Dita Von Teese Erotique

Got a request to do a review of this one. It took me a few months to track down a sample of it, half because it was curiously hidden away at department stores where I am and half because I felt another mention of celebuscents within months of each other was a bit over the top.

Erotique

Erotique

In Bottle: Leather and smoke with a bath of wood.

Applied:  Erotique reminds me of the word “blunt”, the adjective. It comes in with leather and gives you the dyed soaking version of just that. It smells of smoke instead of incense. The smoked leather is warm, if you need something to remind you of heat in the dead of winter, I think Erotique might help. It reminds me more of a fireplace than leather at times, and at other times it’s overwhelmingly warm leather. I guess the imagery I get from this is less erotic and more comfy. Like taking a nap on a leather sofa in front of a wood burning fireplace. There are other elements of this that come and go, in less noticeable amounts than the leather and wood. There’s not too much else I notice aside from a kick of spice here and there, but what is there is a pleasant enough journey for me.

Extra: Erotique was released in 2013. Dita Von Teese, I had to look up, and discovered she was at one time the wife of Marilyn Manson whose musical stylings confused and frightened an eight year old version of me back in the 90s.

Design: For a fragrance like this, I found the bottle to be a strange juxtaposition. Its shape and color and styling would make me think “sweet and fruity!” rather than warm leathery woods. The cap is also a bit overdone, but I’d be hard pressed to say the bottle didn’t look nice. I just don’t think it looks appropriate.

Fragrance Family: Woodsy Leather

Notes: Rose, incense, leather, pepper, coriander, sandalwood, guaiac wood, cedar, musk.

Maybe it was because I had to take it easy on the fragrances for about a month, or maybe it was ten to twenty fragrances I had tested before I got this one–in a period of about three to four days but by the time I was done with Erotique, I had a pretty awesome fragrance headache. No idea where that came from, the last headache I got was years ago (from perfume anyway). I really don’t think it had anything to do with Erotique, but rather my brain telling me to ease myself back into perfumery. Regardless, Erotique is actually one of the few celebuscents that does something remotely different from everything else. If you must get yourself a celebuscent, try Erotique.

Reviewed in This Post: Erotique, 2013, Eau de Parfum.


Biehl Parfumkunstwerke gs02

I will admit that I was initially drawn to gs02 and the other scents in the latest release from biehl parfumkunstwerke because I was getting tired of picking scents based on their names. The letter and number combo lent some anonymity to the fragrance and made it seem like whatever I’d get, I wouldn’t be influenced by the name chosen by the house. What could get more anonymous than a scent called gs02? So having had no prior knowledge of the scent, no idea what notes were in it and only a write-up by Jeffrey Dame of Hypoluxe and a sample card to go with, I dove in.

gs02

gs02

In Bottle: Sharp and cool, refreshing, especially after walking around outside. Clean, too with a light floral impression on top of a bed of herbs.

Applied: Cool application, somewhat sharp. I get a slight hint of woods, like a slightly smoky wood. gs02 evolves into a smooth light floral with a touch of spice and woods. The longer this wears, the more I get the impression of something darker, like a leather trying to peek around the corner of some trees. The drydown has a smoother woodsy interpretation with less spice, no florals and that elusive leather is no where to be seen. Everything is generally softer on the dry down though very much present. It’s clean overall, fresh on the open, woodsy and supple in the midstage and soft on the dry down.

Extra: This one is a full on niche from biehl parfumkunstwerke and composed by Geza Schoen, the nose behind Clive Christian’s 1872 and other fabulous scents like Eccentric 02 from Eccentric Molecules.

Design: Minimalist bottle design, which for a series of fragrances like this lends towards the luxury and concept rather than takes away from it. These bottles fall into the aesthetic category of, “line them up in a row and stare at them all day”.

Fragrance Family: Woodsy

Notes: Orange, wormwood, angelica, thyme, spices, leather, castoreum, amber, tonka bean, vanilla.

There’s something to be said for the clean, crisp, sharp impression of gs02, though some consider it polarizing. I’ve seen reactions where people said it smelled like body wash. And having used my husband’s body shower now and then, I can attest that the association is definitely there. But gs02 has an understated, underlying complexity that you just can’t get out of a bottle of Nivea.

