Guerlain Attrape Coeur


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Les Parisiennes is Guerlain’s reintroduction of popular classics that may have dropped off the house’s roster due to unpopularity, changing times, new restrictions on fragrance ingredients, or someone having a bad hair day. Among them is the famous Attrape Coeur (Heart Trapper in French).  Attrape Coeur

In Bottle: Attrape Coeur has a fresh, lightly floral scent in the bottle. It has a certain, understated feminine charm that leads you to think it’s a mild jasmine-rosey concoction that’s easy to wear and easy to pull off.

Applied: The real heart of Attrape Coeur (heh) lies in the middle and base notes. As the top notes fade away, it unfolds to reveal a darker, muskier, more sensual scent making full use of tuberose as tuberose was meant to be used. This isn’t what I smelled in the bottle, it’s a definite morpher as she goes from light and lilting to full on oriental fragrance. The jasmine, tuberose and rose are a great compliment the smooth and musky mid-stage with its faintly sweet and dry scent. The mid-stage is especially familiar as little bits of Mitsouko waft in and out of this one. The best part about Attrape Coeur is its dry down. This fragrance falls into dense woods, bright spices, smooth vanilla, and that fantastic Guerlinade.

Extra: Les Parisiennes is an exclusive Guerlain collection that’s only available in very select locations. I found it at my local Holt Renfrew and La Signature at Epcot in Florida. If you can find a big Guerlain counter, you will probably be able to find this line. And I highly recommend anybody interested in perfumes to stop by and test a couple of them. Most of them are masterpieces that are so far above and beyond what you usually see in modern perfumery. Attrape Coeur used to go by the name of Guet Apens.

Design: Attrape Coeur, like other scents in the Les Parisiennes line, is bottled in a beautiful classic bee bottle. The bottles for these things are the real deal, not the semi-bee bottle situation you get with the Aqua Allegorias but the full-on deal. It’s complete with bee designs on the glass. Les Parisiennes are not spray bottles but splash that you will have to dab on yourself. I sometimes prefer the splash bottles to the sprays because once the fragrance is all gone, the bottle can still be reused and to not reuse a bee bottle would be something of a crime.

Fragrance Family: Oriental

Notes: Rose, jasmine, tuberose, peach, spices, sandalwood, amber, vanilla, musk.

I get a little jealous every time I look at the bee bottles. They’re really excellent looking pieces that will live well beyond the point when the fragrances they hold are all used up.

Reviewed in This Post: Attrape Coeur, 2008, Eau de Parfum.


Guerlain L’Heure Bleue


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Another Guerlain Classic, L’Heure Bleue was created in 1912 with a little story about the inspiration behind L’Heure Bleue. Even though the story came to be a while after the fragrance did.

L’Heure Bleue, being an old classic of the Guerlain classics family finds its niche in such greats as Shalimar, Jicky, and Mitsouko. It has that definitive Guerlain base to it that makes fragrance lovers–well, anyone who’s smelled more than one classic Guerlain–instantly know where it’s coming from and what levels of history they can expect. L'Heure Bleue

In Bottle: That Guerlain signature scent is present in pretty much every classic they’ve put out. Though the base is a bit masked in the newer creations, it is the base that sets the stage for the old perfumes. L’Heure Bleue is no different. I get the base immediately, followed by neroli’s powerful presence, and the spiciness of carnation.

Applied: The base is the first to fade to the background but it never goes away. Neroli is up front and center followed by the spiciness of carnation. It’s strange how a fragrance can make one feel warm or cold. L’Heure Bleue feels cold. It’s a reflection of its namesake, the twilight hour when the land is coated in blue. The name itself is a dead giveaway, L’Heure Bleue translated to “Blue Hour”. And like most classic fragrances, I often have a hard time deconstructing them because they’re blended to discourage deconstruction. I can only get the feeling and have this mental block telling me that’s silly to try to describe it beyond that. So what I can say of this experience is that this starts off as a chilly citrus. It maintains the chilliness as the citrus melts away into a very classic fragrance with dominant notes of neroli, carnation, and a vanilla base that’s barely detectable.

Extra: One thing I’ve noticed with most people’s reactions to L’Heure Bleue is the aversion to a particular note. L’Heure Bleue, more so than other classics, is referred to as an “old lady perfume”. There’s a correlation there, I think. In particular, the neroli note derived from the bitter orange tree. To me, it smells extremely similar to the more acceptable, bergamot. By the way, wondering how to pronounce this? Here you go:  L’Heure Bleue (Lehr Bloo).

