Illuminum White Gardenia Petals

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It was inevitable that I finally got to White Gardenia Petals–or, ever since the royal wedding happened–the “Princess perfume” that Lady Katherine Middleton chose to wear on her wedding day. There’s been a lot of buzz about it and even a little bit of scandal. But when all was said and done, Kay is once again late to the party.

White Gardenia Petals

White Gardenia Petals

In Bottle: A rather pleasant gardenia with a touch of screech in the background.

Applied: I feel as if it’s fair to say that this is the only version of White Gardenia Petals I’ve ever smelled. Which could be a few steps away from the version Katherine Middleton wore on her wedding day. Some perfumistas say that version smells different from the one I’m sampling right now and I haven’t had much luck getting a hold of the old stuff so I only have my new stuff and previous accounts to go by. Without further ado, White Gardenia Petals opens up with a lovely light gardenia with a touch of green. As it wears on, the gardenia gets stronger, a bit of a different progression from what I experienced with last week’s Hothouse Flower. This is heavier handed, better projection, more floral in a sense with a denser concentration of gardenia. Its mildly powdery, but mostly strong. I get occasional whiffs of plastic where the gardenia gets overzealous, but it’s overall fairly nice. I rather like the strong approach White Gardenia Petals chose to take. At its base is a clean white musk which makes me think White Gardenia Petals might work really well as a luxury soap.

Extra: By now, I think we all know why and who wore White Gardenia Petals. I’m no expert on fashion or trends. I’m certainly no expert on the Royals. All I know is, this stuff had a very nice, balanced projection in my opinion so Katherine Middleton must have had quite the gardenia-scented aura. White Gardenia Petals can be purchased on LuckyScent and Illuminum’s Website.

Design: Designed in much the same way as the other Illuminum fragrances. I’m starting to wonder if these things have gotten to me or what because I find their design a little more pleasant now than I did initially. It’s still functional, though not my favorite look by any means.

Fragrance Family: Floral

Notes: Bergamot, cassis, gardenia, ylang-ylang, jasmine, woods.

I actually quite liked White Gardenia Petals for what it is. It was plainly simple, but in a nice way. It’s not my favorite gardenia, but it’s not a bad interpretation and I think I’m a little biased because I just had a gardenia I loved in Hothouse Flower. Otherwise, this was quite nice.

Reviewed in This Post: White Gardenia Petals, 2012, Eau de Parfum.

Disclaimer: The fragrance reviewed in this post was provided to me for free for the purposes of review. In no other way am I receiving pay or compensation for this review. This review was written based upon my personal experiences and opinions of the product.

Estee Lauder Bronze Goddess

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I want to believe that we aren’t smack-dab in the middle of January and that it’s going to be summer soon and I’ll have time to build that planter box I always wanted in the backyard to start a vegetable garden. But the truth is, we are smack-dab in the middle of January and to ease the winter blues a little, I tested out Bronze Goddess that Undina from Undina’s Looking Glass very kindly sent me.

Bronze Goddess

Bronze Goddess

In Bottle: Coconut, with a smooth floral and a hint of jasmine. Very nice and very summery. Just what I wanted.

Applied: Coconut top note with a lovely citrus backing it up. The citrus mellows out as does a lovely soft jasmine note flows in. The coconut is taken away from bubbly, girly, silly coconut scents and given this grown-up edge that reminds me of something expensive and the jasmine with the tiare notes really help give it that sophisticated feel. I get the suntan oil comparisons some people have for this, but suntan oil tends to be more one-dimensional and Bronze Goddess definitely has more going on than coconut. Bronze Goddess reminds me of clean, fresh linens, coconut, and a tropical holiday. It dries down with a more mellow coconut note and a classy white musk with sandalwood that keeps the fragrance away from “teenaged girl coconut” and more in the territory of “grown-ups coconut”, heck, I almost smell the salty sea air and the beach sand in this.

Extra: Bronze Goddess was an Estee Lauder limited edition and disappeared in 2011. If you want to get your hands on a bottle, some discounters still carry it, eBay has it, but otherwise, you might have to wait and see if Estee Lauder brings it back at some point.

Design: Simple and lovely. The design has this tropical, summer, beach vibe to it that’s very appropriate. It’s clean and bells and whistles free with a warm color palette. Just the way I like it.

Fragrance Family: Fruity Floral

Notes: Mandarin, bergamot, jasmine, tiare, orange blossom, magnolia, myrrh, amber, vetiver, caramel, coconut, sandalwood.