Reviewed in This Post: gs02, 2013, Eau de Parfum.


Hermes Bel Ami

I’ve been on a chypre bender lately, wanting something full-bodied and classic once again. Enter Hermes Bel Ami, which inspired an hour-long look at some new Hermes scarves.

Bel Ami

Bel Ami

In Bottle: Now, it should be noted that I have the newer formulation of Bel Ami, so this isn’t a true vintage chypre. It’s one of those “modern” deals. But Hermes did a good job with it, sweet, deep, masculine and woodsy.

Applied: Sweet upon application with a nice bergamot and lemon opening. The spiciness is only a hint in this fragrance. What I’m getting the most out of it is a deep, rich leather scent with a hint of animal and a big dose of earthiness from the orris. There’s a pleasant touch of cedar in the background that doesn’t overwhelm but is in there enough to give the fragrance a hint of woodsiness. The herbal notes probably lend a tempering effect to this fragrance as it’s more of a blast of leather than anything else. I can see where the chypre construction in this lies and it’s fabulous, but it isn’t quite what I’m looking for. Still a really great, strong, masculine scent with a very interesting composition and a great sense of projection.

Extra: Bel Ami was released in 1986 and has, unfortunately, been reformulated a few times, I suspect. Still, it smells pretty good for having been tinkered with over the years.

Design: Bottled simply, and somewhat reminiscent of some other Hermes bottles. Looks classical and functions pretty well. No one is going to immediately notice this bottle, but it’s a joy to look at it nonetheless.

Fragrance Family: Chypre

Notes: Mandarin, sage, bergamot, lemon, cardamom, patchouli, orris, carnation, basil, jasmine, cedar, leather, coconut, vanilla, oakmoss, vetiver, styrax, amber.

So Bel Ami isn’t really my thing. I don’t go crazy much for this much leather as it tends to smell too bold for me. But it is still a very well constructed fragrance.

Reviewed in This Post: Bel Ami, ~2000, Eau de Toilette.


Roger & Gallet Oeillet Bleu

Much thanks to Deb at LuvParfum for a sample of Roger & Gallet’s Oeillet Bleu. My obsession with vintage fragrances hits a peak every time I visit her website. I really don’t know what’s stopping me from buying everything in sight.

In Bottle: Unmistakably vintage with a spicy floral opening. I get carnation in a big way, in the sort of way you don’t get these days because big carnation like this could scare off those faint of heart.

Applied: Spicy carnation. Lots of floral and plenty of clove to leaven it. This is green but makes me think of oranges and reds instead. I guess I needed a color that embodied the heat and passion that I get when I smell this. Oeillet Bleu is vibrant even after all these years and has a beautiful leathery vanilla base that complements it painfully well. I wasn’t sure if I would continue to like the leather in this, but it proved me wrong. Oeillet Bleu is something of a soliflore. I don’t get much else outside of carnation and the buttery base, but it’s one of the best carnations I’ve ever experienced. It’s also one of the most convincing and long lasting.

Extra: Released in the late 1930s, Oeillet Bleu or Blue Carnation was a major hit for Roger & Gallet. I’m not sure when they decided to take it off the markets, but it was truly a sad day and I haven’t smelled a carnation quite as pure as this yet.

Design: Oeillet Bleu came in a few forms, the one I kept seeing was a somewhat unassuming ribbed glass flacon with a blue cap and matching blue label with the house name and fragrance name on it. Its designs are all perfectly beautiful in the classic way. It definitely reminds me of an era long gone.

Fragrance Family: Soliflore

Notes: Carnation, clove, vanilla, leather.

It needs to be said that things are truly unfair when some of the finest smelling fragrances are discontinued. Ah well, happy Valentine’s Day!

Reviewed in This Post: Oeillet Bleu, ~1950, Eau de Toilette.


M. Micallef Royal Vintage

I was delighted when Royal Vintage showed up on my doorstep one day. I had fallen in love with the offerings from the house of M. Micallef and was looking forward to testing out a masculine fragrance from their line.

