Cartier Declaration for Men

Happy New Year! I am back with a Cartier. I was thinking of doing a more unique fragrance as the first for 2013, but after humming and hawing over what that fragrance may be, I decided a Jean-Claude Ellena designed Cartier would have to do. That Smell will be back to normal next week.

Declaration for Men

Declaration for Men

In Bottle: Citrus, sharp orange, no sweetness–but very bitter with an earthy quality and a spicy kick.

Applied: Bitter orange with a blend of birch in the background. I get some spices upfront too and an almost animalic quality that I’m assuming is coming from an ambery leather combination. There’s definitely something that smells a bit “off” about this, but it’s “off” on purpose, like Declaration is trying to tell me to like it or leave it. Anyway, as the scent ages, it gains more woodsiness, takes on a floral bouquet with warm leather and that constant off smell in the background as the spices roll in. It took a long time for Declaration to get anywhere, it has fantastic longevity and projection so if you want something that will stick around all day and don’t mind occasionally getting a whiff of faint uncleanliness then this might be up your alley. As the scent dries down, I get more spices, more vetiver and a smooth leather that rounds things out very nicely.

Extra: Declaration has quite the lengthy list of notes and the complexity it boasts is no surprise for how much stuff is jammed into it. It smells of sophistication and good taste, but at the same time, it warns the fainthearted off with what people call the “sweaty armpit” undercurrent that runs through this scent. Whatever it is, those who brave it might come to love it.

Design: Declaration has a nice enough look. Simple in general with a bit more attention paid to its cap. It’s easy to hold, pleasing to look at with no garish bone on its body.

Fragrance Family: Woodsy Spicy

Notes: Artemisia, caraway, coriander, birch, mandarin orange, bergamot, neroli, bitter orange, iris, ginger, cinnamon, pepper, juniper, orris root, jasmine, cardamom, leather, amber, tea, vetiver, oakmoss, cedar.

I don’t relish much on the off smell in this. If you’ve followed this blog, you’ll note that I tend massively toward the clean so Declaration was a bit of a surprise for me. I appreciate it on the complexity level, but I think I’ll pass.

Reviewed in This Post: Declaration for Men, 2012, Eau de Toilette.


Calvin Klein CK One

CK One brings back memories of the early 90s. Where people these days love their Viva la Juicys, the early 90s seemed to be marked with the citrus-y smell of CK One.

CK One

In Bottle: Opens on a rather tart but very crisp and dewy fruity citrus note. There’s a pineapple in there but it’s not your  run-of-the-mill fruity sweet and tropical pineapple. This is tart pineapple and I quite like it.

Applied: That clean, green and crisp opening with the tart pineapple and the citrus. CK One takes its citrus and leads into a clean floral mid-stage dominated by lily of the valley, iris and a very potent lemon note that works well to keep this fragrance fresh and clean. The best part of CK One for me is the dry down where the citrus is gone and whats left are florals clinging to clean and diving into a base of tame cedar and sandalwood. I don’t so much smell the oakmoss in this than I smell the green notes that were in the opening. The closer is a green, floral woods.

Extra: I remember being a little girl and first smelling CK One. It was at a department store and we had little money at that time for things like this. But I always tried to sneak a smell. I don’t remember if I liked it or not, I only knew that Calvin Klein–at the time–was some fancy brand and one of the girls in my class bragged about wearing this perfume.

Design: Very simple bottle. Flat and rectangular with frosted glass. The sprayer is quite uniform-looking too but it’s still an extremely recognizable design. There’s something very utilitarian about this that I love. Maybe it’s the lack of fanciful shapes and colors. I actually like the design, but I think it might be a bit on the plain side.

Fragrance Family: Fresh

Notes: Pineapple, green notes, mandarin orange, papaya, bergamot, cardamom, lemon, nutmeg, violet, orris root, jasmine, lily-of-the-valley, rose, sandalwood, amber, musk, cedar, oakmoss.

CK One isn’t anywhere near as big a deal for me now as it was back then. Still, there’s moments when I smell this and remember sneaking sprays at the makeup counter while my mother and the sales associate gabbed about sunblock.

