Dior Dolce Vita

Dolce Vita is a vibrant little number that I kind of wish I had more of. It’s bright, peppy and classical all at the same time.

Dolce Vita

Dolce Vita

In Bottle: Sweet, almost pastry-like with a strong peach/apricot and cardamom showing initially.

Applied: Dolce Vita goes on reminding me of a peach pastry. It’s got to be the–well–peach, and the spices that make me think of the jammy fruit filling in a danish. The pastry feel doesn’t last for too long before I get a hit of sandalwood with a pretty strong sweetness. Dolce Vita is sugar and woods with a tablespoon of cinnamon sprinkled over it. The sandalwood is quick to settle down but the sweet cinnamon fruity floral thing has bigger plans and sticks around on the fragrance for quite some time. Dolce Vita has good staying power on me, I barely noticed when it slipped from its sweet fruity floral middle and nestled between a nice tame cedar and a soft, lilting sweet vanilla base.

Extra: Dolce Vita was released in 1994 and was composed by Pierre Bourdon of Cool Water fame.

Design: I really like the bottle. It looks like it came from an earlier time than the 90s and it has a nice feel to it too. It’s a good looking piece that has 90s elements to it, but at times can feel like it came from an earlier era. Hard to describe, but overall, I like it.

Fragrance Family: Oriental

Notes: Grapefruit, bergamot, lily, peach, rose, cardamom, cinnamon, apricot, magnolia, heliotrope, rosewood, sandalwood, cedar, coconut, vanilla.

I had to take a couple of tries to figure out if I truly liked Dolce Vita or if it was just a fad I was going through. I do really like it, it’s nice and well-composed and thankfully still available to boot.

Reviewed in This Post: Dolce Vita, ~2004, Eau de Toilette.


Madonna Truth or Dare

With the way work has been ramping up lately, I haven’t had the chance to get my nose wrapped around much but my usual standbys. So, when I discovered the local mall had a bottle of Madonna’s Truth or Dare sitting out, I shrugged my shoulders and thought, “Well, why not? I’m here already.”

Truth or Dare

Truth or Dare

In Bottle: Wow, tuberose. I get a very strong floral presence that’s predominantly tuberose.

Applied: Yikes. Tuberose. I know this scent gets compared to Fracas–the cheeky Tuberose Queen and I definitely get that impression. Truth or Dare opens up with a powerful hit of sweet tuberose followed with a barely-able-to-contain-itself gardenia note that furthers the floral interpretation. The fragrance is so sweet and floral that it obliterates any other smell to my nose can pick up and starts to smell like plastic a couple of minutes into wear. By the time hour two rolled around, I was trying to scrub it off because I smelled overwhelmingly like plastic. And of course, like with most fragrances that don’t agree with you, this just wouldn’t come off. So I did the only logical thing; I sprayed some more on, in a different location, went home and sat out the fragrance so I could at least take notes on it, review it, and never touch it again. The longevity is fairly good, lasting quite a few hours on me before it tried to exhibit any other kind of personality. Truth or Dare gets a bit less tuberose near the end of its mid-stage and focuses a bit more on this nice creamy, vanilla with some plastic stretched over it. But for as long as I could still smell it, there was that sweet plastic tuberose note dominating the entire scene.

Extra: Truth or Dare was launched earlier in 2012. The fragrance was composed by Stephen Nilsen.

Design: I can’t say I see the beauty of this design. The bottle is a white glass, but looks like it’s made of plastic until you touch it. The cap is a gold plastic, molded with these little studs, it looks a bit inappropriate and doesn’t quite do the fragrance any favors. All right, I admit, the thing is downright ugly. I think those studs or raised bumps on the bottle are taking it from “plain but looks all right” to “fugly” territory. I’m just a fan of the aesthetics this time.

Fragrance Family: Sweet Floral

Notes: Neroli, gardenia, tuberose, jasmine, benzoin, lily, vanilla, amber, musk.

I was actually hoping this one would work out, having heard how classical it was supposed to be. Having heard how similar to Fracas it was. But unlike Fracas, it overdoes the tuberose and not in a good way. I think I’ll stick to Fracas.

Reviewed in This Post: Truth or Dare, 2012, Eau de Parfum.


