Robert Piguet Fracas

If you want tuberose, you usually don’t have to look far. The fragrance industry is inundated with tuberose scents. From the highest end to the shower gels. Sometimes tuberose is even masquerading as gardenia. But if you want a really bold, really classic, very true tuberose, you get Fracas. Fracas

In Bottle: Powerful hit of sweet tropical, juicy, slightly rubbery tuberose. Fracas is very strong. I want to come out and warn you of that right away or I would feel bad. Aside from its strength it’s a lovely thing. It smells like the times must have been like back then, elegant and classy with a bold streak.

Applied: Wet rubbery tuberose with a sweetness added to it. This smells like a giant bouquet of flowers with a dominant tuberose the size of a skyscraper. The flowers, despite all their best efforts, are secondary to the tuberose that’s so massive and appealing that it can’t really scream any louder than it does in this fragrance. Unlike most people, and you shouldn’t go by what I say, I don’t consider tuberose as a sultry flower. It smells like slick rubbery floral to me and that’s about as far as I can take it. If you do happen to think tuberose smells sultry, then Fracas is sultry in a bottle. As the scent progresses, you start to wonder if it will ever end as not only is Fracas fantastic in terms of projection, its longevity is to be complimented too. There’s a subtle spiciness to Fracas if you wait her out long enough which gives the tuberose something to talk to as up until that spiciness, all I had was a big white floral.

Extra: Fracas was released in 1948 and is a classic by all accounts and purposes. It has become the go to scent for tuberose and its reputation is well deserved. It has survived this long as a reference and a piece of history and I’d like to believe it’ll survive for a good six decades too if you never wash it off.

Design: The eau de parfum is bottled in a fairly plain black bottle with hot pink lettering depicting the fragrance’s name and house name. Not Earth shattering in appearance but you don’t buy Fracas for the bottle.

Fragrance Family: Floral

Notes: Green notes, mandarin, bergamot, hyacinth, geranium, peach, tuberose, jasmine, orange flower, white iris, lily of the valley, violet, jonquil, carnation, coriander, balsam, vetiver, orris, sandlawood, moss, cedar, musk.

If someone hadn’t pointed me to that massive list of notes, I never would have believed it. Just as a point of interest because I know someone might be looking for this, you pronounce Robert Piguet like, “Row-Behr Peeg-Gehy”. You pronounce Fracas as, “Frah-Cah”.

Reviewed in This Post: Fracas, 2002, Eau de Parfum.


Estee Lauder White Linen

White Linen is one of the most universally recognized fragrances. It was and still is everywhere though its popularity has waned a bit in recent years, White Linen is still one of the perfumes I associate instantly with clean, soap and aldehydes. White Linen

In Bottle: Big, bright and loud. White Linen wastes no time building up suspense. It comes roaring out of the gates smelling of soapy aldehydes right away. Just so you know what’s in store.

Applied: The aldehydes in White Linen is probably one of the first things anyone will smell in this fragrance as they are incredibly predominant. Those aldehydes coupled with a drowning rose note make this fragrance extremely recognizable to me. I can understand why someone wouldn’t like this. On the one hand, you’ve got soapy sparkly aldehydes. On the other, you have a dewy, slightly sticky red rose that are coming together like two fragrance forces on the battlefield. The aldehydes in White Linen do not get any meeker as the fragrance progresses. They stay up front as the scent turns into a rose so scrubbed and soaked in soapy water that it sparkles as it wilts in a bed of powder. During the middle this fragrance does a very strange thing in that it introduces the civet on me in a bed of otherwise clean. So in between smelling like sparkly soap, I get a waft of something just a bit off. It’s a bit distracting but highly amusing. White Linen is a powerful fragrance that will project like crazy. A lot of people also find her overbearing so if you are going to use this stuff, ease up on the trigger finger. Fresh until the last moments, this fragrance dries down like freshly wetted perfumed soap.

Extra: White Linen is probably one of those recognizable classics that people either love or hate. I tend to see the hate for this more often and I can see why people are repelled by it. If you want to see what the fuss is about but can’t quite figure out White Linen, its flanker, Pure White Linen is a softer, easier to wear, and more muted version.