Reviewed in This Post: CK One, 2002, Eau de Toilette.


Calvin Klein Obsession for Women

Call me crazy, but I don’t like Obsession for Women. I like the men’s version a bit better but both of them fell off my radar and into ‘Eh, don’t like it and can’t get myself to’ territory. Much like how Poison by Dior ended up there.

Obsession for Women

In Bottle: Warm and spicy, very reminiscent of Opium but not as smooth or as smoky. I smell the animalic in this up front too.

Applied: Obsession opens with a slight spray of green citrus which is quickly joined by the civet note. Civet is used well in most perfumes, often as a touch of sensuality and Obsession is no exception. Anyway, after the light citrus and civet open up, the fragrance digs a bit into a fruity jasmine and rose blend dolled up with a lot of spiciness. There must be cloves or cinnamon in there somewhere. Obsession’s projection, by the way, is very good as is its longevity. You’ll be waiting a rather long time for it to dry down but the fragrance dries so naturally into a deeper woodsy floral amping up the civet a little and mingling those spices with a very warm amber quality to it and a slight smokiness that eeks itself into the scene at the very end.

Extra: Obsession was released in 1985 during the crazy trend with oriental perfumes.

Design: Obsession’s bottled in a oval glass with a golden liquid inside. The cap is a rich brown shade. The packing looks nice enough and a bottle of Obsession is definitely easy to ID. It’s clean, it’s simple, it’s pretty good.

Fragrance Family: Oriental

Notes: Green notes, mandarin orange, vanilla, peach, basil, bergamot, lemon, spices, coriander, sandalwood, orange blossom, jasmine, oakmoss, cedar and rose, amber, amber, musk, civet, vanilla, vetiver, incense.

Obsession is a well done perfume. I just want to get that out there, I just don’t like it because I believe it’s very similar to Opium and Opium did this concept better which makes Obsession seem rather unnecessary to me. But then, Opium is stronger, so if you liked it but thought it came on way too much, try out Obsession and see if this will work better for you.

Reviewed in This Post: Obsession for Women, 2004, Eau de Parfum.


L’Or de Torrente

Being a fragrance addict, I’m supposed to go around being drawn by smells and the fascination of following my nose to the next smell and just enjoying this fantastic olfactory world we live in. But sometimes I’m also bad and gravitate toward a fragrance because of its packaging. Thanks, L’Or de Torrente.

L'Ore de Torrente

In Bottle: Whoa, coffee! Well, this is coffee mixed with sweet lychee and a bit of tart currant but I’m surprised to find the note working so well with those other two elements.

Applied: Sweetness up top with the lychee dominating the scene and dragging a tart blackcurrant note behind it. The lychee in fragrances never seem to completely go away to me until late into the mid-stage. and the lychee in this sticks around but isn’t obnoxious about it as L’Or de Torrente heads into this beautiful sweet amber and roses fragrance with a cup of coffee sitting nearby. The lychee takes its time to fade out during this stage for me and I’m happy for it as that rose, amber, coffee smell is awesome without any fruitiness necessary. The coffee note is dense and rich, and even though the notes look like they might clash, it actually words really well here and I’m particularly fond of the use of roses in this scent. The fragrance reminds me a bit of chocolate roses, a confection that doesn’t always land on my gourmand palette either, but always has this irresistible elegance to it. Now, this stuff is sweet but the rose and the amber help bring it away from gourmand and slot it more firmly in oriental. The final dry down is a vanillic amber scent with a fading coffee trail. I wouldn’t call this delicious, but it does smell fantastic!

Extra: L’Or de Torrente was composed by Jean Jacques in 2001.

Design: So this bottle is a bit flashier than I’d normally like but there’s something so appealing about its color and the leafy accents and the whole look of the thing. It’s organic in a way, mixed with metal and polished to luxury. I can’t quite describe why I find the bottle so awesome to look at it but there you have it. The packaging is certainly alluring to me.

Fragrance Family: Floral Oriental

Notes: Mandarin orange, lychee, kiwi, black currant, magnolia, iris, cedar, coffee, rose, angelica, vanilla, white amber, precious wood.