I really like Bronze Goddess. It is the quintessential smell of summer and the tropics to me. It’s light, it’s pretty, and it makes me happy! What doesn’t make me happy is the fact that it’s discontinued and really needs to make a comeback.

Reviewed in This Post: Bronze Goddess, 2011, Eau Fraiche.

Viktor & Rolf Spicebomb

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Considering the complete lack of flowers in Viktor & Rolf’s very popular, Flowerbomb, I had to try out Spicebomb to see if it lived up to its name.

Spicebomb

Spicebomb

In Bottle: In short, no, this isn’t a spice bomb. It’s rather pleasant though, sweet and warm with a hint of spiciness.

Applied: Initial spray of bergamot that settles into a sweet cinnamon candy scent that makes me think Spicebomb is taking the same “bomb” approach as Flowerbomb. Which also leads me to think Viktor & Rolf’s idea of a bang is something sugary. The fragrance ages into a more mature spice as I keep wearing it, but it never shakes the sweetness that it gathers in the top notes. The scent takes on a stronger cinnamon and peppery scent as it flows into its end stage with a wilting smoky tobacco scent and a bit of synthetic-smelling leather. Over all, I’m not all that impressed, but the longevity was fairly good, giving me a decent ten hours of wear.

Extra: If you were wondering what the elemi note listed below is, it is a resin from a tree. I didn’t get much resin from this.

Design: The shape is somewhat reminiscent of Flowerbomb, given more angles and straight edges to appeal to a more masculine audience, I guess. I don’t really like it and think this particular depiction is a bit lame. Sorry, Viktor & Rolf.

Fragrance Family: Spicy Leather

Notes: Bergamot, grapefruit, pink pepper, elemi, saffron, cinnamon, pepper, paprika, vetiver, tobacco, leather.

Spicebomb failed to impress me in numerous ways. The fact that it started out sweet and reminded me of a more gourmand Flowerbomb didn’t really help matters either.

Reviewed in This Post: Spicebomb, 2012, Eau de Toilette.

Cartier Declaration for Men

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Happy New Year! I am back with a Cartier. I was thinking of doing a more unique fragrance as the first for 2013, but after humming and hawing over what that fragrance may be, I decided a Jean-Claude Ellena designed Cartier would have to do. That Smell will be back to normal next week.

Declaration for Men

Declaration for Men

In Bottle: Citrus, sharp orange, no sweetness–but very bitter with an earthy quality and a spicy kick.

Applied: Bitter orange with a blend of birch in the background. I get some spices upfront too and an almost animalic quality that I’m assuming is coming from an ambery leather combination. There’s definitely something that smells a bit “off” about this, but it’s “off” on purpose, like Declaration is trying to tell me to like it or leave it. Anyway, as the scent ages, it gains more woodsiness, takes on a floral bouquet with warm leather and that constant off smell in the background as the spices roll in. It took a long time for Declaration to get anywhere, it has fantastic longevity and projection so if you want something that will stick around all day and don’t mind occasionally getting a whiff of faint uncleanliness then this might be up your alley. As the scent dries down, I get more spices, more vetiver and a smooth leather that rounds things out very nicely.

Extra: Declaration has quite the lengthy list of notes and the complexity it boasts is no surprise for how much stuff is jammed into it. It smells of sophistication and good taste, but at the same time, it warns the fainthearted off with what people call the “sweaty armpit” undercurrent that runs through this scent. Whatever it is, those who brave it might come to love it.

Design: Declaration has a nice enough look. Simple in general with a bit more attention paid to its cap. It’s easy to hold, pleasing to look at with no garish bone on its body.

Fragrance Family: Woodsy Spicy

Notes: Artemisia, caraway, coriander, birch, mandarin orange, bergamot, neroli, bitter orange, iris, ginger, cinnamon, pepper, juniper, orris root, jasmine, cardamom, leather, amber, tea, vetiver, oakmoss, cedar.

I don’t relish much on the off smell in this. If you’ve followed this blog, you’ll note that I tend massively toward the clean so Declaration was a bit of a surprise for me. I appreciate it on the complexity level, but I think I’ll pass.

Reviewed in This Post: Declaration for Men, 2012, Eau de Toilette.

Badgley Mischka Fleurs de Nuit

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Fleurs de Nuit is Badgley Mischka’s second offering to the fragrance world and I’m a little embarrassed to admit that it only came into my radar because of the over-decorated bottle. I’m a sucker for packaging.