Design: White linen is bottled in a bent frosted glass bottle with a metal cap. It’s a pretty iconic looking bottle with a fine design though the frosted glass always makes me think of Avon.

Fragrance Family: Adehydelic Floral

Notes: Aldehydes, citrus, peach, rose, jasmine, lilac, iris, lily-of-the-valley, ylang-ylang, cedar, honey, amber, civet, sandalwood, tonka.

Probably the only time I’ll smell distinct civet in a fragrance and it was hilarious the first time I detected it in White Linen. Here I am, enjoying a bed of aldehydes and rose then all of a sudden something smells a wee bit off. Like a tiny fart, the civet makes this fragrance worth a test just to experience a bit of civet’s power.

Reviewed in This Post: White Linen, ~1980, Eau de Parfum.


Estee Lauder Youth Dew

Youth Dew by Estée Lauder was released in 1953 as a bath fragrance and for years, it was the fragrance that women reached for much like Light Blue by Dolce & Gabanna is reached for today. Youth Dew’s popularity might be waning with the ages, but it remains a relevant piece of fragrance history. Youth Dew

In Bottle: A citrus scent with a kick of something heady and dark underneath. Youth Dew has this shadowy undercurrent that’s very endearing to it for me but it’s also this shadowy undercurrent that a lot of people would say this smells like grandma or some other silliness like that.

Applied: Initial blast of citrus and aldehydes receding into a spicy, mature floral scent that echoes that darkness in the juice. Like with most aldehyde-based scents for me, they never really go away and end up lingering throughout the fragrance. The florals hover around the animalic and dirty. A lot of modern fragrance wearers find this offensive because perfumistas refer to this “animalic and dirty” note as “indolic”. Indole being found in either jasmine or clove and in Youth Dew’s case, probably the clove. Maybe even both! The gloves are off on this one. The spice and florals do little to temper the indole in Youth Dew but if you let it stay on long enough and focus, a strange thing happens–it becomes easier to understand. Youth Dew isn’t “smelly grandma”, it’s a complex, daring fragrance that you aren’t going to get with your Light Blues or your Circus Fantasies. If you really wanted sexy, this is probably the stuff. It smells like what it is and you can accept it or get out as far as Youth Dew is concerned. Anyway, after the mid-stage that indole note hangs around for a bit into the dry down that, to me, smells mostly of patchouli trying desperately to clean up the mid-act.

Extra: Youth Dew is a strong fragrance. It comes on strong and leaves a strong impression and it’s gotten something of a bad rap over the years. People call it, “granny juice”, “hell juice”, “smells like corpse” and a multitude of other things. But Youth Dew is a piece of history, whether these people like it or not. But please, Youth Dew lovers, go easy on the trigger.

Design: Youth Dew is bottled in a ribbed glass affair with a bow tying it in the middle where the bottle gets a little thinner. It’s topped with a golden metal cap that has some detailing near the top. I can see its concept borrows from the figure of a woman and appreciate its subtle homage more than Gaultier’s bottles which are often more literal. In general, a simple design but an effective and memorable one.

Fragrance Family: Oriental

Notes: Aldehydes, orange, peach, bergamot, cinnamon, cassia, orchid, jasmine, clove, ylang-ylang, rose, tolu balsam, peru balsam, amber, patchouli, musk, vanilla, oakmoss, vetiver, incense.

I’ll come clean, I don’t like the smell of Youth Dew. But I don’t hate it either. It’s not a fragrance I can really see myself wearing because I can’t get past the indole in this stuff but it is a classic through and through and if nothing else, you gotta give credit to this classic.

Reviewed in This Post: Youth Dew, 2000, Eau de Parfum.


Guerlain Attrape Coeur

Les Parisiennes is Guerlain’s reintroduction of popular classics that may have dropped off the house’s roster due to unpopularity, changing times, new restrictions on fragrance ingredients, or someone having a bad hair day. Among them is the famous Attrape Coeur (Heart Trapper in French).  Attrape Coeur

In Bottle: Attrape Coeur has a fresh, lightly floral scent in the bottle. It has a certain, understated feminine charm that leads you to think it’s a mild jasmine-rosey concoction that’s easy to wear and easy to pull off.