Royal Vintage

Royal Vintage

In Bottle: Soft and woodsy, a nice tempered cypress with a touch of rich leather.

Applied: A whiff if bergamot up front that quickly gives way to a very nice, very green cypress scent. The cypress works wonders for this fragrance, it’s evenly applied it doesn’t blast up your nose or make itself too obvious. It just simply smells right with the right level of projection and power. The leather rolls in during the mid-stage as well, lending the fragrance an added level of complexity. Royal Vintage smells masculine, green, fresh and sophisticated. It relies on woodsy and that beautiful supple leather to make its point instead of the majority of mainstream men’s fragrances that rely too much on aqua. The dry down for Royal Vintage sees the leather fade away a bit with the cypress still going strong with a bit of earthiness from the patchouli carrying the fragrance the rest of the way.

Extra: Royal Vintage is a new release for January 2013 and is part of the Exclusif Collection. It should be available at retailers including on LuckyScent, Parfum1, and Parfumerie Nasreen. Royal Vintage is available in 100ml Eau de Parfum for $185USD.

Design: Designed in a similar fashion as M. Micallef’s other offerings such as Emir and Style. The bottle is nice, organic, and simple with enough embellishments to hint at a luxury while imparting a sense of artfulness. Overall, nice bottle design. Looks great on display too.

Fragrance Family: Earthy woodsy

Notes: Pink berries, bergamot, cypress, leather, patchouli, musk.

I really liked Royal Vintage for many reasons. Probably the two major reasons is that it lacks in the two ingredients that tend to ruin men’s fragrances for me: aqua and cedar. The cypress does a much better job as a base wood note and the lack of aqua let me enjoy the rich, full leather note.

Reviewed in This Post: Royal Vintage, 2013, Eau de Parfum.

Disclaimer: The fragrance reviewed in this post was provided to me for free for the purposes of review. In no other way am I receiving pay or compensation for this review. This review was written based upon my personal experiences and opinions of the product.

Thanks to Micallef for giving me the opportunity to try this fragrance and Jeffrey Dame at Hypoluxe for forwarding on the sample.


Olivier Durbano Black Tourmaline

Up until about a year ago, and thanks to a friend with an Etsy shop, I wouldn’t have known what a black tourmaline was. Olivier Durbano apparently has a gemstone inspired line of fragrances of which Black Tourmaline is a member of.

Black Tourmaline

Black Tourmaline

In Bottle: Dark, smoky with a lather of leather and woods. Very dry and reminiscent of fallen autumn leaves and incense.

Applied: A bit of spice that darkens the instant the leather and oud rolls in. There’s a heady incense note that takes over after the initial spray and makes me think of leaves and autumn with its spicy, smoky woodsiness. The leather is well-behaved, it adds a bit of complexity to the fragrance without distracting from the rest of it. I get mostly incense with a bit of spice and plenty of woods. Very lovely, very complex and things get better as the scent continues to dry down as it takes on a warm mossy bit that adds to its spice and incense.

Extra: Tourmaline is this beautiful semi-precious stone that comes in a wide variety of colors. There’s some spiritual and healing properties that some people affix to it, but I prefer to look at it in a strictly scientific sense. Black Tourmaline, the fragrance was released in 2007 and is still available today on Luckyscent.

Design: A tall, square bottle. Not the easiest to hold or use, but not the worst, by far. Its simple design wins some major points from me as does the beautiful (and appropriate) color of the juice. Nice overall presentation.

Fragrance Family: Spicy Woodsy

Notes: Cardamom, coriander, cumin, frankincense, pepper, oud, leather, woods, musk, amber, moss, patchouli.

Strangely enough, I had been harboring some hidden love of rocks and gemstones that Black Tourmaline has resparked. As if the gardening I had taken up in my off hours wasn’t distracting enough.

Reviewed in This Post: Black Tourmaline, 2008, Eau de Parfum.


Viktor & Rolf Spicebomb

Considering the complete lack of flowers in Viktor & Rolf’s very popular, Flowerbomb, I had to try out Spicebomb to see if it lived up to its name.

