Chanel 31 Rue Cambon

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31 Rue Cambon is like a modern miracle. It’s a chypre. A modern one though, and being a modern chypre it is still missing the ever beloved and tragically lost, oakmoss. Yet 31 Rue Cambon still manages to pull the modern chypre off with elegance and classic flair.  31 Rue Cambon

In Bottle: A beautifully done iris note is a predominant player in this fragrance with a nice woodsiness to it that takes its sophistication up a few more notches still. There’s a sweetness lingering up front in 31 Rue Cambon that adds the “modern” section of this fragrance. Finally, there is a soft powdery note to this as well which is what gives it that classical scent to me.

Applied: Slightly aldehydic with a generous layering of florals and a splash of bergamot with a note of sweetness added in. 31 Rue Cambon goes on from the opening with a powdery introduction of the iris, and very decadent-smelling rose and jasmine, with some wood notes that blend well with the opener to create a complex blend of warm, leathery, powdery fragrance. This  makes me think of Coco by Chanel wrapped up in an ivy and rose dress. 31 Rue Cambon is a short-lived beauty as it approached its dry down within a matter of hours. A strange thing given the fact that most Chanels last forever on me. Its end game is no stranger to zip as it dries down with a warm, complex, leatheriness.

Extra: 31 Rue Cambon is one of the more popular fragrances from Chanel’s Les Exclusifs collection of fragrances. I can’t say I’m a major fan of many of Chanel’s mainstream releases as of late, but their Les Exclusifs line stick well to the older script that bears creative beautiful little masterpieces like this one.

Design: The Les Exclusifs line is designed to look fairly similar with a tall rectangular bottle, white label, bold and clean black letter. True Chanel minimalist style. The bottles also feature that fantastic magnetic click cap that I couldn’t seem to get enough of on Bleu de Chanel.

Fragrance Family: Modern Chypre

Notes: Pepper, bergamot, orris, narcissus, jasmine, patchouli, ambrette, vetiver, labdanum.

I’ll be blunt in noting that I hold no love for most modern chypres because they tend to smell nothing like a chypre should. But 31 Rue Cambon is as close as it’s going to get, and while the chypre in this is still masked behind a big modern personality, it manages to smell classic, elegant and truly Chanel.

Reviewed in This Post: 31 Rue Cambon, 2009, Eau de Toilette.

Robert Piguet Fracas

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If you want tuberose, you usually don’t have to look far. The fragrance industry is inundated with tuberose scents. From the highest end to the shower gels. Sometimes tuberose is even masquerading as gardenia. But if you want a really bold, really classic, very true tuberose, you get Fracas. Fracas

In Bottle: Powerful hit of sweet tropical, juicy, slightly rubbery tuberose. Fracas is very strong. I want to come out and warn you of that right away or I would feel bad. Aside from its strength it’s a lovely thing. It smells like the times must have been like back then, elegant and classy with a bold streak.

Applied: Wet rubbery tuberose with a sweetness added to it. This smells like a giant bouquet of flowers with a dominant tuberose the size of a skyscraper. The flowers, despite all their best efforts, are secondary to the tuberose that’s so massive and appealing that it can’t really scream any louder than it does in this fragrance. Unlike most people, and you shouldn’t go by what I say, I don’t consider tuberose as a sultry flower. It smells like slick rubbery floral to me and that’s about as far as I can take it. If you do happen to think tuberose smells sultry, then Fracas is sultry in a bottle. As the scent progresses, you start to wonder if it will ever end as not only is Fracas fantastic in terms of projection, its longevity is to be complimented too. There’s a subtle spiciness to Fracas if you wait her out long enough which gives the tuberose something to talk to as up until that spiciness, all I had was a big white floral.

Extra: Fracas was released in 1948 and is a classic by all accounts and purposes. It has become the go to scent for tuberose and its reputation is well deserved. It has survived this long as a reference and a piece of history and I’d like to believe it’ll survive for a good six decades too if you never wash it off.

Design: The eau de parfum is bottled in a fairly plain black bottle with hot pink lettering depicting the fragrance’s name and house name. Not Earth shattering in appearance but you don’t buy Fracas for the bottle.

Fragrance Family: Floral

Notes: Green notes, mandarin, bergamot, hyacinth, geranium, peach, tuberose, jasmine, orange flower, white iris, lily of the valley, violet, jonquil, carnation, coriander, balsam, vetiver, orris, sandlawood, moss, cedar, musk.

If someone hadn’t pointed me to that massive list of notes, I never would have believed it. Just as a point of interest because I know someone might be looking for this, you pronounce Robert Piguet like, “Row-Behr Peeg-Gehy”. You pronounce Fracas as, “Frah-Cah”.

Reviewed in This Post: Fracas, 2002, Eau de Parfum.

Amouage Lyric for Women

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Amouage is a luxury niche fragrance house base based in Muscat. Most famous for their very expensive and very decadent Attars, Amouage is well known as one of the most artistic and luxurious fragrance houses in the world. Lyric for Women, released in 2008 is one of their newer fragrances. Lyric for Women

In Bottle: Big kick of spicy citrus upon first application. It immediately reminded me of a BPAL oil. I cannot put my finger quite on which one but I’m going to tentatively say it reminds me of a more complex Lear. At least, that’s what my mind flew to first.