Applied: The real heart of Attrape Coeur (heh) lies in the middle and base notes. As the top notes fade away, it unfolds to reveal a darker, muskier, more sensual scent making full use of tuberose as tuberose was meant to be used. This isn’t what I smelled in the bottle, it’s a definite morpher as she goes from light and lilting to full on oriental fragrance. The jasmine, tuberose and rose are a great compliment the smooth and musky mid-stage with its faintly sweet and dry scent. The mid-stage is especially familiar as little bits of Mitsouko waft in and out of this one. The best part about Attrape Coeur is its dry down. This fragrance falls into dense woods, bright spices, smooth vanilla, and that fantastic Guerlinade.

Extra: Les Parisiennes is an exclusive Guerlain collection that’s only available in very select locations. I found it at my local Holt Renfrew and La Signature at Epcot in Florida. If you can find a big Guerlain counter, you will probably be able to find this line. And I highly recommend anybody interested in perfumes to stop by and test a couple of them. Most of them are masterpieces that are so far above and beyond what you usually see in modern perfumery. Attrape Coeur used to go by the name of Guet Apens.

Design: Attrape Coeur, like other scents in the Les Parisiennes line, is bottled in a beautiful classic bee bottle. The bottles for these things are the real deal, not the semi-bee bottle situation you get with the Aqua Allegorias but the full-on deal. It’s complete with bee designs on the glass. Les Parisiennes are not spray bottles but splash that you will have to dab on yourself. I sometimes prefer the splash bottles to the sprays because once the fragrance is all gone, the bottle can still be reused and to not reuse a bee bottle would be something of a crime.

Fragrance Family: Oriental

Notes: Rose, jasmine, tuberose, peach, spices, sandalwood, amber, vanilla, musk.

I get a little jealous every time I look at the bee bottles. They’re really excellent looking pieces that will live well beyond the point when the fragrances they hold are all used up.

Reviewed in This Post: Attrape Coeur, 2008, Eau de Parfum.


Guerlain Mitsouko Vintage

After having read and heard about how beautiful vintage Mitsouko is, I had to get my hands on a half ml vial of the stuff to see how it was for myself. I like the new Mitsouko just fine but she pales in comparison to the vintage for good reason.  Mitsouko Baccarat

In Bottle: As fragrance restrictions were increased and time went on, something happened to Mitsouko. She doesn’t smell like this vintage and the difference is immediately noticeable. Vintage smells like a smooth fruity chypre, the peach is detectable, the chypre scent is distinct. It’s a beautifully layered, and beautifully composed fragrance that smells like rich history.

Applied: This smells heady, dense, very distinctly a chypre with a very smooth, soft peach note. This reminds me of Chypre de Coty for good reason, I can see how these two fragrances came about and I can smell how and why they were beautiful. It makes it even sadder that they don’t come like this anymore–Chypre de Coty being discontinued, Mitsouko having been reformulated into a sharp, powdery ghost of its former self. It opens with a gentle citrus with a touch of heady floral. It goes into the mid-stage into a smooth beautiful fruitiness with a soft peach scent intermingled with a rose and jasmine ensemble. Now, this isn’t peach in the Bath and Body Works sweet peach body mist kind of way, it’s a feminine but very grown up peach scent that lacks any silly girly-girl sweetness to it. The fade is a complex blend of oakmoss, spice and woods that makes Vintage Mitsouko smell so personal. Then there’s that familiar Guerlain base that lingers for an incredibly long time and makes me feel like I could totally pull off wearing a ball gown to a baseball game.

Extra: Any perfumista can write novels about vintage Mitsouko, but instead, you got me. What I can say about vintage Mitsouko is that it makes me sad in the way that smelling old vintages like this makes me sad. Because perfumes aren’t made like this anymore and it is a real shame.