Fleurs de Nuit

Fleurs de Nuit

In Bottle: Citrus up top with a layer of fresh jasmine. Clean and easy.

Applied: I get the initial sweetness of the quince, fruits, and bergamot then it’s a nosedive into the jasmine mid-stage where a cleaned up, groomed, and pampered jasmine note makes the scene. Fleurs de Nuit–which I’m guessing is a homage to night-blooming jasmine, takes a fresh, clean approach to the note. It’s fruitiness remains in the background, giving jasmine most of the space as some flimsy orange blossoms try to temper the scent. The dry down gets a bit of an amber edge, warming the scent up to be a fading jasmine creamy amber scent. If there were woods in this, I didn’t get any.

Extra: Fleurs de Nuit was released in 2007 by the perfumer, Rodrigo Flores-Roux who lent his talents to Peace, Love and Juicy Couture, True Religion, and Clinique Happy.

Design: Slap a floral pattern on something and you probably have my attention. The bottle itself is kind of cute, has a nice weight to it and generally looks good sitting out–too bad I don’t leave my perfumes sitting out on my vanity. It’s a little more overdressed than I usually like my bottles, but it’s a good kind of overdressed.

Fragrance Family: Floral

Notes: Bergamot, quince, magnolia, peach, orange blossom, jasmine, amber, woods.

Overall, I wasn’t that impressed with Fleurs de Nuit. It does fruity, fresh jasmine very well but smells somewhat generic and safe. If I want a more exciting jasmine, I’m better off elsewhere. If I want safe, I could do worse!

Reviewed in This Post: Fleurs de Nuit, 2012, Eau de Parfum.

Coty Masumi

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Someone asks me if I want to test out a classic Coty, I don’t know how I could say no. Masumi was a Coty chypre from the 1960s.

In Bottle: Spicy with a very grown-up fruity vibe with a layer of deep green woods.

Applied: Bergamot up front with a fruitiness that rolls in rather quickly. The fruits in Masumi can’t be described in any terms that one would use for a modern perfume. Certainly not, “girly” or “fun and sweet”. Masumi’s fruits are reminiscent of Mitsouko’s peach note, in that it’s slightly sweet but very, very sophisticated. The fruits are joined by a spicy floral in the midstage with a big showing from the woods and a smooth earthiness that I’m thinking might be the oak moss at work. The fragrance stays a floral woodsy scent with a hint of spice. The fruitiness I got in the opening was rather short lived and the scent isn’t missing anything because of it. Quite lovely, very classic, helps me remind me that Coty did some great things.

Extra: Masumi was released in the 1960s and was later repackaged in the 1970s. It has since been discontinued.

Design: The design for Masumi was very reminiscent of the era in which it was released. The shape is a bit familiar in Guerlain’s Idyll but with a great deal more authenticity. It looks simple, with a teardrop style shape and a tall metal cap. I don’t have a physical body to judge by, but the design works for what it is.

Fragrance Family:  Classic Chypre

Notes: Bergamot, pineapple, melon, rosewood, rose, violet, cardamom, musk, sandalwood, oak moss, cedar, amber, vanilla.

The more classic Cotys I experience, the sadder I am that most of their great fragrances are no longer available.

Reviewed in This Post: Masumi, ~1970, Eau de Toilette.

Illuminum Arabian Amber

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It was a surprisingly chilly day and I was in the mood for something warming, so I decided to test out Arabian Amber today in the hopes that it would give me that warm feeling that ambers tend to do.

Arabian Musk

Arabian Musk

In Bottle: Clean and very heavy on the bergamot. I get woodsy from this too as well as ylang-ylang.

Applied: The strange thing about Arabian Amber when I tried it on me was that it wasn’t very warm. Ambers or scents that bill themselves as ambers tend to warm up. I get the bergamot in the beginning that does a nice job introducing the woods that roll in during the midstage. The cedar in this is sparingly used and tempered so that it doesn’t overtake the entire fragrance. It’s definitely present and definitely threatening to take over, but it doesn’t because of the lovely touch of spice and light-handed smoke that funnels up through the scent. Arabian Amber has a bit more of its namesake as the fragrance ages and has a much more prominent ylang-ylang presence than I thought it would have. The ylang-ylang reminds me of Illuminum’s Cashmere Musk as it dries down to a smoother woodsy and ylang-ylang fragrance that joins up with the clean patchouli for a pleasant finish.

