Frederic Malle Portrait of a Lady

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Portrait of a Lady was the talk of Niche Town when it was first released. It took me a while to get my sample of this fragrance but I’m glad that I did.

Portrait of a Lady

Portrait of a Lady

In Bottle: Sour to my nose thanks to the currants with a spicy kick from the cinnamon and clove.

Applied: Sour currants that give way to spicy cinnamon and clove that mixes in with the incense in the midstage. I get mostly smoke from Portrait of a Lady until she keeps aging on my skin and there’s a bit of earthiness that comes up from the patchouli as the scent keeps aging the amber and its warmness rushes up to mingle with the smoke and spice. The rose in this scent doesn’t come up until later in the fragrance where the spicy notes settle down a bit to leave us with a soft, warmed, rose with a hint of spice.

Extra: Portrait of a Lady was created by Dominique Ropion who also created fragrances such as Burberry The Beat, Cacharel Amor Amor, and Armani Code for Women.

Design: Bottled in much the same way as other Frederic Malle scents, in a cylindrical glass bottle. It has a nice weight to it and the simple design makes you focus more on the scent inside the bottle than the flashy exterior. It’s simple and functional for what it is.

Fragrance Family: Oriental

Notes: Raspberry, blackcurrant, clove, cinnamon, rose, sandalwood, patchouli, incense, musk, amber, benzoin.

Portrait of a Lady is a really well done oriental, it smells a bit like an oriental powerhouse but also has elements of a sophisticated modern scent. I especially like the spicy rose present in this fragrance.

Reviewed in This Post: Portrait of a Lady, 2011, Eau de Parfum.

Tauer L’Air du Desert Marocain

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L’Air du Desert Marocain has been described as a dry, beautiful oriental that’s reminiscent of a desert breeze. Come on, with a description like that, I had to give her a try.

L'Air du Desert Marocain

L'Air du Desert Marocain

In Bottle: Dry incense with a bit of earthiness and a beautiful hint of woodsiness that comes through this beautifully blended spicy accord.

Applied: Spiciness is up right away with a bit of an incense kick. This isn’t off-putting, too strong and a little bit weird incense. L’Air du Desert Marocain employs a beautiful, clear incense fragrance that’s smoky and classic. It smells like incense should. Delicate but strong at the same time. There’s a bit of floral sweetness that’s balanced out by a smoky bitterness. Sounds like a strange combination but the two, when combined, makes something very pretty. The florals in this help perfume the backdrop to the incense, as well as the woodsy notes and the spices. Everything is so well blended that it’s hard for me to pick out a specific player and I like it that way. The only thing I know is that the incense fragrance in this is awesome.

Extra: Tauer is a niche luxury fragrance house headed by Andy Tauer who not only has his name on these beautiful fragrances, he also composes them. It’s always awesome to see a perfumer heading their own fragrance line.

Design: Bottled in a pentagon-shaped blue glass bottle, L’Air du Desert Marocain looks very luxurious and feels equally luxurious. It has a bit of a lapis lazuli look to it as well. Tauer, however, uses relatively the same bottle design principles for all of their fragrances. Regardless, the bottles are functional and look great.

Fragrance Family: Oriental

Notes: Coriander, petitgrain, lemon, bergamot, jasmine, cistus, bourbon, geranium, cedarwood, vetiver, vanilla, patchouli, ambergris.

Well, L’Air du Desert Marocain lived up to the hype. I really enjoyed this one. As for it making me picture a desert wind–well, I’m not sure about that. It’s definitely dry, it definitely smells good, and it’s definitely got this beautiful classical vibe to it. When you have a perfume that smells so awesome already, I’m not that worried about it living up to its name.

Reviewed in This Post: L’Air du Desert Marocain, 2010, Eau de Toilette.

Yves Saint Laurent Belle d’Opium

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Belle d’Opium seems to have a dedicated following as well as a number of detractors who think it’s a blight. Me, I kinda like it.

Bell d'Opium

Bell d'Opium

In Bottle: The original Opium took me a while to like but Belle d’Opium is a simpler animal that’s, consequently easier to get into. It’s a spicy floral with a woodsy heart.