Spicebomb

Spicebomb

In Bottle: In short, no, this isn’t a spice bomb. It’s rather pleasant though, sweet and warm with a hint of spiciness.

Applied: Initial spray of bergamot that settles into a sweet cinnamon candy scent that makes me think Spicebomb is taking the same “bomb” approach as Flowerbomb. Which also leads me to think Viktor & Rolf’s idea of a bang is something sugary. The fragrance ages into a more mature spice as I keep wearing it, but it never shakes the sweetness that it gathers in the top notes. The scent takes on a stronger cinnamon and peppery scent as it flows into its end stage with a wilting smoky tobacco scent and a bit of synthetic-smelling leather. Over all, I’m not all that impressed, but the longevity was fairly good, giving me a decent ten hours of wear.

Extra: If you were wondering what the elemi note listed below is, it is a resin from a tree. I didn’t get much resin from this.

Design: The shape is somewhat reminiscent of Flowerbomb, given more angles and straight edges to appeal to a more masculine audience, I guess. I don’t really like it and think this particular depiction is a bit lame. Sorry, Viktor & Rolf.

Fragrance Family: Spicy Leather

Notes: Bergamot, grapefruit, pink pepper, elemi, saffron, cinnamon, pepper, paprika, vetiver, tobacco, leather.

Spicebomb failed to impress me in numerous ways. The fact that it started out sweet and reminded me of a more gourmand Flowerbomb didn’t really help matters either.

Reviewed in This Post: Spicebomb, 2012, Eau de Toilette.


Cartier Declaration for Men

Happy New Year! I am back with a Cartier. I was thinking of doing a more unique fragrance as the first for 2013, but after humming and hawing over what that fragrance may be, I decided a Jean-Claude Ellena designed Cartier would have to do. That Smell will be back to normal next week.

Declaration for Men

Declaration for Men

In Bottle: Citrus, sharp orange, no sweetness–but very bitter with an earthy quality and a spicy kick.

Applied: Bitter orange with a blend of birch in the background. I get some spices upfront too and an almost animalic quality that I’m assuming is coming from an ambery leather combination. There’s definitely something that smells a bit “off” about this, but it’s “off” on purpose, like Declaration is trying to tell me to like it or leave it. Anyway, as the scent ages, it gains more woodsiness, takes on a floral bouquet with warm leather and that constant off smell in the background as the spices roll in. It took a long time for Declaration to get anywhere, it has fantastic longevity and projection so if you want something that will stick around all day and don’t mind occasionally getting a whiff of faint uncleanliness then this might be up your alley. As the scent dries down, I get more spices, more vetiver and a smooth leather that rounds things out very nicely.

Extra: Declaration has quite the lengthy list of notes and the complexity it boasts is no surprise for how much stuff is jammed into it. It smells of sophistication and good taste, but at the same time, it warns the fainthearted off with what people call the “sweaty armpit” undercurrent that runs through this scent. Whatever it is, those who brave it might come to love it.

Design: Declaration has a nice enough look. Simple in general with a bit more attention paid to its cap. It’s easy to hold, pleasing to look at with no garish bone on its body.

Fragrance Family: Woodsy Spicy

Notes: Artemisia, caraway, coriander, birch, mandarin orange, bergamot, neroli, bitter orange, iris, ginger, cinnamon, pepper, juniper, orris root, jasmine, cardamom, leather, amber, tea, vetiver, oakmoss, cedar.

I don’t relish much on the off smell in this. If you’ve followed this blog, you’ll note that I tend massively toward the clean so Declaration was a bit of a surprise for me. I appreciate it on the complexity level, but I think I’ll pass.

Reviewed in This Post: Declaration for Men, 2012, Eau de Toilette.


Miss Dior

Miss Dior, unlike her younger sister (Miss Dior Cherie), is a smart, sophisticated woman who enjoys the finer things in life but doesn’t let it get to her head. She’s humble and complex with a classical charm that Miss Dior Cherie can never beat.

Miss Dior

Miss Dior

In Bottle: Green with a prominent aldehyde quality to it and a dusting of florals.