Extra: Launched in 2011, Illuminum is a British fragrance house created and led by Michael Boadi. The house focuses on contemporary, sleek and modern design.

Design: Still not that big of a fan of the bottles.

Fragrance Family: Woodsy

Notes: Bergamot, nutmeg, black pepper, cedar, ylang-ylang, oppoponax, frankincense, patchouli.

I expected a lot more warmth from Arabian Amber and while it does have a bit of warmth to it, I noticed the ylang-ylang in the fragrance more than I noticed the spices or the amber notes. I’m not sure this one is for me but it certainly smells nice enough. Arabian Musk is available in 50ml or 100ml and you can buy a bottle at Luckyscent or Illuminum’s website.

Reviewed in This Post: Arabian Amber, 2012, Eau de Parfum.

Disclaimer: The fragrance sampler spray reviewed in this post was provided to me for free for the purposes of review. In no other way am I receiving pay or compensation for this review. This review was written based upon my personal experiences and opinions of the product.

Chypre de Coty Vintage

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Welcome back to the world of old school Coty, before they made celebuscents, they were making Chypre. I had finally shelled to buy the reissued version of Coty’s Chypre from my friend, but like a true fragrance addict, I couldn’t stop there. The older the Chypre, the better it was and while I loved the reissue I had, I wanted something older and more vintage. After a bit of searching, I got into contact with Deb at luvparfum. And she hooked me up with an earlier version in a beautiful flacon. I was ecstatic.

Chypre de Coty

Chypre de Coty

In Bottle: The fragrance inside the bottle is doing well. Most vintage fragrances, built right and proper, tend to do well anyway and it’s got a nice smoothness to it with a hint of familiar Chypre.

Applied: Now, I have a sample of Coty’s Chypre from Surrender to Chance and this doesn’t smell quite like it. It’s lighter, softer, more yielding but definitely reminiscent of Chypre. I get a bitterness upon application, a nice gentle spice, and a strong green floral showing. The fragrance seems to gather depth as it progresses, taking on an earthy quality with a slightly stronger floral note and a hint of powder. In the end, Chypre rolls out and leaves me feeling a little sad because I know there isn’t enough of it left in this world to enjoy it all. Its dry down is marked with a deep earthy orris and patchouli. There’s nothing quite like this anymore. Nothing that even comes close to the complexity of perfumes like these and it’s very sad. If Coty needs to do anything, it’s bring back their vintage fragrances. Similar to the last Chypre I tested and reviewed, this one also smells like history.

Extra: My quest for Coty Chypre started the day I first smelled the reissue. Then I had to get an older version. Then I had to buy the reissue because I had been sleeping on the decision for years. Now I’ve sprung for the vintage. The only problem is, I have no idea what concentration I have or what year I have. If anyone can help me identify the concentration and/or year of the bottle in the photo, I will be forever grateful.

Design: I love how Coty’s Chypres were bottled, but there are a lot of iterations and I’m not very good at determining what’s what. This particular bottle is cylindrical with a round stopper. Feels good to hold, and scares me constantly because I don’t want to break it.

Fragrance Family: Classic Chypre

Notes: Bergamot, jasmine, rose, patchouli, labdanum, oakmoss.

Normally I would guess at the year of the fragrance I have, or give a range for when I believe the fragrance was made, but in this case, I really have no idea and I really, desperately want to get as close and accurate as I can with this particular bottle. So any help would be greatly appreciated! Here’s a photo of the stopper.

Reviewed in This Post: Chypre de Coty, ~1920, EDP.

M. Micallef Vanille Cuir

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Vanille Cuir

Vanille Cuir

Vanille Cuir is the last of the Vanilla Art Collection from M. Micallef. I left this one for last because I had a feeling that I would like it the most. Though after Vanille Orient and Vanille Marine, Cuir has some pretty big shoes to fill.

In Bottle: Smooth, creamy vanilla with an equally smooth leather note that makes this fragrance smell very grown up.

Applied: Rich, smooth vanilla. One of the nicest smelling vanillas ever. It floods into the air and has this instantly relaxing feel to it. I love the opening. Like, absolutely adore it and if I could bottle that, I’d probably have my favorite vanilla and call it a day. All the bergamot, mint, lavender and whatever else that’s supposed to be in the opening isn’t there for me or it’s been too well-blended, and I quite like it that way. But, the pillowy, rich vanilla gives way to a smooth, almost smoky leather scent that makes things seem more dense and grounded. Like wrapping yourself up in a big leather blanket and sprinkling some flowers on top for good measure. After a while, the spices kick in and the leather calms down a little, letting that gorgeous initial vanilla note to return and take the fragrance into this very soft leather, woods and vanilla dry down.