Christina Aguilera Royal Desire

Royal Desire was apparently designed for women who feel like royalty. Though it’s an interesting thought the fragrance itself is less interesting than hoped.

In Bottle: Sugar and marshmallows, a little dusty but mostly candy-like with a little echo of flowers.

Applied: Sugar high on application though Royal Desire is a very low sillage fragrance. It won’t go very far but you will smell like a fruity marshmallow at first before the fragrance introduces its equally light floral heart. I can get a bit of rose out of the mid-stage if I really wanted but Royal Design isn’t about the florals. It’s pretty obvious this stuff is capitalizing on its sweet mallowy goodness as there’s a tremendous amount of it along with a creeping vanilla. Though with how meek the fragrance is, you’ll have to concentrate to smell it. The dry down is pretty uninteresting, the marshmallow ends up smelling a bit more like sweet and powdery vanilla during the end game.

Extra: I should make a note to just stop reading the ads that go along with these fragrances. Royal Desire’s claim is that it’s for women who want to feel seductive. Marshmallows don’t make me think of seduction. They make me think of campfires and smores.

Design: I’m not wild about the bottle design but it could have been much worse. There’s a lace motif that seems to grace a lot of Christina Aguilera fragrances and this one isn’t much different. The shape is fine, the lace design is fine, the little charm is cute. Just something about the way it was all put together doesn’t inspire me.

Fragrance Family: Gourmand

Notes: Mandarin, blackberry, marshmallow, rose, honeysuckle, lily, cedar, musk, vanilla, sandalwood.

So another fragrance goes into the slush pile of celebuscents. Royal Desire would be great for a young woman or a teenager interested in smelling sweet, but don’t want something too overpowering.

Reviewed in This Post: Royal Desire,  2010, Eau de Parfum.


Yves Saint Laurent Belle d’Opium

Belle d’Opium seems to have a dedicated following as well as a number of detractors who think it’s a blight. Me, I kinda like it.

Bell d'Opium

Bell d'Opium

In Bottle: The original Opium took me a while to like but Belle d’Opium is a simpler animal that’s, consequently easier to get into. It’s a spicy floral with a woodsy heart.

Applied: Goes on strong with a blast of peppery florals. I get gardenia under the huge layer of pepper and a few minutes later I get some jasmine. The lily is a backstage thing, as it’s such a light note that the pepper, gardenia, jasmine and whatever else is in Belle d’Opium is drowning it out. This fragrance goes on strong but it’s not room-clearing, smell-you-across-the-football-field strong. It’s got a good amount of power but also has a sense of restraint. As you let Belle d’Opium progress it takes on a woodsy quality of perfumed sandalwood and spiciness. There is a bit of spiciness in the end stages as the lingering pepper imparts some more itself throughout the fragrance’s lifespan but there’s something to be said about a well done perfume that doesn’t resort to fruity floral territory. While this is no Opium, it’s still a pretty daring flanker.

Extra: Belle d’Opium is a fairly new fragrance, having been released in 2010. It was composed by Honorine Blanc who did fragrances such as Twilight Woods for Bath and Body Works, and funny enough, Someday for Justin Bieber. She was aided in this endeavor by Alberto Morillas who composed such greats like Acqua di Gio and Mugler Cologne.

Design: Belle d’Opium borrows a similar aesthetic to the new Opium bottle design. Only this time, it’s got some blue and purple in it. I’m still a bit sore from losing the classic Opium bottle but this redesign looks very nice and is rather suitable for the type of fragrance Opium projects itself as.

Fragrance Family: Floral Oriental

Notes: Pepper, lily, gardenia, jasmine, sandalwood.

The comparisons between this and original Opium are inevitable. To me, aside from being from relatively the same fragrance family, Belle d’Opium is a distant echo of the original fragrance. It’s been updated a bit, but still maintains a certain old world style. It’s strong but no where near the power that was Opium. It smells pleasant but probably won’t become the iconic success that Opium saw. It’s just a nice flanker, and that’s about all that can said for it.

Reviewed in This Post: Belle d’Opium, 2010, Eau de Parfum.


Balenciaga Cialenga

I hate it when I reach for a sampler, smell something, decide that I love it then find out that it was discontinued or is now incredibly rare. In Cialenga’s case, it was discontinued and now only exists on eBay. Thankfully, the prices aren’t sky high. Unfortunately, supplies will run out sooner or later. It’s such a shame for a fragrance so classically beautiful.