Applied: Goes on strong with a blast of peppery florals. I get gardenia under the huge layer of pepper and a few minutes later I get some jasmine. The lily is a backstage thing, as it’s such a light note that the pepper, gardenia, jasmine and whatever else is in Belle d’Opium is drowning it out. This fragrance goes on strong but it’s not room-clearing, smell-you-across-the-football-field strong. It’s got a good amount of power but also has a sense of restraint. As you let Belle d’Opium progress it takes on a woodsy quality of perfumed sandalwood and spiciness. There is a bit of spiciness in the end stages as the lingering pepper imparts some more itself throughout the fragrance’s lifespan but there’s something to be said about a well done perfume that doesn’t resort to fruity floral territory. While this is no Opium, it’s still a pretty daring flanker.

Extra: Belle d’Opium is a fairly new fragrance, having been released in 2010. It was composed by Honorine Blanc who did fragrances such as Twilight Woods for Bath and Body Works, and funny enough, Someday for Justin Bieber. She was aided in this endeavor by Alberto Morillas who composed such greats like Acqua di Gio and Mugler Cologne.

Design: Belle d’Opium borrows a similar aesthetic to the new Opium bottle design. Only this time, it’s got some blue and purple in it. I’m still a bit sore from losing the classic Opium bottle but this redesign looks very nice and is rather suitable for the type of fragrance Opium projects itself as.

Fragrance Family: Floral Oriental

Notes: Pepper, lily, gardenia, jasmine, sandalwood.

The comparisons between this and original Opium are inevitable. To me, aside from being from relatively the same fragrance family, Belle d’Opium is a distant echo of the original fragrance. It’s been updated a bit, but still maintains a certain old world style. It’s strong but no where near the power that was Opium. It smells pleasant but probably won’t become the iconic success that Opium saw. It’s just a nice flanker, and that’s about all that can said for it.

Reviewed in This Post: Belle d’Opium, 2010, Eau de Parfum.

Lancome Hypnose

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Lancôme does rather well with his mostly grown up fragrance line toting woodsy florals and orientals. I’m starting to warm up to them a bit more and Hypnôse does a good job of swaying me more toward the Lancôme side of things.

Hypnose

Hypnose

In Bottle: Citrus and clean mixed with a fruity sweet scent blended rather well into a bouquet of florals to form a pretty well-balanced fragrance.

Applied: Despite its sparse official notes list, there’s more to Hypnôse than meets the nose. I get a pretty obvious citrus note up top before something fruity rolls into the fragrance. Hypnôse is a very sweet fragrance and I actually really like it’s extremely sweet personality as the fragrance edges into the midstage where I swear I smell anise in this even though it’s not on the list of notes the anise serves to sweeten up the fragrance a bit more, giving it a licorice-like quality as it blends in with a creamed rose and jasmine bouquet making the fragrance smell a bit like a grown-up version of a fruity floral fragrance thanks to the anise. The scent then hits the drydown smelling a bit woodsy and earthy with a vetiver and vanilla base.

Extra: Hypnôse, in addition to being a fragrance, is also a mascara produced by Lancôme. And, if you really loved the fragrance, it comes in a handy set with lotion and shower gel for you to enjoy all day.

Design: Hypnôse is bottled in a twisted blue glass cylinder. The design itself isn’t something I’m wild about but it’s functional for what it is, looks all right and is easy enough to hold. In the end the aesthetics aren’t my cup of tea but it’s a well-designed bottle that while I don’t like personally, I can still appreciate it for its simplicity and twisted (hah!) take on the classic rectangular bottle.

Fragrance Family: Floral Oriental

Notes: Citrus, passion flower, rose, jasmine, anise, vetiver, vanilla.

It should be noted the above notes list is not official and is an amalgamation of the official list and what other notes I think I’m smelling in the fragrance.

Reviewed in This Post: Hypnôse, 2009, Eau de Parfum.

Kenzo Amour

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Kenzo Amour was probably designed around romance, passion and love. The shape of the bottle is certainly interesting as is the bottle design but the fragrance itself, as usual, has little to do with its ad.

Amour

Amour

In Bottle: Like with all perfumes that use frangipani, I end up smelling that the most. It’s sweet little flowery self dominating the majority of this scent but there’s a bit of other stuff going on here too like this slightly powdery floral scent and an equally dominating vanilla note.

