Balenciaga Paris

Perhaps you’ve heard of Balenciaga before, no, not their handbags that seem to be gaining in popularity these days. I’m talking about Le Dix, the street, the clothes, and the perfume. Mostly the perfume though. It’s a classic aldehyde, beautiful, but that’s not who we’re talking about today. Let’s jam it up with Balenciaga Paris.

Balenciaga Paris

In Bottle: Paris opens with a sheer, undetected level of sophistication and elegance. It’s violets and sun dew floating in the air.

Applied: Paris is incredibly light, it clings close to the skin and stays close for hours upon hours but what it won’ do is shout. This is a scent that’s meant to stay personal. I smell violets first of all, sweet little powdery violets drenched in dew. The mid-stage sees more violets, the dewy quality evaporating leaving me with a little bit of spice a nice hint of woods and a quiet little whisper of patchouli on the dry down. You shouldn’t expect projection with this fragrance. Paris’ angle is subtle and sleek. Get them while they’re close and keep them there with that violet softness.

Extra: Balenciaga is a fashion house with its headquarters in Paris, France. It was established in 1914. Other popular fragrances by house Balenciaga include Cristobal, Rumba and Le Dix.

Design: I love the bottle. I love its cap, love its shape, love the heft of it. It’s got nice weight, nice aesthetics and even though it’s a bit busier than the usual things I like, the business is well-designed, well-proportioned and very balanced.

Fragrance Family: Modern Chypre

Notes: Bergamot, spices, pepper, violet, carnation, oakmoss, cedar, vetiver, labdanum, patchouli.

Yes, believe it or not, this is a modern chypre. It’s got the right build though.

Reviewed in This Post: Balenciaga Paris, 2010, Eau de Parfum.


Hilary Duff With Love

As of January, I have officially aged out of the demographic for this fragrance–according to their ad anyway that said With Love by Hilary Duff has an age range of 15-24. So I’m a few days too late to be in with the Duff crowd. With Love still smells okay.

With Love

In Bottle: Fruity, tropical, sweet. The hallmark of most celebrity perfumes. Sometimes they’re tropical, almost always they’re fruity and sweet. With Love doesn’t bring anything new to the table here.

Applied: Blast of tropical fruit, that mangosteen note seems to be working overtime. It takes a little while for the fruitiness to settle down where we’re treated to a warmed up woody fragrance with a surprisingly interesting deep milky amber quality to it as well as a spicy note with a hint of clove. This is a shocker, given what I was experiencing in the opening. It’s still sweet, but it’s warm, smooth woodsy sweet now. This is a few steps above sweet fruitiness which is what everyone else seems to be doing. The fragrance further ages, leaving more sweetness behind as it dries down to a respectable but somewhat dull woodsy scent, losing some of its warmth and amber in the process but retaining the smoothness. Nonetheless, I was pleasantly surprised by the mid-stage, bored by the top and dry down though.

Extra: With Love was surprising to me. I fully expected fruity floral going in and there’s some of that but it’s a rather competent scent for a celebrity perfume. One of the better ones out there, I’ve got to say. With Love was launched in 2006, it is also a song by Duff and has a flanker called Wrapped With Love.

Design: Something about the bottle’s design reminds me of Parisienne by Dior. Anyway, the bottle is attractive enough. It’s got a neat texture on its glass with an interesting gold head ornament. It sort of looks like an earring or a pendant. Not ugly, not the nicest bottle. It’s just okay.

Fragrance Family: Sweet Woodsy

Notes: Mangosteen, spices, chai latte, mangosteen blossom, cocobolo wood, balsam, incense, amber milk, amber musk.

I might not like her music but her perfume is okay. Surprisingly okay, in fact.

Reviewed in This Post: With Love, 2008, Eau de Parfum.


Old Spice

Today we’re smelling Old Spice. I’ve smelled new Old Spice (hah) plenty and I’m sure you’ve smelled Old Spice plenty too, so let’s take a minute to appreciate what Old Spice smells like. Just because.

Old Spice

In Bottle: Spicy sweet floral with a citrus palette cleanser, bold for a men’s fragrance I gotta say. This is sharp, clean, sweet and strangely complex. A surprise to me immediately as it adds to its opening concoction a slightly boozy note intermixed with a dash of sugar sprinkled in.

Applied: After the citrus is done its job, the spice lingers around as is to be expected as the fragrance slowly introduces a fantastic miasma of cinnamon and clove with a few powdered flowers tossed in there for good measure. This scent is very dry, like a basket of cinnamon sticks at a spice market sitting near a bunch of burning incense on a hot summer day. It’s dry and warm and comforting with an interesting note of smoothness that comes up to mix with the florals and the spices that I want to say is sweet vanilla. Old Spice is a remarkably complex fragrance that goes through several stages on me but it’s mid-stage–that mix of sweetness, smooth vanilla, dry spices, and incensed florals is truly something else. Don’t turn your nose up at this or you’ll miss out on a very, very respectable scent. When Old Spice dries down, it takes a while to get there, but when it does it introduces a woodsy quality to the spicy floral sweet vanilla incense and warms things up even more with an amber and toasty tonka bean scent. Something this complex is mind-boggling how it could work together but it does! And it’s delightful.