Design: The bottle of L’Heure Bleue I own is nearly as small as Mitsouko but I do own more of this juice. I find it more wearable than Mitsouko, personally. Even though some people would try to tell me I smell like an old lady. The bottle really is very similar and quite frankly, there’s not a whole lot to say beyond that. Mitsouko is a slightly greener, cooler color whereas, L’Heure Bleue (funny enough) is a warmer color. I find the bottle design to be more fitting for Mitsouko but I still appreciate the elements of it.

Fragrance Family: Floral Oriental

Notes: Bergamot, neroli, clove, jasmine, carnation, cedar, musk, vanilla.

Slowly working my way up to Shalimar whose initial burst still puts me off and it is the initial burst in that one that does it. I’m sure she’s beautiful once she settles down. In the mean time, I’ve got L’Heure Bleue, a fun fragrance to say and a beautiful, grown-up classic.

Reviewed in This Post: L’Heure Bleue, 2007, Eau de Toilette.


Guerlain Mitsouko


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I don’t think highly enough of myself to kick off this blog with a review of a Guerlain classic because I feel I’m particularly versed in olfactory luxuries. I just wanted start with a relatively agreed upon fragrance. A classic, in other words, where so many others have said what needed to be said and I’m just filling in an already overflowing gap.

Mitsouko is Guerlain’s 1919 debut girl. Formulated by Jacques Guerlain with a following that describes her with such words as deep, sensual, sophisticated, and mysterious.Mitsouko

In Bottle: The fragrance is so well blended that I have a hard time picking out any specific notes. This is not a bad thing as it means Mitsouko has that unique quality. She smells like something never smelled before. I immediately associate her with with the word ‘classic’ and ‘old world’. Old world being a very endearing term to me, of course.  It’s spicy, it’s woodsy, just a little floral and very lightly fruity, but it’s all of those things at once too. To separate the notes and describe them feels wrong.

Applied: Mitsouko’s initial application is a burst of complex florals and soft woodsy notes. In a manner of seconds, as if she shed her flower coat as she drifted from the air onto skin, Mitsouko begins to deepen. The woods and spices come up creating this miasma of scent that makes me think darkness, headiness, and shadows drifting in and out of a sunless forest. As she dries the woods and moss come up more, blending with the spices as the components practically meld together. It is easy to forget that this is a fragrance composed of different notes and the fruitiness that people love in this fragrance is the softening agent used to tame rather than dominate. It’s hard to separate the notes and what’s left is just Mitsouko as a whole.

Extra: So it is said that Guerlain’s Mitsouko is a homage to many things, the name, the novel, the woman herself. Most people seem to subscribe to the theory that Guerlain based Mitsouko on the novel, La Bataille by Claude Farrčre. Where the novel is now difficult to find, at least for an English speaker with no foothold in French, the fragrance lives on in those who continue to love her.

Design: Mitsouko’s bottle design, I suspect, is supposed to reflect its scent and the artistry of the time. It looks and feels like a piece of design history. It’s a piece that, to me, reflects the orientalism of the fragrance and while art and design has since evolved into abstract shapes, clean and sharp lines, with flowing bulbous nodes of color bold against white, Mitsouko’s bottle design is an echo from an era gone but never forgotten. The one thing about my bottle I dislike is the plastic cap which seems to be on par for most recent Guerlains. I would have liked for them to invest in some nicer caps but you can’t have it all.

Fragrance Family: Oriental Chypre

Notes: Citrus, rose, peach, clove, pepper, spices, oakmoss and woods.

I believe a modern fragrance lover, and I wholly admit myself as a rotten, no-good, fruity-floral loving modernist, would find it difficult to like Mitsouko. But liking and respecting are two different things to me. I own a bottle of Mitsouko, a small one, for the simple fact that it is a piece of fragrance history. Once in a while I’ll bring her out and try to analyze  the complexities of her nature and to assuage my guilt of not warming up to Shalimar yet (I’m getting there). I find her too deep for normal wear as the people I’m around most often tend to react poorly to her. It’s not their fault, and it’s not Mitsouko’s fault either. Mitsouko is to be appreciated for sure as one of those classics you’ve just got to try at least once because reviews just don’t do her justice. As for wearing her? That depends on what you like.

Reviewed in This Post: Mitsouko, circa 2008, Eau de Toilette.