Estee Lauder Bronze Goddess

I want to believe that we aren’t smack-dab in the middle of January and that it’s going to be summer soon and I’ll have time to build that planter box I always wanted in the backyard to start a vegetable garden. But the truth is, we are smack-dab in the middle of January and to ease the winter blues a little, I tested out Bronze Goddess that Undina from Undina’s Looking Glass very kindly sent me.

Bronze Goddess

Bronze Goddess

In Bottle: Coconut, with a smooth floral and a hint of jasmine. Very nice and very summery. Just what I wanted.

Applied: Coconut top note with a lovely citrus backing it up. The citrus mellows out as does a lovely soft jasmine note flows in. The coconut is taken away from bubbly, girly, silly coconut scents and given this grown-up edge that reminds me of something expensive and the jasmine with the tiare notes really help give it that sophisticated feel. I get the suntan oil comparisons some people have for this, but suntan oil tends to be more one-dimensional and Bronze Goddess definitely has more going on than coconut. Bronze Goddess reminds me of clean, fresh linens, coconut, and a tropical holiday. It dries down with a more mellow coconut note and a classy white musk with sandalwood that keeps the fragrance away from “teenaged girl coconut” and more in the territory of “grown-ups coconut”, heck, I almost smell the salty sea air and the beach sand in this.

Extra: Bronze Goddess was an Estee Lauder limited edition and disappeared in 2011. If you want to get your hands on a bottle, some discounters still carry it, eBay has it, but otherwise, you might have to wait and see if Estee Lauder brings it back at some point.

Design: Simple and lovely. The design has this tropical, summer, beach vibe to it that’s very appropriate. It’s clean and bells and whistles free with a warm color palette. Just the way I like it.

Fragrance Family: Fruity Floral

Notes: Mandarin, bergamot, jasmine, tiare, orange blossom, magnolia, myrrh, amber, vetiver, caramel, coconut, sandalwood.

I really like Bronze Goddess. It is the quintessential smell of summer and the tropics to me. It’s light, it’s pretty, and it makes me happy! What doesn’t make me happy is the fact that it’s discontinued and really needs to make a comeback.

Reviewed in This Post: Bronze Goddess, 2011, Eau Fraiche.


Cartier Declaration for Men

Happy New Year! I am back with a Cartier. I was thinking of doing a more unique fragrance as the first for 2013, but after humming and hawing over what that fragrance may be, I decided a Jean-Claude Ellena designed Cartier would have to do. That Smell will be back to normal next week.

Declaration for Men

Declaration for Men

In Bottle: Citrus, sharp orange, no sweetness–but very bitter with an earthy quality and a spicy kick.

Applied: Bitter orange with a blend of birch in the background. I get some spices upfront too and an almost animalic quality that I’m assuming is coming from an ambery leather combination. There’s definitely something that smells a bit “off” about this, but it’s “off” on purpose, like Declaration is trying to tell me to like it or leave it. Anyway, as the scent ages, it gains more woodsiness, takes on a floral bouquet with warm leather and that constant off smell in the background as the spices roll in. It took a long time for Declaration to get anywhere, it has fantastic longevity and projection so if you want something that will stick around all day and don’t mind occasionally getting a whiff of faint uncleanliness then this might be up your alley. As the scent dries down, I get more spices, more vetiver and a smooth leather that rounds things out very nicely.

Extra: Declaration has quite the lengthy list of notes and the complexity it boasts is no surprise for how much stuff is jammed into it. It smells of sophistication and good taste, but at the same time, it warns the fainthearted off with what people call the “sweaty armpit” undercurrent that runs through this scent. Whatever it is, those who brave it might come to love it.

Design: Declaration has a nice enough look. Simple in general with a bit more attention paid to its cap. It’s easy to hold, pleasing to look at with no garish bone on its body.

Fragrance Family: Woodsy Spicy

Notes: Artemisia, caraway, coriander, birch, mandarin orange, bergamot, neroli, bitter orange, iris, ginger, cinnamon, pepper, juniper, orris root, jasmine, cardamom, leather, amber, tea, vetiver, oakmoss, cedar.

I don’t relish much on the off smell in this. If you’ve followed this blog, you’ll note that I tend massively toward the clean so Declaration was a bit of a surprise for me. I appreciate it on the complexity level, but I think I’ll pass.

