Histoires de Parfums 1804

Okay, no more silly celebrity stuff for the time being. I went a little crazy for Histoires de Parfums. Gimmicky as the concept might seem sometimes, I can’t deny for a minute that it hooked me. So I went and got a few more years from the line.

1804

1804

In Bottle: I really didn’t expect the pineapple to be quite so prominent, but it’s just about the only thing there on first sniff.

Applied: Yep, pineapple. Very tropical, quite sweet with a juiciness to it that I want to attribute to the peach. The pineapple note is very strong and quite loud. I rather like it as it screams holidays and summer at me. Strange because I expected something entirely more subdued from 1804, still feminine, still fruity but not screaming fun and sun like it is right now. All confusion and expectations aside, 1804’s pineapple opening is pretty delightful. It’s sweet and girly and fun. It rolls into a mild floral bouquet with a sweet and clean finish at the end. I was looking for the spices the whole time, but they never made themselves known. Not elegant, but not at all bad. I quite like it.

Extra: 1804 was inspired by Amantine Aurore Lucile Dupin, who might be more recognizable by her pen name, George Sand.

Design: Designed in the same way as most other Histoires de Parfums bottles. I would love to have a full set of these, lined up in a neat row. I would finally be able to pretend I’m some sort of chemist with impeccable taste.

Fragrance Family: Fruity Floral

Notes: Pineapple, peach, gardenia, jasmine, rose, lily-of-the-valley, cloves, nutmeg, sandalwood, patchouli, benzoin, vanilla, white musk.

Probably not an instance where I’m dying to throw money at it, but 1804 remains a very pleasant, very feminine fragrance. If I had a hankering for pineapple, I think it would be the first thing I go for.

Reviewed in This Post: 1802, 2012, Eau de Parfum.


Histoires de Parfums 1826

The Histoires de Parfums line has always interested me. I loved the concept behind it and had been meaning to get a sample of one of the fragrances for years. My main hold up was not knowing where to start and what year to order first. I settled on 1826 thanks to a recommendation from a friend.

1826

1826

In Bottle: Strong bergamot and woody presence with a hint of smooth vanilla and spice.

Applied: Starts up with a strong bergamot and tangerine showing that is quick to make way for the floral aspect. I get a lot of lowers, and a bit of spice that creeps up to the midstage making for a complex and pleasant blend that gets slapped with a soft vanilla incense halfway through its progression. 1826 settles into a floral vanilla with a hint of woods. It’s giving off a clean floral vibe. Heck, this thing changes on me like crazy, one minute being a spicy floral and another being a vanilla floral that throws in a clean note out of no where. There’s a dark edge to it with the patchouli too, that settles in the background in the early midstage where it lends 1826 a bit of depth. The dry down is markedly woodsy with a final showing of florals and that elusive, but brilliant vanilla.

Extra: 1826 is dedicated to the last French empress, Eugénie de Montijo, whose birthday is reportedly May 5th, 1826. She lived a very long life given the time period and passed away at the age of 94 in Spain. The Empress, formerly known as María Eugenia Ignacia Augustina de Palafox-Portocarrero de Guzmán y Kirkpatrick, is somewhat understandably more well known as the fashionable wife of Napoleon III, and the last empress of the French court.

Design: Histoires de Parfums keeps a somewhat uniformed look for their bottles. I am a huge fan of uniform looks for series because I can imagine if I were ever wealthy enough to buy an entire series of perfumes, that I could line them up and be a little giddy about how awesome that would look. Histoires de Parfums is one of those bottle designs that would look fabulous lined up in a row and still looks pretty good even if you own just one of the bottles. The box tells you what notes are in the fragrance along with a little blurb about the name of the scent. The bottle itself has a label on the side that gives you the notes you should expect to smell. Simple, functional, and would look awesome lined up in a row.

Fragrance Family:  Floral Oriental

Notes: Bergamot, tangerine, white florals, violet, cinnamon, ginger, patchouli, amber, incense, woods, white musk, vanilla.

I have to admit that I expected a little less punch during the initial spray phase, but the rest of the fragrance smells divine. It’s got a great complexity to it, and it’s quite the shape shifter to boot. It smells great, has a young streak, tends toward a sweet youthful vanilla, though it’s probably not the kind of thing you’d want to recommend for a teenage girl or someone with a teenage girl’s sensibilities. 1826 is definitely a woman’s fragrance and needs a sophisticated nose to appreciate it.

Reviewed in This Post: 1826, 2012, Eau de Parfum.