Applied: Sharp green aldehydes that are a bit of a sting on the old nostrils. Miss Dior goes on strong and powerful, hits you with a wave of classical perfume and reminds you of what a real chypre ought to smell like. Nothing like the lilting chypres of today that have been toned down and have lost their oak moss. Miss Dior is the full force of chypres upon application. As the fragrance ages, she smooths out a bit taking on a powdery quality to me with a warm sensuality that works in the complexity of the fragrance. It’s hard to describe complex fragrances for me because breaking them down into components and saying, “I smell this and now I smell this” would ruin the experience. Instead let me just say that Miss Dior smells like a vintage with an aldehyde and floral mid-stage prominent in neroli and jasmine and is every bit the chypre that she’s supposed to be. The fragrance dries down into a lovely rich flowers, forest and buttery leather scent that makes me want to stick my nose to my wrists and deeply inhale.

Extra: Miss Dior was released in the late 1940s and was composed by Jean Carles and Paul Vacher. Like most (if not all) classics that have survived till today, Miss Dior has been reformulated. The version I’m reviewing in this post is reportedly from sometime in the 1970s. I have not tried the more readily available, “Miss Dior Originale” yet, but I do have a sample of that so I will be trying it eventually.

Design: Miss Dior seems to do everything better than Miss Dior Cherie. The bottle has a classic look, but one that will never go out of style. While it’s a familiar shape to Miss Dior Cherie, Miss Dior’s more grown-up style and beautiful textured glass sets it a class above its younger counterpart. Miss Dior doesn’t need a bow on its neck to exude femininity, basically.

Fragrance Family: Chypre

Notes: Aldehydes, gardenia, galbanum, clary sage, bergamot, carnation, iris, jasmine, neroli, lily of the valley, rose, narcissus, labdanum, leather, sandalwood, amber, patchouli, oak moss, vetiver.

It probably sounds like I’m ragging on Miss Dior Cherie a lot in this post, and I am. It’s not that Miss Dior Cherie doesn’t accomplish good things as a modern gourmand that appeals to younger women, it’s just that Miss Dior–who sometimes gets confused with her younger counterpart–gets a lot of bad press from people who accidentally picked her up thinking she’ll smell anything like the candy-like Miss Dior Cherie. Then come the proclamations that Miss Dior “smells like old lady”, and that’s just unfortunate.

Reviewed in This Post: Miss Dior, ~1970, Eau de Toilette.


Parfum d’Empire Cuir Ottoman

Cuir Ottoman was a leather recommended to me by a friend who said that if I wasn’t already obsessed with leather then I would be once I smelled this.

Cuir Ottoman

Cuir Ottoman

In Bottle: Leather, nice and smooth with a warm and soft quality. A bit of floral layering in the back that helps the leather pull away from its often “too strong” personality. The mix is very nice.

Applied: Leather, soft and smooth and yielding. This isn’t too strong or too evident as the florals in this–a jasmine with iris blend–help temper the leather even more. The leather is definitely the star of the show though as it reminds me of a well-loved old leather jacket passing through a field of flowers. It’s one of the better done leathers out there, that actually mimics the real scent very well. It is also a very good balance in almost every category, making this a good unisex fragrance. As the scent heads toward its end stage, there’s a smokiness that amps up that I’m guessing is the resin and incense giving the leather fragrance a smoky quality.

Extra: Cuir Ottoman is very nicely done and really well-balanced. I have no complaints about its composition as it’s just so nicely done. The fragrance was released in 2006.

Design: Parfums d’Empire’s bottle designs seem pretty similar to each other. Tall glass, an accented cap. I can’t complain about the functionality, but the form was a little bland. Still, the same thing could be said about most niche houses. You buy it for the juice and not the design. Unless you’re buying an Agonist perfume, then we all know.

Fragrance Family: Floral Leather Oriental

Notes: Jasmine, leather, iris, benzoin, balsams, resins, incense.

So Cuir Ottoman is definitely worth a shot. It’s a great scent that’s wonderfully composed. But in so far as making me obsess about leathers, we’ll have to wait on that one.

Reviewed in This Post: Cuir Ottoman,  2010, Eau de Parfum.