Extra: Unlike a lot of people, I don’t have any early memories of Old Spice. I don’t know anyone aside from my fiance who may have once used Old Spice deodorant. And I kind of wished I did because this stuff is great.

Design: Old Spice’s bottle can be seen above. I don’t actually own a bottle of this stuff though with the affordable price tag, I really have no reason not to. The shape is reminiscent of a cola bottle but it works for this stuff and actually looks kind of nice. I can imagine that sitting on someone’s vanity. Wait, do men have vanities? I’ll just call them sink counter. Bottom line, the bottle works, it looks fine, it’s a good design for what it is and good for what you pay for.

Fragrance Family: Oriental

Notes: Orange, lemon, spices, clary sage, aldehydes, cinnamon, carnation, geranium, jasmine, heliotrope, pimento berry, vanilla, musk, cedar, frankincense, benzoin, tonka bean, ambergris.

Don’t knock it ’til you try it. Old Spice is a confident little classic number that’s been around since 1937. Yeah, the Old Spice really is old and I have to say, it’s aged rather well.

Reviewed in This Post: Old Spice, 2010, Eau de Cologne.


Paco Rabanne 1 Million

1 Million is a love it or hate it fragrance. In my case, I hate it. Just as a forewarning. It’s been lauded for its sillage, longevity and sweet, woodsy personality. All I smell is citrus and wood. One Million

In Bottle: A nice, pleasant and slightly sweet citrus mixed with a reassuringly sheer spiciness.

Applied: Maybe I was a little heavy-handed with this stuff but it’s hard to see how one spray could go so wrong. I spritzed a little on my hand, enjoyed the sweet spiciness of it then walked away from the counter thinking it was an interesting twist for juice that came out of a gold bar. Then the woodsiness started to amp up, and keep amping up. Amping so much up that it overtakes everything and turns the scent’s mid-stage into a sharp, synthetic, spicy wood affair with a lingering amber cloying quality. This juice reminds me of Versace Versense slapped with a hint of spice. I tried to wait this one out for its fade but it took hours upon hours and eventually I had to take a shower. At which point, 1 Million was still detectable. This stuff is strong, it’s got huge projection, fantastic longevity, and it is a head turner–though it’s a nose turner for me. The dry down is a difficult thing to pin down due to what the scent had already gone through by the time it reached that point. I got more woods blended with a sweet amber as far as I could tell.

Extra: 1 Million won three fragrance awards in 2009 and judging by how this acted on me, I think I have some broken skin or something because I just can’t get on board for this. It was a mess to me. An men’s fragrance that overindulged in the wood notes department and slapped in some spicy sweetness to try and figure itself out.

Design: This design is garish and tacky and it doesn’t care! 1 Million is a glass bottle, with a gold plate that’s made to look like a brick of gold that you’d find sitting in cartoon versions of Fort Knox. It’s a rather heavy and hefty bottle, feels a little too heavy but then I can only assume its weight gives the allusion that wearing it would make you feel like a million bucks.

Fragrance Family: Spicy Woodsy

Notes: Grapefruit, red orange, mint, rose, cinnamon, spices, blond leather, blond wood, patchouli, amber.

Maybe I’m being too harsh on 1 Million. Maybe I’ll give it another chance sometimes but I don’t see the appeal of it right now. Heck, maybe I even  sprayed too much.

Reviewed in This Post: 1 Million, 2010, Eau de Parfum.


Guerlain Mitsouko Vintage

After having read and heard about how beautiful vintage Mitsouko is, I had to get my hands on a half ml vial of the stuff to see how it was for myself. I like the new Mitsouko just fine but she pales in comparison to the vintage for good reason.  Mitsouko Baccarat

In Bottle: As fragrance restrictions were increased and time went on, something happened to Mitsouko. She doesn’t smell like this vintage and the difference is immediately noticeable. Vintage smells like a smooth fruity chypre, the peach is detectable, the chypre scent is distinct. It’s a beautifully layered, and beautifully composed fragrance that smells like rich history.

Applied: This smells heady, dense, very distinctly a chypre with a very smooth, soft peach note. This reminds me of Chypre de Coty for good reason, I can see how these two fragrances came about and I can smell how and why they were beautiful. It makes it even sadder that they don’t come like this anymore–Chypre de Coty being discontinued, Mitsouko having been reformulated into a sharp, powdery ghost of its former self. It opens with a gentle citrus with a touch of heady floral. It goes into the mid-stage into a smooth beautiful fruitiness with a soft peach scent intermingled with a rose and jasmine ensemble. Now, this isn’t peach in the Bath and Body Works sweet peach body mist kind of way, it’s a feminine but very grown up peach scent that lacks any silly girly-girl sweetness to it. The fade is a complex blend of oakmoss, spice and woods that makes Vintage Mitsouko smell so personal. Then there’s that familiar Guerlain base that lingers for an incredibly long time and makes me feel like I could totally pull off wearing a ball gown to a baseball game.