Applied: Initial flare up of frangipani with a warm, creamy center. The fragrance gets a bit more floral as you keep wearing it as I presume either the heliotrope or the cherry blossom in this is trying to peak through. I get a slight powderiness in the fragrance, maybe it’s the rice? Not entirely sure what that is but it’s not strong and easily ignorable if you’re not looking for it. As Amour ages, the vanilla note gets stronger and comes up, bathing the whole fragrance in this creamy, milky, flowery concoction. Very nicely done actually. Amour is a rather comforting scent, not sure if I would associate it with passion but comfort is definitely there. The dry down is marked with a clean and still creamy vanilla scent.

Extra: Kenzo Amour was composed by Daphne Bugey (Rose 31 for Le Labo, A Scent for Issey Miyake) and Olivier Cresp (Dune for Dior, Angel for Thierry Mugler, Elle for Yves Saint Laurent).

Design: Amour comes in three colored bottles. Each of the colors represents a different amount. I believe the pink one is 30ml, the white is 50ml, and the orange is 100ml. The shape of the bottle reminds me a bit of Cashmere Mist by Donna Karan in that it has that swan-like shape. The bottle is easy to hold and manipulate despite is funky shape and the spray nozzle works just fine.

Fragrance Family: Floral Oriental

Notes: Heliotrope, frangipani, tea, cherry blossom, rice, musk, vanilla.

Amour is a well composed bit of fun. Very feminine and a good choice for most people (it leans a bit closer to the feminine side) of any age. It’s actually a great fragrance. But if you’re looking for passion, I’m not sure you’ll find it in this sweet milky flowery substance.

Reviewed in This Post: Amour, 2009, Eau de Parfum.

Annick Goutal Songes

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Songes is one of Annick Goutal’s widely popular and beloved fragrances. Every time I visit a particular perfume store where I live, and spot the Songes factice there I think to myself, “I really have to smell that sometime”. Then inexplicably, I put it off. But I’ve wrangled myself, got my act together, and finally tried her out.

Songes

Songes

In Bottle: Sweet fragipani with an undercurrent of jasmine powdery ylang ylang and a vanilla base. A rather interesting mix and quite sweet to boot.

Applied: Very sweet opening consisting mostly of fragipani and tiare. Both of these flowers having an inherent sweetness attributed to them. They make Songes come off as a bit too girly and sweet but if you wait her out a little the sweetness gets tamer though it never really goes away. But you get a mild powdery note that comes out in the mid-stage along with a gorgeous jasmine mingled with a vanilla base. Wait a while longer and Songes evolves into its end stage with a soft powdered vanilla scent. There’s something very pretty about Songes’ midstage and base, I can probably do without its very sweet opening but the opening gives way to a much better fragrance so in this case, I can deal with the opening because it’s honestly not that bad, so long as I can get to the middle and base.

Extra: Songes was created in 2005 by Isabelle Doyen. Doyen was behind other fragrances such as Annick Goutal’s Mandragore, Un Matin d’Orage, and Le Mimosa.

Design: Songes, like many Annick Goutal fragrances come bottled in a variety of ways. The most popular you’d see is the feminine ribbed glass flacon with the paper identifier and the ribbon tied around the bottle’s neck. If you wanted to pay a bit more for a premium design, you can get the beautiful round flacon with the adorable crescent moon cap.

Fragrance Family: Floral Oriental

Notes: Frangipani, tiare flower, jasmine, ylang-ylang, vanilla.

If nothing else, Songes is a competent fragrance that would be good for someone who enjoys sweet vanilla florals. And if you happen to be a lover of perfume bottles, the full-on round flacon would make a beautiful piece.

Reviewed in This Post: Songes, 2009, Eau de Toilette.

Guerlain Shalimar Parfum Initial

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Having missed out on numerous past Shalimar flankers, I resolved to go smell this one. At the very least, I could finally add a Shalimar flanker to my list. I wasn’t really sure what Parfum Initial is supposed to do to beloved Shalimar but it wasn’t what I expected.

Shalimar Parfum Initial

Shalimar Parfum Initial

In Bottle: Fresh and sweet citrus with a deep vanilla note lingering about in the back.