I can’t believe how well this fragrance works. There’s just enough mixing to make it all mesh together without clashing and the coffee, strangely enough, really holds up the roses and vice versa. I simply love this.

Reviewed in This Post: L’Or de Torrente, 2005, Eau de Parfum.


Jean Desprez Bal a Versailles

People hunt down bottles of Bal à Versailles to see what it smells like. I have to say some of these people probably do it because they’re curious about the perfume Michael Jackson wore. Hard to blame them for being curious, but amongst some of the more popular opinions include, “This doesn’t smell like how I’d imagine Michael Jackson would smell like” and “This smells weird”.

Bal à Versailles

In Bottle: It opens as an aromatic animalic. Love how that rolls off the tongue. Rosemary is prominent at first, followed by a very light dust of florals that are accompanied by a dark animalic undertone.

Applied: Get used to that dark animalic undertone as it will accompany you on your olfactory quest. The rosemary is quick to open up and for me, the rosemary stuck around in the top notes and fled as the mid-stage introduces a very classic smelling floral. Powder and flowers, sultry, dark, sensual. The florals are joined by a smooth series of woods that keep this fragrance somewhat unisex. This is a masquerade party in the form of a perfume. It’s classic, it’s sensual, but it’s not afraid to be elegant either. It’s a deeply complex little journey as the mid-stage slowly gets more and more sultry on entering the final round of its very interesting existence. The end stage is a mix of warm amber, smooth woods, and sensual musk.

Extra: Bal à Versailles was released in 1962 and ever since a certain King of Pop adopted it as one of his favorite perfumes, it has been known to many of his fans as, “That perfume Michael Jackson liked, but I don’t”. For the rest of us, Bal à Versailles is a beautiful piece of complex nose art.

Design: I like the shape of the bottle, very vintage looking. It’s beautifully designed and beautifully presented. I’m even okay with the Rococo-style painting on the bottle which at first glance seems out of place, but grew on me. It’s Rococo, how can I lose? For someone who doesn’t usually get on board with things like this, Bal à Versailles played just the right amount of right to make the design work. Not to mention the look of this bottle is so easy to recognize anywhere.

Fragrance Family: Oriental

Notes: Rosemary, orange blossom, mandarin orange, cassia, jasmine, rose, neroli, bergamot, bulgarian rose, lemon, sandalwood, patchouli, lilac, orris root, vetiver, ylang-ylang, lily-of-the-valley, tolu balsam, amber, musk, benzoin, civet, vanilla, cedar, resins.

Now, bear in mind that Bal à Versailles is not the most accessible fragrance out there in terms of going to a department store, slapping some money on the counter and saying, “I’ll have the usual, Tom”. I wish ordering perfume was like that. Anyway, Bal à Versailles is not as hard to find as one might think. It’s not everywhere like Britney Spears Fantasy, but it’s not squirreled away in an obscure niche like–heh–Bruce Willis Cologne either. You can easily find Bal à Versailles on discounter sites and some department stores. I recommend anyone interesting in fragrance to give it a sniff. And if you were wondering what one of Michael Jackson’s favorite perfumes smells like, well, there you go.

Reviewed in This Post: Bal à Versailles, 2003, Eau de Toilette.


Yves Saint Laurent Opium

It was bound to happen one day but we were all hoping it wasn’t this soon. Opium has been (quietly) reformulated into a shadow of its former self. So it is with this review that I bid goodbye to an old classic and an icon of oriental fragrance. Opium

In Bottle: Heady, rich, deep and spicy. Opium is not a time waster. She’s a woman of drastic sophistication and daring. Often referred to as sexy and mysterious. This fragrance opens with a big spicy kick followed by a huge wave of thick resinous amber.

Applied: Cinnamon and amber upfront as Opium’s opener flares instead of rolls. This fragrance announces its presence with a capital A. You want a powerhouse? Opium’s your gal. She’s no meek, slinking fruity floral girl in a white dress. She’s decked to the nines in diamonds and blood red pumps. The ambery cinnamon scent sticks around in the background giving Opium a smooth and punchy background while the heart notes of powdered jasmine, rose and dark myrrh flood the middle. Opium’s a strong and long lasting fragrance that you’ll struggle through if you don’t like it. The heart sticks around for a very long while before the dry down of deep, dense woodsy patchouli and myrrh base join that ever present spice and amber with the faded floral hearts. Even then it takes Opium a long time to completely fade with its mixture of base notes.