Reviewed in This Post: Declaration for Men, 2012, Eau de Toilette.


Madonna Truth or Dare

With the way work has been ramping up lately, I haven’t had the chance to get my nose wrapped around much but my usual standbys. So, when I discovered the local mall had a bottle of Madonna’s Truth or Dare sitting out, I shrugged my shoulders and thought, “Well, why not? I’m here already.”

Truth or Dare

Truth or Dare

In Bottle: Wow, tuberose. I get a very strong floral presence that’s predominantly tuberose.

Applied: Yikes. Tuberose. I know this scent gets compared to Fracas–the cheeky Tuberose Queen and I definitely get that impression. Truth or Dare opens up with a powerful hit of sweet tuberose followed with a barely-able-to-contain-itself gardenia note that furthers the floral interpretation. The fragrance is so sweet and floral that it obliterates any other smell to my nose can pick up and starts to smell like plastic a couple of minutes into wear. By the time hour two rolled around, I was trying to scrub it off because I smelled overwhelmingly like plastic. And of course, like with most fragrances that don’t agree with you, this just wouldn’t come off. So I did the only logical thing; I sprayed some more on, in a different location, went home and sat out the fragrance so I could at least take notes on it, review it, and never touch it again. The longevity is fairly good, lasting quite a few hours on me before it tried to exhibit any other kind of personality. Truth or Dare gets a bit less tuberose near the end of its mid-stage and focuses a bit more on this nice creamy, vanilla with some plastic stretched over it. But for as long as I could still smell it, there was that sweet plastic tuberose note dominating the entire scene.

Extra: Truth or Dare was launched earlier in 2012. The fragrance was composed by Stephen Nilsen.

Design: I can’t say I see the beauty of this design. The bottle is a white glass, but looks like it’s made of plastic until you touch it. The cap is a gold plastic, molded with these little studs, it looks a bit inappropriate and doesn’t quite do the fragrance any favors. All right, I admit, the thing is downright ugly. I think those studs or raised bumps on the bottle are taking it from “plain but looks all right” to “fugly” territory. I’m just a fan of the aesthetics this time.

Fragrance Family: Sweet Floral

Notes: Neroli, gardenia, tuberose, jasmine, benzoin, lily, vanilla, amber, musk.

I was actually hoping this one would work out, having heard how classical it was supposed to be. Having heard how similar to Fracas it was. But unlike Fracas, it overdoes the tuberose and not in a good way. I think I’ll stick to Fracas.

Reviewed in This Post: Truth or Dare, 2012, Eau de Parfum.


Badgley Mischka Fleurs de Nuit

Fleurs de Nuit is Badgley Mischka’s second offering to the fragrance world and I’m a little embarrassed to admit that it only came into my radar because of the over-decorated bottle. I’m a sucker for packaging.

Fleurs de Nuit

Fleurs de Nuit

In Bottle: Citrus up top with a layer of fresh jasmine. Clean and easy.

Applied: I get the initial sweetness of the quince, fruits, and bergamot then it’s a nosedive into the jasmine mid-stage where a cleaned up, groomed, and pampered jasmine note makes the scene. Fleurs de Nuit–which I’m guessing is a homage to night-blooming jasmine, takes a fresh, clean approach to the note. It’s fruitiness remains in the background, giving jasmine most of the space as some flimsy orange blossoms try to temper the scent. The dry down gets a bit of an amber edge, warming the scent up to be a fading jasmine creamy amber scent. If there were woods in this, I didn’t get any.

Extra: Fleurs de Nuit was released in 2007 by the perfumer, Rodrigo Flores-Roux who lent his talents to Peace, Love and Juicy Couture, True Religion, and Clinique Happy.

Design: Slap a floral pattern on something and you probably have my attention. The bottle itself is kind of cute, has a nice weight to it and generally looks good sitting out–too bad I don’t leave my perfumes sitting out on my vanity. It’s a little more overdressed than I usually like my bottles, but it’s a good kind of overdressed.

Fragrance Family: Floral

Notes: Bergamot, quince, magnolia, peach, orange blossom, jasmine, amber, woods.