Design: I do not own a bottle of vintage Mitsouko but I eye them very jealously. Guerlain has put their classic fragrance lines under a few redesigns over the years and they have always remained elegant and beautiful designs. Linked above is a newer bottle of Mitsouko. It’s a limited edition collector’s item dressed up in Baccarat and available for $7000. It is not how the original bottle looks. Too rich for my blood, and besides, I’d rather spend the money on a vintage. I always feel like something of a clown judging vintage bottles because I can only say that they’re beautiful and elegant and they certainly do not make them like they used to.

Fragrance Family: Chypre

Notes: Bergamot, peach, jasmine, rose, oak moss, spices, vetiver, woods.

I would love to own a bunch of vintage fragrances because I have yet to smell one I didn’t like. Vintage Mitsouko and its newer formulation is close. Guerlain did what they could with the new stuff but it isn’t the same. The new formulation is noticeably sharper, more powdery, and has a slight imbalance that doesn’t hit the mark quite as well as the vintage stuff.

Reviewed in This Post: Mitsouko, circa 1950, Eau de Parfum.


Yves Saint Laurent Opium

It was bound to happen one day but we were all hoping it wasn’t this soon. Opium has been (quietly) reformulated into a shadow of its former self. So it is with this review that I bid goodbye to an old classic and an icon of oriental fragrance. Opium

In Bottle: Heady, rich, deep and spicy. Opium is not a time waster. She’s a woman of drastic sophistication and daring. Often referred to as sexy and mysterious. This fragrance opens with a big spicy kick followed by a huge wave of thick resinous amber.

Applied: Cinnamon and amber upfront as Opium’s opener flares instead of rolls. This fragrance announces its presence with a capital A. You want a powerhouse? Opium’s your gal. She’s no meek, slinking fruity floral girl in a white dress. She’s decked to the nines in diamonds and blood red pumps. The ambery cinnamon scent sticks around in the background giving Opium a smooth and punchy background while the heart notes of powdered jasmine, rose and dark myrrh flood the middle. Opium’s a strong and long lasting fragrance that you’ll struggle through if you don’t like it. The heart sticks around for a very long while before the dry down of deep, dense woodsy patchouli and myrrh base join that ever present spice and amber with the faded floral hearts. Even then it takes Opium a long time to completely fade with its mixture of base notes.

Extra: It takes a while to love Opium. A fragrance fanatic or an individual born into the era when Opium reigned would find it easy to appreciate this but someone young and inexperienced coming into the scene needs to be gently introduced. I got myself acquainted with Shalimar before I could brave Opium. And I’m glad I had a classic bottle to do it with. The new Opium is a slightly damaged affair. It smells younger, but more vapid. Like its missing some of its daring in exchange for modern ease.

Design: The most well-known bottle of Opium (at the moment anyway) is a thin pretty glass flacon with the signature Opium colors and designs on it. I’ve always though the bottle was beautiful and I was happy to note that Opium’s sprayer nozzle (unlike its flankers) was metal.

Fragrance Family: Oriental

Notes: Mandarin orange, bergamot, lily of the valley, jasmine, carnation, myrrh, vanilla, patchouli, opoponaux, amber.

Opium was quietly reformulated in and around the time its new bottle (the current look) was released. Quiet reformulations of old fragrances is not a new thing. It happened to many fragrances and will continue to happen due to industry regulation changes, materials availability, and a slew of other consequences that a fragrance lover may never come to terms with. Thanks for a good thirty years, Opium.

Reviewed in This Post: Opium, ~1990, Eau de Parfum.


Thierry Mugler Angel

Angel is one of the most widely imitated fragrances. It’s introduction in 1992 changed the fragrance world. It became incredibly popular and still remains popular as people still rock this scent up and down high school hallways, fashionable city streets, and unfortunately for the rest of us , on the elevator. Angel

In Bottle: Beware of your first smell of Angel as your first impression will likely be something to the tune of, “Oh God! What is that horrible smell? Get it out of my nose! Aaaah!” Your second smell will yield an intriguing, jarring mix of bitter, spicy patchouli blended with rich, warm chocolate and some fruit.