Extra: Any perfumista can write novels about vintage Mitsouko, but instead, you got me. What I can say about vintage Mitsouko is that it makes me sad in the way that smelling old vintages like this makes me sad. Because perfumes aren’t made like this anymore and it is a real shame.

Design: I do not own a bottle of vintage Mitsouko but I eye them very jealously. Guerlain has put their classic fragrance lines under a few redesigns over the years and they have always remained elegant and beautiful designs. Linked above is a newer bottle of Mitsouko. It’s a limited edition collector’s item dressed up in Baccarat and available for $7000. It is not how the original bottle looks. Too rich for my blood, and besides, I’d rather spend the money on a vintage. I always feel like something of a clown judging vintage bottles because I can only say that they’re beautiful and elegant and they certainly do not make them like they used to.

Fragrance Family: Chypre

Notes: Bergamot, peach, jasmine, rose, oak moss, spices, vetiver, woods.

I would love to own a bunch of vintage fragrances because I have yet to smell one I didn’t like. Vintage Mitsouko and its newer formulation is close. Guerlain did what they could with the new stuff but it isn’t the same. The new formulation is noticeably sharper, more powdery, and has a slight imbalance that doesn’t hit the mark quite as well as the vintage stuff.

Reviewed in This Post: Mitsouko, circa 1950, Eau de Parfum.


Guerlain Mitsouko

I don’t think highly enough of myself to kick off this blog with a review of a Guerlain classic because I feel I’m particularly versed in olfactory luxuries. I just wanted start with a relatively agreed upon fragrance. A classic, in other words, where so many others have said what needed to be said and I’m just filling in an already overflowing gap.

Mitsouko is Guerlain’s 1919 debut girl. Formulated by Jacques Guerlain with a following that describes her with such words as deep, sensual, sophisticated, and mysterious.Mitsouko

In Bottle: The fragrance is so well blended that I have a hard time picking out any specific notes. This is not a bad thing as it means Mitsouko has that unique quality. She smells like something never smelled before. I immediately associate her with with the word ‘classic’ and ‘old world’. Old world being a very endearing term to me, of course.  It’s spicy, it’s woodsy, just a little floral and very lightly fruity, but it’s all of those things at once too. To separate the notes and describe them feels wrong.

Applied: Mitsouko’s initial application is a burst of complex florals and soft woodsy notes. In a manner of seconds, as if she shed her flower coat as she drifted from the air onto skin, Mitsouko begins to deepen. The woods and spices come up creating this miasma of scent that makes me think darkness, headiness, and shadows drifting in and out of a sunless forest. As she dries the woods and moss come up more, blending with the spices as the components practically meld together. It is easy to forget that this is a fragrance composed of different notes and the fruitiness that people love in this fragrance is the softening agent used to tame rather than dominate. It’s hard to separate the notes and what’s left is just Mitsouko as a whole.

Extra: So it is said that Guerlain’s Mitsouko is a homage to many things, the name, the novel, the woman herself. Most people seem to subscribe to the theory that Guerlain based Mitsouko on the novel, La Bataille by Claude Farrčre. Where the novel is now difficult to find, at least for an English speaker with no foothold in French, the fragrance lives on in those who continue to love her.

Design: Mitsouko’s bottle design, I suspect, is supposed to reflect its scent and the artistry of the time. It looks and feels like a piece of design history. It’s a piece that, to me, reflects the orientalism of the fragrance and while art and design has since evolved into abstract shapes, clean and sharp lines, with flowing bulbous nodes of color bold against white, Mitsouko’s bottle design is an echo from an era gone but never forgotten. The one thing about my bottle I dislike is the plastic cap which seems to be on par for most recent Guerlains. I would have liked for them to invest in some nicer caps but you can’t have it all.

Fragrance Family: Oriental Chypre

Notes: Citrus, rose, peach, clove, pepper, spices, oakmoss and woods.

I believe a modern fragrance lover, and I wholly admit myself as a rotten, no-good, fruity-floral loving modernist, would find it difficult to like Mitsouko. But liking and respecting are two different things to me. I own a bottle of Mitsouko, a small one, for the simple fact that it is a piece of fragrance history. Once in a while I’ll bring her out and try to analyze  the complexities of her nature and to assuage my guilt of not warming up to Shalimar yet (I’m getting there). I find her too deep for normal wear as the people I’m around most often tend to react poorly to her. It’s not their fault, and it’s not Mitsouko’s fault either. Mitsouko is to be appreciated for sure as one of those classics you’ve just got to try at least once because reviews just don’t do her justice. As for wearing her? That depends on what you like.

Reviewed in This Post: Mitsouko, circa 2008, Eau de Toilette.