Overall, I wasn’t that impressed with Fleurs de Nuit. It does fruity, fresh jasmine very well but smells somewhat generic and safe. If I want a more exciting jasmine, I’m better off elsewhere. If I want safe, I could do worse!

Reviewed in This Post: Fleurs de Nuit, 2012, Eau de Parfum.


Czech & Speake Dark Rose

Dark Rose

Dark Rose

I love a good rose and abhor a bad one. It’s harder and harder to find a good rose scent because modern, mainstream perfumery loves cleaned up, sparkling, girly rose that barely has a personality because it’s supported by equally dull notes in the rest of the composition. Or the rose is so light and non-existent that it might as well not be mentioned at all. So I’m still feeling a little stung by Forbidden Rose maybe that’s why I gave Dark Rose a try.

In Bottle: Dark and floral, I smell the rose backed up with a smooth sandalwood with a bit of oud.

Applied: Smooth saffron rose with a dark edge that I’m assuming is coming from the oud. No sparkling, clean, girly rose here. It smells sophisticated but not overpowering. It’s light enough to get its point across and has a nice feeling of depth to it. I suppose the lightness might owe some of the credit to it being a cologne. The rose encompasses the scent while staying coated in a sappy oud fragrance as the latter grows stronger the longer you wear it until it hits this warm amber and sandalwood note that helps bump up the woodsy smell and accent the oud’s tendancies to smell a bit animalistic. The dry down is marked with a fading oud and warm amber.

Extra: Dark Rose comes in a wide assortment of other scented products such as a bath oil and some incense sticks. What really piqued my interest was the solid perfume encased in this awesome looking egg. If you feel you need your perfume to be encased in a cool egg, better place your orders soon because it’s limited edition.

Design: Bottled fairly simply, Dark Rose comes in a spray bottle that pretty much resembles what it is–a cologne spray with an easy to hold container. I would have preferred more refinement. But, don’t judge it by its packaging, Dark Rose has a great deal of complexity for what it is.

Fragrance Family: Floral

Notes: Saffron, rose, sandalwood, patchouli, amber, oud, musk.

Very nice rose. I’ve read around town that Dark Rose’s composition is fairly tired thanks to the influx of oud fragrances into the market. I haven’t had that much oud in my time, so Dark Rose remains fresh and exciting for me.

Reviewed in This Post: Dark Rose, 2012, Eau de Cologne.


By Kilian Good Girl Gone Bad

Hello, By Kilian. Long time no see. Still packaging things to make me covet you, I see. Good Girl Gone Bad is a recent release from By Kilian and features a gorgeous white and gold case.

Good Girl Gone Bad

Good Girl Gone Bad

In Bottle: Fruity, light and floral. I smell a bit of soapiness too.

Applied: A fruity opening with a osmanthus and jasmine showing. It smells like and soapy with a hint of jasmine. The jasmine becomes more prominent as the fragrance wears on and a touch of tuberose can be detected in the midstage. Jasmine takes on a green aspect mixing with a rose note. Good Girl Gone Bad isn’t going bad so far, and as I continue to wait her out, I get impressions of cedar and patchouli with a speck here or there of darkness. The fragrance never really gets very dark or daring. It remains a rather tame rose jasmine and cedar composition all the way until its fade.

Extra: I haven’t been following By Kilian in a while, and when I saw this fragrance had come out, I was drawn in by the name. I had this idea that it would start off light and airy and turn into a sinister beast. But it never really reaches beast form, and the florals in the midstage carry its good girl vibe all the way to the end. Good Girl Gone Bad was released in 2012 and can be had for $245 at Luckyscent.

Design: By Kilian usually does very well with its packaging. Good Girl Gone Bad comes in a beautiful bottle decorated to exquisite detail with a white and gold box featuring a golden snake coiling on top. Everything about it screams luxury.

Fragrance Family: Floral

Notes: Osmanthus, jasmine, rose, tuberose, narcissus, violet, plum, cedar, amber, patchouli, vetiver, musk.

Okay, so the bad girl never got to the party. Maybe she was too busy rocking out somewhere else? Wherever she went, she just wasn’t in this fragrance. What is here is a rather nice floral scent with decent longevity and a beautiful casing.

Reviewed in This Post: Good Girl Gone Bad, 2012, Eau de Parfum.