Applied: Angel starts off with a typical citrus burst that disappears to lead you in on a roller coaster ride of gourmand thrill. The patchouli wastes no time on me to get straight to the point. It comes out of the gates, announces itself and drags the rest of the fragrance in. What I get is a mish-mash of sugary fruit. The chocolate is quick to come up with its creamy, warmth. The candy-like sweetness of the caramel mixed with vanilla is always present in Angel. Like a syrup cloud hovering over an outdoor chocolate fashion show. What? Too weird? How about the idea of dipping your chocolate bar in caramel and vanilla extract and then dropping it on the lawn? The dry down doesn’t come in until hours later when you’ve had just about all you can of the chocolate and sweetness. Where upon drying down you get more chocolate, sugar and patchouli. Hope you liked the ride.

Extra: Angel is strong. Mercilessly strong that its introduction in the 1990s could have been pushed up a few years into the Powerhouse Era and people would still say it’s strong. Go easy on this one, folks. You will be smelled from a mile away. And if you do happen to put too much on, avoid crowded elevators.

Design: Angel comes in a variety of bottles, concentrations, flankers and other products. The most iconic and instantly recognizable is the slanted star bottle design shown above. If you don’t like that one, there are many more. Most Angel bottles have the added bonus of being refillable too.

Fragrance Family: Gourmand

Notes: Bergamot, patchouli, chocolate, vanilla, caramel, red berries.

I wrestled with whether or not this fragrance could be considered a classic. Considering its iconic rise to fame and its still firm grip on popularity, I decided to just hand the label over. Not to mention the fact that it’s so instantly recognizable to so many people.

Reviewed in This Post: Angel, 2008, Eau de Parfum.


Guerlain Vetiver

Guerlain’s Vetiver is a classic that’s been reformulated over and over. As near as I can tell, the old and new versions smell pretty similar. I have only tried the new version on my skin. Vetiver

In Bottle: Lovely green and clean with earthy notes that spells fresh rain, leaves, and woods.

Applied: Green and citrusy clean. Lovely wet scent that ushers in the woodsiness with a nice elegance. One of the things I tend to notice with BPAL (Black Phoenix Alchemy Lab) fragrances is their dirt note is very pronounced. Fantastic for those who like more earthy scents but I prefer what the dirt in Vetiver is doing, lending a small essence of itself without being pronounced. I smell it’s there but it isn’t overpowering anything, in other words. The cleanliness of Vetiver is a fantastic feature as the fragrance shifts into a beautifully balanced dry, clean, spicy and woodsy fragrance. As the scent ages the citrus disappears leaving that clean dry spice and wood to mix with a pleasant light smokiness. While I’m trying to separate these notes, I’m not having an easy time. Vetiver is a masterfully balanced fragrance that makes it difficult to pick out individual notes and frankly, when a fragrance is this well balanced, I don’t care enough to pick the notes out of it. Just take it for what it is, a clean masculine scent that’s been referred to as a classic for good reason.

Extra: Vetiver is a type of grass that smells dry, green and grassy. Guerlain’s Vetiver came out in 1961.

Design: Presented in a lovely glass bottle with alternating clear and frosted glass stripes. Vetiver’s bottle is functional, pleasant to look at and easy to hold.

Fragrance Family: Woodsy

Notes: Bergamot, lemon, mandarin, neroli, coriander, vetiver, cedar, tobacco, nutmeg, pepper, tonka bean, capiscum.

If you were planning on picking up a bottle of Vetiver, definitely go out of your way to test it out first. This fragrance smells very different on the skin than it does on paper.

Reviewed in This Post: Vetiver, 2008, Eau de Toilette.


Guerlain Eau de Fleurs de Cedrat

Eau de Fleurs de Cédrat is probably one of my favorite Guerlain fragrances. So it’s a good bit of fortune that I came upon it recently at La Signature at Disney Epcot in Florida. Eau de Fleurs de Cédrat is a classic from 1920 that is available at better stocked Guerlain counters, but more exclusively than Shalimar. Nothing wrong with you, Shalimar.  I just see you everywhere. Eau de Fleurs de Cedrat

In Bottle: Lemons! I hope you like lemons because Eau de Fleurs de Cédrat is a big lemon tree. Green and crisp and citrus and fresh. Lacking the notable Guerlain base but still so lovely all the same.