Applied: Fresh and clean citrus on opening with the rose and other florals rolling in soon after. There’s a dry woodsiness that joins the fragrance shortly after that as the scent warms up with a vanillic quality that doesn’t reach gourmand–and I’m glad. This is already different enough from original Shalimar that I’m a little disturbed when the mid-stage continues as we get a deep, warm vanilla, touched with a hint of florals. The fragrance ages into this warm, tonka quality that’s dense and deep but never reaches the point of gourmand because there’s that clean, fresh note keeping it from going full-on foody. There’s a lot missing in this fragrance that I would need if I were to call it anything related to Shalimar. Shalimar to me was that leathery vanilla scent. There’s vanilla in Parfum Initial but the missing leather makes this scent feel like it’s missing something. Maybe that’s just me though. What Shalimar Parfum Initial does is take an old classic, put a very modern spin on it and make it more accessible to a wider audience. I don’t know if I like this flanker, but it is nicely done regardless.

Extra: Shalimar Parfum Initial was released in 2011 and was composed by Thierry Wasser.

Design: I haven’t yet held the bottle for Shalimar Parfum Initial but if it’s anything close to the new Shalimar bottles then I can pretty much be guaranteed that it’ll be awesome. I love the redesign of the Shalimar bottles, it brings the fragrance back to the classic design that most people know Shalimar to.

Fragrance Family: Oriental

Notes: Bergamot, orange, rose, jasmine, vetiver, patchouli, vanilla, tonka bean, white musk.

The more I think about this fragrance, the less sold on it I am. I’ll always think Shalimar got it right almost a century ago. While is a nice, newer, more approachable interpretation I also think it lost a little bit of essential history along the way.

Reviewed in This Post: Shalimar Parfum Initial, 2011, Eau de Parfum.

Givenchy Organza Indecence

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Sometimes reading up on the history of a perfume is about as complicated as finding it. Organza Indecence had an earlier launch sometime in the late 1990s. I presume somewhere in and around that time it was also discontinued. It has been brought back since 2007  with a reportedly weaker sillage and it is the brought back version that I have.

Organza Indecence

Organza Indecence

In Bottle: Spicy with a clear cinnamon note and a nice mildly woody, floral in the background layered over a warm, sensual amber.

Applied: Spicy, a little bit sweet with a soft floral background that takes Indecence toward the feminine a little bit. I get some of the patchouli but it isn’t distracting because I swear there’s some florals here that are taming that dreaded patchouli and making it work with the spicy cinnamon. As the fragrance ages, it acquires a slight sweet and woody quality and that amber amps up giving this a warm sensual feel that takes it a bit closer to its sister, Organza. In Organza, I got a stronger amber note, with Organza Indecence I get a lighter, tamer amber with a spicy kick at the start and a flowery patchouli. The amber gets stronger and warmer as the fragrance wears on until it’s gone and all you’re left is that golden amber echo.

Extra: One of the more exciting parts about researching Organza Indecence is finding out that the collection it belongs to, Les Parfums Mythiques, also has a redistributed version of L’Interdit, one of those perfumes that I’d go gaga for. Funny enough you can find a few bottles kicking around discounters, on eBay, and even Givenchy’s Amazon.com branch has a couple of these fragrances in stock and the prices aren’t too bad either.

Design: Organza Indecence’s design is a delightful change from Organza as the fragrance plays up the feminine figure motif adding a lovely flowing coat to the bottle. Putting these two side-by-side would be awesome but unless you have the original release bottle, the Les Parfums Mythiques version is a decidedly simpler affair with a rectangle-ish thing that doesn’t inspire as much whimsical artistry. Still, both designs are pleasant.

Fragrance Family: Spicy Oriental

Notes: Patchouli, plum, cinnamon, amber, musk.

The two Organzas  are distinct and of these two, I think I prefer Indecence’s spicier interpretation. There’s something to be said about the tamer amber in this and the sweetness mingling with the spicy cinnamon opening. It’s a little more approachable to my nose, though both of these fragrances have very lovely amberous hearts.

My thanks go out to Dovile for reminding me to get a review of Givenchy Organza Indecence out there. 😀

Reviewed in This Post: Organza Indecence, 2009, Eau de Parfum.

Cartier Le Baiser du Dragon

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My thanks go to LS for requesting Le Baiser du Dragon. I headed out and tracked down a bottle to sample and it’s one heck of a unique, deep, oriental. I will admit I haven’t considered Cartier fragrances much and I’m not exactly sure why. Le Baiser du Dragon is nice oriental.