Calypso St Barth Bellini

I love a good fruity floral sometimes. A well composed one that has all the hallmarks of a fruity floral fragrance without being way too popular or way too complex.

Bellini

Bellini

In Bottle: Fresh, clean and fruity. It’s sweet, but doesn’t overdo it on the sugar.

Applied: Bellini opens with a lush tropical scent that embodies the idea of a bellini cocktail. It’s lush, it’s juicy and very fruity. It reminds me of summer in the middle of November and has this hint of faux coconut and pineapple that does that, “Summer! The beach! Tropical paradise!” Chant to me. There’s a lighter layer of florals that rolls in after the first stage and settles into this gentle, refreshing midstage that makes me feel like I just stepped out of the shower to a waiting cocktail in the midst of a tropical island. The dry down is a clean sandalwood and white musk with a hint of cool amber.

Extra: I feel a little like I missed the summertime and these days I’m playing catch-up with Bellini here. Maybe some day I’ll actually vacation on a tropical island and I’d be tempted to wear this. Bellini is quite the embodiment of a tropical vacation.

Design: The cap is a bit uninspired, but the fragrance is what it is. The packaging for the bottle itself is quite minimalist, with a bell-shaped bottle, featuring the house name and fragrance name on it. The cap is your standard tall, gold metal. The box, on the other hand, has a rather cute bow adorning it. Something about me and bows, I suppose. Overall, not bad, not very exciting but it does the trick.

Fragrance Family:  Fruity Floral

Notes: Citrus, peach, coconut, pineapple, , frangipani, freesia, jasmine, orange flower, amber, musk, sandalwood.

Bellini is neither interesting or exciting. It is very safe, and it’s one of the better composed fruity floral fragrances out there. I quite like it. And if you like it too, but can’t see yourself wearing it, it comes in a candle form.

Reviewed in This Post: Bellini, 2012, Eau de Toilette.


Coty Masumi

Someone asks me if I want to test out a classic Coty, I don’t know how I could say no. Masumi was a Coty chypre from the 1960s.

In Bottle: Spicy with a very grown-up fruity vibe with a layer of deep green woods.

Applied: Bergamot up front with a fruitiness that rolls in rather quickly. The fruits in Masumi can’t be described in any terms that one would use for a modern perfume. Certainly not, “girly” or “fun and sweet”. Masumi’s fruits are reminiscent of Mitsouko’s peach note, in that it’s slightly sweet but very, very sophisticated. The fruits are joined by a spicy floral in the midstage with a big showing from the woods and a smooth earthiness that I’m thinking might be the oak moss at work. The fragrance stays a floral woodsy scent with a hint of spice. The fruitiness I got in the opening was rather short lived and the scent isn’t missing anything because of it. Quite lovely, very classic, helps me remind me that Coty did some great things.

Extra: Masumi was released in the 1960s and was later repackaged in the 1970s. It has since been discontinued.

Design: The design for Masumi was very reminiscent of the era in which it was released. The shape is a bit familiar in Guerlain’s Idyll but with a great deal more authenticity. It looks simple, with a teardrop style shape and a tall metal cap. I don’t have a physical body to judge by, but the design works for what it is.

Fragrance Family:  Classic Chypre

Notes: Bergamot, pineapple, melon, rosewood, rose, violet, cardamom, musk, sandalwood, oak moss, cedar, amber, vanilla.

The more classic Cotys I experience, the sadder I am that most of their great fragrances are no longer available.

Reviewed in This Post: Masumi, ~1970, Eau de Toilette.


Histoires de Parfums 1826

The Histoires de Parfums line has always interested me. I loved the concept behind it and had been meaning to get a sample of one of the fragrances for years. My main hold up was not knowing where to start and what year to order first. I settled on 1826 thanks to a recommendation from a friend.

1826

1826

In Bottle: Strong bergamot and woody presence with a hint of smooth vanilla and spice.

Applied: Starts up with a strong bergamot and tangerine showing that is quick to make way for the floral aspect. I get a lot of lowers, and a bit of spice that creeps up to the midstage making for a complex and pleasant blend that gets slapped with a soft vanilla incense halfway through its progression. 1826 settles into a floral vanilla with a hint of woods. It’s giving off a clean floral vibe. Heck, this thing changes on me like crazy, one minute being a spicy floral and another being a vanilla floral that throws in a clean note out of no where. There’s a dark edge to it with the patchouli too, that settles in the background in the early midstage where it lends 1826 a bit of depth. The dry down is markedly woodsy with a final showing of florals and that elusive, but brilliant vanilla.