Applied: Sweet lemon candy is a strange introduction into Eau de Fleurs de Cédrat but it’s a welcome one as the fragrance matures immediately into a cool lemon. As this is a pretty simple mixture with low concentration Eau de Fleurs de Cédrat is a fleeting scent, even on clothing. It’s even more fleeting on the skin. After the lemon candy dissolves a bit, the lemon dominates the scene and an hour later, you’re left with a soft light, floral quality that’s just barely there and extremely fleeting. Don’t wear this if you want longevity. This fragrance has no base stage and I hesitate to say it may not have much of a mid-stage either. Wear if you want a quick fresh burst of fragrance from a sophisticated lemon-like note. I’ve had trouble with lemon notes in other fragrances so I was pleased to note that cedrat is not lemon necessarily but a close relative that smells much better on me. The cedrat in Eau de Fleurs de Cédrat is a lovely, soft, crisp little thing that won’t overstay its welcome or yell the entire time it’s there.

Extra: Eau de Fleurs de Cédrat is pretty much what its name suggestions. It’s a flower and citron. It’s not trying to be anything else and if you do expect more complexity, this isn’t the place to look. The cedrat is similar to a lemon but has an icy and more candy-like fragrance. It smells remarkably similar to a lemon, but in a fragrance it couldn’t behave more differently.

Design: Eau de Fleurs de Cédrat comes in a bee bottle design as a 100ml bottle. Lovely molded glass with bee designs on the glass itself. It both looks and feels luxurious , which is why I adore the bee bottles so much.

Fragrance Family: Fresh Citrus

Notes: Citron, white florals.

La Signature, also known by many Epcot patrons as, “That store that sells really expensive French perfume that I’ve never heard of”, is probably the best place to go–short of Paris–for a big selection of Guerlain fragrances and their cosmetics line. I don’t  use their cosmetics but the amount of Guerlain perfumes they’ve got there is fantastic.

Reviewed in This Post: Eau de Fleurs de Cédrat, circa 2008, Eau de Cologne.


Guerlain Nahema

Released in 1979, Nahéma is like an ode to the rose. Nahéma is a rose explosion that calls up the vision of what a rose is supposed to be. Nahema

In Bottle: Lush rose in that familiar Guerlain smell. Beautifully dense and musky delicate roses. So sweet that for a moment I’m thinking I smell cherry or anise instead but it’s all rose from here.

Applied: Big and fantastic and familiar. The rose goes on strong, comes out of the gates yelling and makes itself known. This is what a rose is supposed to smell like. A little sweet, a little floral, clean and dewy. Tea rose is what I’m smelling, and tea rose to me has a lighter, sweeter fragrance often used as a subtle addition but in Nahéma is the primary focus. I get roses for hours and hours as Nahéma has some fantastic staying power. The dry down is a lovely sweet rose on woodsy base and that familiar Guerlain scent.

Extra: Apparently, Luca Turin in The Guide shares with us a little rumor. That Nahéma, the greatest rose fragrance in perfumery, was made without any rose oil.

Design: The image in this post is not the bottle design that I’m talking about in this section. The modern Nahéma bottle that I held and sprayed is a mostly flat, rather boring bottle design whose shape is reminiscent of Tommy Girl except lacking that third dimension. It’s dull, drab and uninteresting and I wish they hadn’t changed it from the old bottle. But the bottle certainly is functional at least.

Fragrance Family: Soliflore Oriental

Notes: Rose, peach, vanilla, woods.

Even if you hate roses I highly recommend giving this a sniff. If not so you can find the perfect perfume but to know what conceptual rose smells like. If the rumor is true, that Nahéma doesn’t contain any actual rose oil then the mind-boggling alone is worth a smell.

Reviewed in This Post: Nahéma, 2003, Eau de Parfum.