Le Baiser du Cartier

Le Baiser du Cartier

In Bottle: Sweet almond and amaretto mixed with a sharp green and spicy floral quality with a creamy foody scent to it.

Applied: Opens with a spicy green kick then delves into a sweet almond and amaretto fragrance that hits a bit of a gourmand vibe. The sweet scent mixes into a floral bouquet during the midstage. I get gardenia and jasmine and a green note like leaves. I get a bit of woods in the middle as well with mix of woodsy notes coming up and taking with it a smoky quality that mingles with the rest of the fragrance. The woodsy notes I can definitely pick up on the cedar with a perfumed woody note that’s got to be sandalwood. Le Baiser du Dragon is really proving itself to be a highly complex, very pleasant fragrance. As it starts to dry down, the fragrance takes on a bit of a rose scent as well as a smokey creamy sweetness as the fragrance fades off with a nice and deep resinous woodsy fragrance Basically, there’s a mix of spicy and smokey creamy florals and woods. It’s very deep and very nice.

Extra: Le Baiser du Dragon comes in three concentrations, Eau de Toilette, Eau de Parfum, and a straight Parfum version. The fragrance was composed by Alberto Morillas who also composed Marc Jacobs Daisy and Givenchy Pi.

Design: The bottle design is reminiscent of Cartier’s oriental inspired designs, particularly their Chinese inspired jewelry. It’s pretty evident by just looking at the top of the cap and the overlay on the glass. The bottle itself is nice and easy to hold with these cute pseudo-handles on the sides of the bottle’s glass. Overall, it’s a bit of a retro design but it’s easy to use and functional.

Fragrance Family: Oriental

Notes: Gardenia, bitter almond, amaretto, neroli, orris, jasmine, rose, musk, cedar, sandalwood, amber, dark chocolate, benzoin, caramel, patchouli, vetiver.

I really do love the complexity in this fragrance, there’s so much to smell and analyze and it’s one of the oriental genre’s better fragrances.

Reviewed in This Post: Le Baiser du Dragon, 2010, Eau de Parfum.

Tom Ford Black Orchid

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Black Orchid’s one of the more popular of Tom Ford’s line. It’s a luscious, heady floral that’s billed as an oriental chypre. I see the oriental but I don’t understand where the chypre is supposed to come into play.

Black Orchid

In Bottle: Rich, heady and very strong. If you’re going to whiff up some of this stuff do it slowly and sparingly. It is strong and it will smell very creamy with a heady powdery jasmine and orchid scent. But taking a huge whiff of this kind of destroys its beauty because all you’re getting is a noseful of overwhelming smells.

Applied: Black Orchid goes much better on the skin and even then it should be used in small, exquisite little dabs. This fragrance is not light and it is not meek. It’s loud and full and unashamed of what it is. The first thing I get is this creamy white floral feel then a rolling in of the jasmine and orchid for a lush bouquet of florals that mingles with this powdery cocoa note that also introduces a bit of sweetness. As you continue to wear Black Orchid the rush of powerful fragrances tempers out a little bit, letting me detect a bit of smoky-spiciness. So Black Orchid’s mid-stage is a sweet and spicy floral powder with a layer of cream and a dusting of cocoa. I love its complexity and I love the drydown of dry, sweet woods and sweet amberous vanilla.

Extra: There’s been some rumors that Black Orchid was one of Michael Jackson’s favorite perfumes. While I know admittedly little about the late King of Pop, I do have to say that MJ had good taste in perfume.

Design: Tom Ford’s fragrances are bottled rather similarly, they can be white or black and are often in the shape shown above. The bottles have a very nice weight to them and they also have a simple, but luxurious, look to them. I like it!

Fragrance Family: Floral Oriental

Notes: Jasmine, black truffle, ylang-ylang, black currant, citrus, orchid, patchouli, sandalwood, dark chocolate, incense, amber, vetiver, vanilla, balsam.

While Black Orchid’s heady, creamy, powdery florals isn’t my cup of tea it is a very nice and very complex fragrance that I can see would work rather well for special occasions.

Reviewed in This Post: Black Orchid, 2006, Eau de Parfum.