Extra: 1826 is dedicated to the last French empress, Eugénie de Montijo, whose birthday is reportedly May 5th, 1826. She lived a very long life given the time period and passed away at the age of 94 in Spain. The Empress, formerly known as María Eugenia Ignacia Augustina de Palafox-Portocarrero de Guzmán y Kirkpatrick, is somewhat understandably more well known as the fashionable wife of Napoleon III, and the last empress of the French court.

Design: Histoires de Parfums keeps a somewhat uniformed look for their bottles. I am a huge fan of uniform looks for series because I can imagine if I were ever wealthy enough to buy an entire series of perfumes, that I could line them up and be a little giddy about how awesome that would look. Histoires de Parfums is one of those bottle designs that would look fabulous lined up in a row and still looks pretty good even if you own just one of the bottles. The box tells you what notes are in the fragrance along with a little blurb about the name of the scent. The bottle itself has a label on the side that gives you the notes you should expect to smell. Simple, functional, and would look awesome lined up in a row.

Fragrance Family:  Floral Oriental

Notes: Bergamot, tangerine, white florals, violet, cinnamon, ginger, patchouli, amber, incense, woods, white musk, vanilla.

I have to admit that I expected a little less punch during the initial spray phase, but the rest of the fragrance smells divine. It’s got a great complexity to it, and it’s quite the shape shifter to boot. It smells great, has a young streak, tends toward a sweet youthful vanilla, though it’s probably not the kind of thing you’d want to recommend for a teenage girl or someone with a teenage girl’s sensibilities. 1826 is definitely a woman’s fragrance and needs a sophisticated nose to appreciate it.

Reviewed in This Post: 1826, 2012, Eau de Parfum.


AdP Colonia Assoluta In Villa

In Villa

In Villa

Up today is another decant from Steve at The Scented Hound (thank you). I really have no method to my madness, so I decided upon Colonia Assoluta In Villa because it was the closest one.

In Bottle: Green citrus, I get a lot of lime and bergamot, with a big dose of woodsy notes.

Applied: Lime and bergamot on opening, reminds me of greenness and it only gets more green when the cypress quickly rolls in. When I looked up the notes for this Acqua di Parma wants to tell me they used cedar. Now, I’m not a great nose when it comes to well-behaved cedar because it’s always going funky on my skin. If this is cedar, then it’s behaving really well. The citrus is quick to dissolve, leaving cedar holding the bag until a clean waft of florals rolls in during the midstage with the very barest touch of spice. The scent gets decidedly less floral near the end where the green cedar continues to carry it forward with a touch of warmth from a very faint amber note. The fragrance reminds me a lot of an adorable little cottage I saw once. It was–funny enough–in the middle of a city, but the owner had enough land that despite metropolitan life going on around him, he managed to have a beautifully done wooded area surrounding his property. It looked like a page out of a storybook and In Villa reminds me of that.

Extra: Colonia Assoluta In Villa was released in 2009 by Acqua di Parma.

Design: I actually really like the bottle for In Villa, it’s elegant and simple. Modern with a little bit of classic flair so that it doesn’t look outdated. I think what sells this bottle for me (in terms of aesthetics) is that it has a balloon pump, which gives it a classic charm. Though as Steve noted, the balloon pump adds an element of beauty to the bottle, but it’s not great when you go to use it. From my experience with balloon pumps, I can eagerly agree.

Fragrance Family: Woodsy

Notes: Lemon, lime, bergamot, cardamom, chili pepper, jasmine, rose, ylang-ylang, cedar, white musk, amber.

I was really happy with how well the cedar in this worked on me, but aside from the surprising mild cedar, there’s not a whole lot going on with In Villa. It’s pretty enough, but it’s not my kind of thing. But if it is your kind of thing, you can buy a whopping 200ml of this stuff. That’s a lot of In Villa!

Reviewed in This Post: Colonia Assoluta In Villa, 2012, Eau de Cologne.