Cialenga

Cialenga

In Bottle: Smells rather familiar, like an aldehydes based fragrance but softer. I get the crisp green citrus and the floral notes, most notably ylang-ylang, rose, and lily.

Applied: Crispy green opening with some aldehydes rolling in. The aldehyde element isn’t too strong in Cialenga. It adds rather than dominates as it tends to do. The fragrance ages very gracefully into a midstage marked with a prominent rose, ylang-ylang, and lily bouquet that has elements of the powdery, soapy aldehyde composition. The clove mixes in this general area too giving it a bit of spiciness to work with. The fragrance then starts to age into its dry down with a bit of woodsy earthiness coming through and a marked green richness with a hint of powder and spice.

Extra: Cialenga, if you get a whiff of this stuff is a really well-balanced and very well composed fragrance that harkened from a time when classical perfumery was still somewhat celebrated. It was released in 1973 by perfumer, Jacques Jantzen.

Design: Cialenga’s design reminds me of the 70s but also seems to borrow some design elements from the 1920s or 30s. Something about it is is very Art Deco. Maybe it’s the straight lines. Whatever it is, the design itself is a bit aged but then again, the fragrance is discontinued. It’s not something I’d like aesthetically but it is lovely in a very vintage way.

Fragrance Family: Chypre

Notes: Citrus, black currant, green notes, iris, jasmine, ylang-ylang, rose, lily, clove, vetiver, sandalwood, oak moss, patchouli, cedar.

I can only presume this stuff was taken off the market for its oak moss content. A real shame because Cialenga is a very approachable aldehyde. I can see it as the aldehyde primer for someone uncertain or afraid of the note.

Reviewed in This Post: Cialenga, ~1980, Eau de Toilette.


Calvin Klein Eternity

Eternity is one of those classic smelling Calvin Klein fragrances with a ton of ingredients that kind of sends em off into ‘meh’ territory for some reason.

Eternity

Eternity

In Bottle: Spicy carnation with rose and lily notes there’s a hint of citrus up top with a bit of earthiness too.

Applied: Citrus opener that follows with a sharp green and clean note that fades away rather quickly to reveal very spicy carnation with a bit of sage and a lily and rose flowery midstage. This stuff smells like a spicy flower bouquet and if you let it keep aging on your skin, you’ll be treated to a woodsier interpretation near the end that falls into a warm spicy and earth fragrance that finishes itself off with a faded carnation note.

Extra: Eternity was composed by Sophia Grojsman who also did fragrance such as White Linen for Estee Lauder and Lancome’s Tresor.

Design: Eternity is bottled rather simply in a tasteful shape and with subdued design elements. It’s a rectangular glass bottle with a metal topper. Very nicely done, Calvin Klein. But then again, CK has always been pretty good about its bottle designs. Kudos.

Fragrance Family: Spicy Floral

Notes: Citrus, mandarin, green notes, freesia, sage, lily, carnation, violet, rose, jasmine, lily of the valley, marigold, narcissus, heliotrope, sandalwood, musk, amber, patchouli.

I’m not wild about this fragrance for some reason. Maybe it’s because I used to smell this a lot when I was around this one woman who swore by her Eternity and wouldn’t wear anything else. It’s been almost a decade since I was around her but maybe that’s why I feel like Eternity just isn’t exciting to me. You smell a perfume for a certain amount of time and it just ceases to be amazing, I suppose.

Reviewed in This Post: Eternity, 2002, Eau de Parfum.


Jennifer Aniston Lolavie

Jennifer Aniston’s perfume has been received with what I think is an odd sort of popularity in the fragrance world. Why am I perplexed? Well, it’s not that the stuff doesn’t smell good. It’s not even because I think it’s generic. It’s just that I had no idea Jennifer Aniston was still a very popular celebrity. Granted, the last time I watched a movie, a television show, or paid any attention to celebrities was about ten years ago.

Lolavie

Lolavie

In Bottle: Clean and soft floral with a kick of citrus at the top and a bunch of white musk.