Applied: Lyric for Women only vaguely resembles BPAL’s Lear for the first ten seconds. It starts to smooth out and become more floral, softer, definitely more feminine as the initial spice gives way to a lovely bouquet of jasmine, rose and angelica flowers. The rose is the star in the mid-stage, vibrant but not overbearing. It’s kept tame by a fantastic and very well-done incense note. It’s a beautifully blended fragrance with a clear and fascinating progression as Lyric for Women dries down into a complex medley of clean incense woods and smooth spicy vanilla.

Extra: Amouage is a world famous, luxury niche fragrance house with roots in the Sultanate of Oman. It’s most famous fragrances are the Attars, rich and decadent scents that can run you upwards of $400 for 12ml. Lyric for Women is not one of these Attars but it is beautiful just the same.

Design: I love the bottle. Deep red glass, has a fantastic feel to it. Has a good amount of weight, is easy to hold, and very pleasant to look at with the Amouage seal on the bottle’s glass and the fragrance’s name running along the circumference of the neck.

Fragrance Family: Floral Oriental

Notes: Bergamot, spicy cardamom, cinnamon, ginger, rose, angelica, jasmine, ylang-ylang, geranium, orris, oakmoss, musk, wood, patchouli, vetiver, sandalwood, vanilla, tonka bean, frankincense.

Now, while I love how Lyric for Women smells, I’m not so sure about the cost of the fragrance itself. Running at $300 for a 100ml bottle, if I were to drop some serious cash on an Amouage fragrance, it would be going into an Attar instead.

Reviewed in This Post: Lyric for Women, 2008, Eau de Parfum.

Prada Infusion D’Iris

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Infusion D’Iris is a fragrance true to its name as the fragrance strength and longevity are pretty much as good as an infusion’s going to get. This is an incredibly light fragrance with a very sad, very short applied life. No wonder a 200ml of Eau de Parfum exists. Having thought it funny that a bottle (not counting fountains) so massive existed at the time, I have since seen the light. I will no longer laugh at your jug’s worth of fleeting beauty, Infusion D’Iris. Infusion D'Iris

In Bottle: Green with a slightly earthy quality to it. Dark citrus laid over breaths of earthy, woodsiness. There is a very beautiful,very clear floral in this that lands the fragrance in floral territory immediately. I love the play between the freshness and the earthiness here. The latter often used in a denser way.

Applied: There’s a very bitter opener in this that powers through and reserve thoughts you may have had of D’Iris possibly being fruity. Nothing at all fruity about this fragrance as it tells you up front that it means business. The floral is also very quick to come up along with the woods and resins that blend together to make this fragrance sing during the early application period. As Infusion D’Iris ages on the skin the bitterness eases off a little, letting the flower and the rest of the fragrance do its work as it smooths out into a light whitish-green interpretation.

Extra: The iris sprouts from a bulb and like most bulb sprouting flowers tend to lack a scent, or have very little scent. There are some iris species that do have fragrant flowers but by and large you’ll find scentless iris petals. So, how come you see some people claim they can smell irises and love iris notes? They probably can because iris absolute does exist. Naturally extracted iris absolute, like many naturally produced ingredients in perfumery, are prohibitively expensive. Iris notes are made from the rhizomes of the plant rather than from the petals like most people would think. It would surprise many to discover that a lot of flower petals lack a fragrance and ye olde iris is one of them. How do they get the fragrance out of iris rhizomes then? They irradiate  them then extract the goodness. Irradiation is done to accelerate the aging of the rhizomes to get irones out of them. Irradiation simply makes things faster. Far faster, as aging iris rhizome the natural way could take years, whereas nuking them takes only a week. For the hypochondriacs out there, you cannot get cancer or radiation poisoning from wearing the extract from nuked iris root. You also will not become a superhero. I know. I’m sorry.

Design: Presented in a tall rectangular glass bottle with the Prada logo embossed on a plate. The cap is a plastic and metal affair with a band of green textured paper running along its barrel. Simple, easy, nothing flashy or complicated. I’m a minimalist by nature so the bottle here suits my tastes. The sprayer is also very decent, even, fine mist, does not distribute too much perfume. Though in this case, it probably should have.

Fragrance Family: Fresh Floral

Notes: Mandarin, orange blossom, iris, incense, benzoin, vetiver, cedar.

Here’s another surprise feature about perfume and supposed expensive ingredients. While there are genuinely expensive ingredients still used in perfume the vast majority of money that a perfume costs to you, the consumer, doesn’t go into the materials to make the fragrance. According to Luca Turin in The Secret of Scent, approximately 3% of the money goes into the fragrance components and development. The other 97%? Packaging, margins and advertising. And so my rage at Burberry Brit’s brick of a bottle continues.

Reviewed in This Post: Infusion D’Iris, 2010, Eau de Parfum.