Extra: It takes a while to love Opium. A fragrance fanatic or an individual born into the era when Opium reigned would find it easy to appreciate this but someone young and inexperienced coming into the scene needs to be gently introduced. I got myself acquainted with Shalimar before I could brave Opium. And I’m glad I had a classic bottle to do it with. The new Opium is a slightly damaged affair. It smells younger, but more vapid. Like its missing some of its daring in exchange for modern ease.

Design: The most well-known bottle of Opium (at the moment anyway) is a thin pretty glass flacon with the signature Opium colors and designs on it. I’ve always though the bottle was beautiful and I was happy to note that Opium’s sprayer nozzle (unlike its flankers) was metal.

Fragrance Family: Oriental

Notes: Mandarin orange, bergamot, lily of the valley, jasmine, carnation, myrrh, vanilla, patchouli, opoponaux, amber.

Opium was quietly reformulated in and around the time its new bottle (the current look) was released. Quiet reformulations of old fragrances is not a new thing. It happened to many fragrances and will continue to happen due to industry regulation changes, materials availability, and a slew of other consequences that a fragrance lover may never come to terms with. Thanks for a good thirty years, Opium.

Reviewed in This Post: Opium, ~1990, Eau de Parfum.


YSL Opium Fleur Imperiale

Still working up to my ultimate appreciation of Yves Saint Laurent’s Opium. I decided that since I wasn’t able to work myself up to Opium yet, I should start with Opium Light, as I call it. Otherwise known as the limited edition Summer Opium Flankers that feature Fleur Imperiale. Opium Fleur Imperiale

In Bottle: Definitely Opium based but the original fragrance has been reduced from its big flashy self to a lighter pleasant base for a layer of clean and sheer woods.

Applied: Neroli and Jasmine make a first impression as the Opium base matures and sticks around for the mid and dry down stages. Over Opium there is a nice, dusty sandalwood that covers the fragrance in a clean twang. The rest is handled by dry osmanthus and cleaned up myrrh. At its heart, this is a more flowery version of the original Opium. Carnation is used sparingly in this giving the fragrance a bit of floral spice. Not a lot though so if you were concerned about it, don’t be. Fleur Imperiale smells exotic. Like a nap under the shade of a tree in a desert  palace. It helps that Fleur Imperiale is a dry, warm, clean scent as its approach on dry down is a parched but beautiful myrrh-backed, golden vanilla amber.

Extra: Great introductory fragrance to Opium, the classic. Even though this is a flanker one wouldn’t venture to purchase a flanker if they didn’t like original Opium. I urge you to try the summer limited editions, however. Particularly Fleur Imperiale and Shanghai. They are toned down and more sheer. Great for anyone hesitant and anyone who wants to come to understand and appreciate Opium for all its earthy, spicy goodness.

Design: I love the design on this bottle. It’s shaped like Opium with pretty red flowers on the glass. My major complaint, however, is the plastic sprayer and plastic cap. Okay, the plastic caps are common and I should stop raging about those now. I can dig that. But a plastic sprayer? Come on. Every time I go to spray this stuff, I’m worried the plastic sprayer is going to somehow break or worse yet, break off. The plastic sprayer just feels and looks cheap. I’d like a hardware upgrade (too late for that) but other than that, Opium Fleur Imperiale is a pleasant thing to behold.

Fragrance Family: Floral Oriental

Notes: Mandarin orange, neroli, bergamot, carnation, jasmine, apricot blossom, amber, patchouli, vanilla, osmanthus, woods, myrrh.

I was very  impressed though a little disappointed by how similar Fleur Imperiale and Fleur de Shanghai are. There is a minor difference though as Imperiale is decidedly warmer and lacks the gentle sweetness.

Reviewed in This Post: Fleur Imperiale, 2006, Eau de Toilette.