Extra: One of the best selling features of M. Micallef’s Vanilla collection is the fact that they use a really nice vanilla. I’ve smelled plenty of vanillas, many were plastic, boring, or predictable. And a few, rare, vanilla gems really stood out. The bourbon vanilla that Micallef used in this series is one of these gems. It shows in the delicate way the note unfolds and works with the other ingredients to form a beautiful creamy, natural fragrance.

Design: Yep. Still not a fan of the design, but the shape and utility of the bottles is growing on me quite a bit. I still prefer Micallef’s other designs.

Fragrance Family: Leather

Notes: Bergamot, mint, lavender, cinnamon, cumin, orange blossom, tonka, sandalwood, cedar, vanilla.

Leather’s one of those notes that has a lot of people concerned about how it would make them smell. It’s generally been tamed, but I know of some leathers that can smell quite animalistic. Vanille Cuir isn’t one of those. It tempers the leather quite well and mixes the vanilla with it rather expertly. With that having been said, I think my favorite in this line is probably Vanille Marine, followed by Vanille Orient, Vanille Cuir and finally, Vanille Fleur. If you do love vanillas though, you should definitely check out this collection, some samples or the fragrances themselves can be purchased at Luckyscent.

Reviewed in This Post: Vanille Cuir, 2012, Eau de Parfum.

Disclaimer: The fragrance sampler spray reviewed in this post was provided to me for free for the purposes of review. In no other way am I receiving pay or compensation for this review. This review was written based upon my personal experiences and opinions of the product.

Histoires de Parfums 1826

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The Histoires de Parfums line has always interested me. I loved the concept behind it and had been meaning to get a sample of one of the fragrances for years. My main hold up was not knowing where to start and what year to order first. I settled on 1826 thanks to a recommendation from a friend.

1826

1826

In Bottle: Strong bergamot and woody presence with a hint of smooth vanilla and spice.

Applied: Starts up with a strong bergamot and tangerine showing that is quick to make way for the floral aspect. I get a lot of lowers, and a bit of spice that creeps up to the midstage making for a complex and pleasant blend that gets slapped with a soft vanilla incense halfway through its progression. 1826 settles into a floral vanilla with a hint of woods. It’s giving off a clean floral vibe. Heck, this thing changes on me like crazy, one minute being a spicy floral and another being a vanilla floral that throws in a clean note out of no where. There’s a dark edge to it with the patchouli too, that settles in the background in the early midstage where it lends 1826 a bit of depth. The dry down is markedly woodsy with a final showing of florals and that elusive, but brilliant vanilla.

Extra: 1826 is dedicated to the last French empress, Eugénie de Montijo, whose birthday is reportedly May 5th, 1826. She lived a very long life given the time period and passed away at the age of 94 in Spain. The Empress, formerly known as María Eugenia Ignacia Augustina de Palafox-Portocarrero de Guzmán y Kirkpatrick, is somewhat understandably more well known as the fashionable wife of Napoleon III, and the last empress of the French court.

Design: Histoires de Parfums keeps a somewhat uniformed look for their bottles. I am a huge fan of uniform looks for series because I can imagine if I were ever wealthy enough to buy an entire series of perfumes, that I could line them up and be a little giddy about how awesome that would look. Histoires de Parfums is one of those bottle designs that would look fabulous lined up in a row and still looks pretty good even if you own just one of the bottles. The box tells you what notes are in the fragrance along with a little blurb about the name of the scent. The bottle itself has a label on the side that gives you the notes you should expect to smell. Simple, functional, and would look awesome lined up in a row.

Fragrance Family:  Floral Oriental

Notes: Bergamot, tangerine, white florals, violet, cinnamon, ginger, patchouli, amber, incense, woods, white musk, vanilla.

I have to admit that I expected a little less punch during the initial spray phase, but the rest of the fragrance smells divine. It’s got a great complexity to it, and it’s quite the shape shifter to boot. It smells great, has a young streak, tends toward a sweet youthful vanilla, though it’s probably not the kind of thing you’d want to recommend for a teenage girl or someone with a teenage girl’s sensibilities. 1826 is definitely a woman’s fragrance and needs a sophisticated nose to appreciate it.

Reviewed in This Post: 1826, 2012, Eau de Parfum.