Applied: Citrus opens up Lolavie and quickly makes way for the scrubbed clean florals. The scent is very light and refreshing. I can definitely see this being worn in the spring when the flowers have just started to come up. There’s no–or very little–sweetness to this thankfully as the predominant floral note seems to be lily according to my nose. There’s very little in the way of interesting progression as its dry down, I’ve noted, smells like sandalwood and white musk. All in all lolavie doesn’t leave a huge impression on me. It’s clean, it’s light, it’s fresh and it’s definitely a floral. Outside of those very basic facts there just isn’t a lot to comment on. Her longevity stinks due to how light she is but if you’ve been searching for a light, easy, floral perfume then Lolavie is a very good choice.

Extra: Lolavie was Jennifer Aniston’s first fragrance release and I think she’s been trying to table a deal to make another one. Before this fragrance was even released there was a bunch of media buzz about how Aniston didn’t want a normal celebrity perfume and that she wanted something daring and new and different. I will hand it to her that Lolavie is different from the sugar piles of other celebuscents. But it’s not daring or new and hardly different if you compare it to mainstream offerings. It’s a good attempt though and Aniston manages to avoid the Britney Spears segment of celebuscents and is so far cruising along with Sarah Jessica Parker.

Design: The one bone I have to pick with Lolavie is its packaging. The bottle is incredibly unwieldy. I have no idea why they designed the thing to be so big and–well, it’s just big and clunky. It’s a lovely shape. It’s an interesting twist on the standard classic perfume bottle look. But why does the thing have to be so enormous? The size of the bottle makes it difficult to hold and spray and is just unnecessary. Another thing that makes me cringe about the packaging is the typeface they chose. Reminds me a little too much of Times New Roman. Times being the typeface people associate with textbooks, technical manuals, and book reports they were forced to write in school. None of these things paints a particularly fascinating image of the scent within. Other than that, it’s a lovely simple design.

Fragrance Family: Floral

Notes: Citrus, rose, jasmine, violet, lily, musk, amber, sandalwood.

I modified the description of the notes list a little because I thought calling a blended citrus accord a “citrus grove accord” was pretty ridiculous wordage. Unless I’m to believe they crammed the citrus, the trees, the dirt, and farm tools into that accord I think calling it just a plain old ‘citrus accord’ is the way to go. What is it with these celebrity releases that they have to come up with the most bizarre ways to describe their notes? Do consumers really buy a perfume because they think they’re getting the smell of an entire citrus grove? No wonder perfume is so misunderstood and confusing. There’s so little consistency in the marketing.

Reviewed in This Post: Lolavie, 2011, Eau de Parfum.


Dior Diorissimo

Diorissimo is a classic from the 1950s before Dior went the youth route and replaced their hard hitting fragrance lines with stuff like Miss Dior Cherie. I smell Diorissimo and miss the days when it was okay for a fragrance to be heavy and heady.

Diorissimo

In Bottle: Florals with a slight sting of citrus up front and a coating of animalic civet in the background.

Applied: Fresh and green with a citrus opening and that smell of leaves and dew. The lilies come in during the mid-stage and in the final act of the opening and proceed to dominate the fragrance. The lily scent in the middle is very noticeable, clearly the stars of the show as the fragrance settles into this heady floral lily mixture that’s just unrelenting. I still get a bit of that fresh green leaf scent that present when this fragrance was first applied but the civet can’t stay hidden forever. It creeps up as the fragrance gets warmer and dirties the scent up quite a bit. At times I’m wondering who let the mongoose into the garden as the civet is a bit disturbing but at the same time feels like it belongs. The dry down introduces a bit of sandalwood, scenting together with the lilies as the two do a little good against the ever-present civet.

Extra: Diorissimo is still available in its Eau de Toilette form and for the most part, it smells similar now to when I first smelled it in the 90s and, all things considered, it is available for a fairly reasonable price. You can also hunt down the Parfum concentration, though I’m told it’s more rare, more expensive, and even headier than the EdT.

Design: Bottled rather simply but has a classic elegance to it that says this stuff doesn’t need frills and gimmicks to look good and be good. I like the simplicity of it all. The brush script I can take or leave but the overall design is pleasing and nice.

Fragrance Family: Classic Floral

Notes: Bergamot, leaves, rosemary, lily, lilac, jasmine, lily of the valley, ylang-ylang, civet, sandalwood.

