, orchid, violets, woods, amber.

Euphoria’s not bad when you consider its mid-stage elements and dry down. It’s a pretty good scent if you can ignore the sugar. I just found the sugar particularly irritating in this fragrance because it really didn’t need to be in this. Or maybe I’m just bitter because this didn’t work as well on me as I had hoped.

Reviewed in This Post: Euphoria, 2007, Eau de Parfum.