I’m not sure how to treat the civet in Diorissimo. It’s not heavy enough to be a deal breaker, but I do notice it and it does put me off a little. Regardless, if you like a little civet here and there Diorissimo is a beautiful classic that’s survived the times–mostly–in tact.

Reviewed in This Post: Diorissimo, 2005, Eau de Toilette.


Cacharel Amor Amor

Some days I like Amor Amor. Other days I think it’s a soapy mess. It ultimately comes down to my mood and Amor Amor has good days more than bad days, though it’s so far the only perfume I hate one day and love the other.

Amor Amor

In Bottle: Sweet and floral, a bit sharp, with a very strong soapy undercurrent. There’s a ton of white musk in this to me.

Applied: Sweet and clean with a bit of fruitiness that eventually evolves into a sweet and clean floral mid-stage. There’s something in this that’s sharp–I think it might be the white musk–that rears its head in the mid-stage and sticks around until the very end of the fragrance. Amor Amor is a bit of fun and girly balanced with sharp clean musk. The mid-stage reminds me of a bunch of fruity florals mixed together with an extra heaping of sugar slapped into the mix. The dry down gets a bit less sweet and a bit cleaner as the white musk takes over and sweeps the fragrance into a vanilla woods with a scrubbed amber scent.

Extra: I don’t know what to think of Amor Amor. Some days I think it’s one of the better fruit scents out there. Other days I think it’s just too sweet and too typical.

Design: I don’t like how Amor Amor looks. It feels like it wants to be a gimmick and reminds me too much of the rose under glass in Disney’s Beauty and the Beast. The bottle itself is easy to hold and use. I just don’t care much for the aesthetics.

Fragrance Family: Fruity Floral

Notes: Blackcurrant, orange, mandarin, bergamot, cassia, grapefruit, apricot, lily, jasmine, rose, white musk, amber, tonka bean, cedar.

I’m writing up this review from a set of notes so I haven’t smelled Amor Amor in a while. I do wonder if my opinion of it has changed since I wrote the review. I guess I can try to smell it some time soon and see if I’m having a good Amor Amor day or a bad one.

Reviewed in This Post: Amor Amor, 2007, Eau de Parfum.


Givenchy Ange ou Demon

From the other reviews I’ve read, it seems Ange ou Demon used to be something much better than the iteration I smelled. There’s a lot of bitterness for the silent reformulation of this fragrance and I regret not having smelled its original incarnation.

Ange ou Demon

Ange ou Demon

In Bottle: Looking at the notes list, I wouldn’t have pegged any of those to be in this fragrance. My impression is a very sweet rather girlish fragrance. Certainly not one that I could see the likes of rosewood and oak moss being present. This smells like fruity candy basically.

Applied: Very sweet fruity opening that reminds me a bit of Coco Mademoiselle’s very sweet opening without the amber or the powderiness. Ange ou Demon is like a slap in the face with a bag of hard candies. It quickly becomes cloying before it even starts introducing other notes into the mix. As I keep wearing it, there’s a few flowers that come in, none of them very deep but they do add themselves to the fruity candy mixture in the opening so what I end up getting is this sweet flowery mess that doesn’t smell like a high-end fragrance should smell like. Basically, it smells sloppily put together. Like someone mixed two incompatible perfumes together. The dry down doesn’t make things much better as that annoying cloying sweetness sidles up to the vanilla in the base to take Ange ou Demon out to end what was ultimately a pretty banal and semi-annoying performance.

Extra: Seems to me like sometime in the last few years Ange ou Demon went from a more sophisticated spicy floral scent to what it is now as a candy-laden mess. A shame, really, as the previous version sounded brilliant.

Design: I rather like the bottle design even though it can be a bit over the top. It reminds me of a jewel or a geode or something rocky and sparkling like that. The bottle itself is easy to hold and use though so I’m happy with it.

Fragrance Family: Sweet Floral

Notes: Mandarin,  cumin, saffron, lily, orchid, ylang-ylang, rosewood , oak moss, vanilla, tonka.

If there was more to this fragrance, I really missed it. The notes list makes Ange ou Demon sound so awesome. Cumon, saffron, rosewood and oak moss. All hugely sophisticated and beautiful notes but I got none of that. Instead, I got a flower covered lollipop.

Reviewed in This Post: Ange ou Demon, 2011, Eau de Parfum.