Victoria’s Secret Sexy Little Things Noir

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Victoria’s Secret, known mostly for their underwear brand, also has a fairly lucrative line of beauty products and fragrances. It’s fragrance side is a well-loved establishment that releases mostly fruity floral fragrances that are wearable, girly, light and happy. Sexy Little Things Noir

In Bottle: Fantastic burst of fruits. It’s like I just sprayed a bowl of fruit punch on myself. There’s a slight sourness that really compliments and helps tame this very sweet fragrance. Something about this is really juicy, like biting into a crisp piece of fruit, juicy. And behind it all, I smell the faint waft of the very enigmatic jasmine supported by the spicy creaminess of tonka bean.

Applied: Fruit punch and creamy vanilla is what Sexy Little Things Noir is to me. For its massive list of notes, it does a great job projecting a fruity almost gourmand fragrance. Also due to its massive list of notes, I can’t separate nectarine from apple. However, I can pick out jasmine in this as well as the tonka beans. Sexy Little Things Noir lacks anything that I would really consider to be “noir”. In that a fragrance that’s marketed as “noir”, to me, should have some element of deepness or darkness. Sexy Little Things Noir is just a sparkling, juicy, fruit salad with a sprinkling of white flowers on top. There’s no deepness or darkness, which betrays its name but hey, I’m all right with that. It has fantastic projection but the longevity on me is a bit weak, fading within four hours into light vanilla and jasmine.

Extra: Tonka beans are said to smell like vanilla. A while ago, they could have been eaten in addition to being used in perfumes before someone discovered they contained a potentially lethal anticoagulant. Thanks for the kicks, nature.

Design: I’ll admit it, I was drawn to this perfume like many others for the bottle. The glass is a very dark purple in a pleasing, beautiful shape. The winning feature for me? That pump atomizer. That pump that’s so iconic of Hollywood Noir where the women were glamorous and the movies were in black and white. Though fragrances in pump atomizers back in those days tended to be from fragrance families that people these days refer to as “old lady” perfumes.

Fragrance Family: Fruity Floral

Notes: Nectarine, apple, citrus, pineapple, guanabana, pear, red fruits, bergamot, cattelaya orchid, muget, cyclamen, jasmine, plum, vanilla, dewberry, cassis, amber, musk, woods, tonka bean.

Sexy Little Things Noir is a part of Victoria’s Secret’s fine fragrance line. Meaning, it’s an Eau de Parfum as opposed to the body mists that Victoria’s Secret sells. Sexy Little Things Noir also has a counterpart body mist, shower gel, and perfumed body powder.

Reviewed in This Post: Sexy Little Things Noir, 2010, Eau de Parfum.

Yves Saint Laurent Elle

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Light, sweet, and fruity. Elle is Yves Saint Laurent (YSL)’s attempt at attracting a younger female audience. While there has been some discussion about Elle smelling like tea, I have to differ. It’s a bright fruity, clean, woodsy scent and that is pretty much where the buck stops. Elle

In Bottle: Immediate smell of citrus and fruits. Elle comes on strong and sweet with a burst of lychee and berries after the citrus carries it up to the nose. The fruits don’t quit when this stuff is in the bottle and they make it difficult to detect anything beneath them. Yet, I get this clean feeling from the scent with a touch of steady base that I attribute to the woods.

Applied: Again, citrus and sweet fruits up front and center as the fragrance pulls no punches in making itself well known. Elle has a veneer of simplicity though because as the fragrances ages on the skin the fruits are slowly complimented by the wood notes giving this fragrance a sharper quality. There are elements of florals in this fragrance but the fruits are difficult to get past. I can barely detect the jasmine hanging out. As for the two earth notes (vetiver and patchouli) that are supposed to be in this? They’re there but they compliment the fruits so well that I didn’t really notice them. Overall, Elle is a well incorporated fragrance though the fruits in here are very prominent but they are kept well in line by the woods. The rest of the notes seem to be content with just hanging out.

Extra: With perfumers Olivier Cresp and Jacques Cavallier behind the creation of Elle, it’s really no surprise how we came to arrive at this woodsy fruity mix. Cresp and Cavallier are known (to me) as the men behind Nina Ricci’s Nina (2006), a sweet citrus fruity fragrance. My first “grown up” perfume.

Design: I can’t say I’m wild about the bottle for Elle. On paper it looks bold and interesting. In person, the bottle fails to impress me. With its hard sharp edges, Elle is built like a skyscraper with a plastic hot pink detachable cube to protect the sprayer. The design looks girly and metropolitan at the same time but the shape and the feel of it just seems lacking to me like there’s something missing in the design that would make it stand out a bit more.

Fragrance Family: Fruity Chypre

Notes: Citrus, lychee, berries, jasmine, woods, vetiver, and patchouli.

Pleasant, pleasing and inoffensive. Elle’s got it all if you’re looking for an easy to wear, fruity chypre. I wouldn’t say it’d be my first pick for a fruity perfume but the woods definitely give it a bit of uniqueness when compared to the other fruity fragrances it has to compete with. As for that tea thing? I don’t smell no tea.

Reviewed in This Post: Elle, 2010, Eau de Parfum Tester.

L’Instant de Guerlain

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L’Instant’s one of those weird anomalies that give me a hard time when it comes to finding and purchasing it. Eventually I broke down, having looked for months with it eluding me, and dropped full price on a bottle. It felt ridiculous at the time that a very recent, rather popular fragrance like this, could be out or not stocked everywhere I looked.

I can see what some Guerlain fans can love about L’Instant. For one, it’s not the dreaded mix of fruits and florals in a bottle. Heaven forbid. L'Instant

In Bottle: Rich, sweet honey with a resiny background. It is almost a gourmand but the floral note in this is preventing it from getting there. The magnolia lends it a bit of powder to prevent the honey and amber from turning into a honeyed cream scent which would land it in gourmand territory for me.

Applied: Honey amps up immediately with this slightly sharp sting of citrus. The magnolias are creating this very fine sweetened floral fragrance a few moments later. The floral aspect does a good job working with the sweetness. I’m no longer detecting powder and there’s less and less of it as the magnolia fades away and the amber gets stronger. Once again L’Instant is skirting the gourmand line as it warms up from the initial blast of citrus. In the end, L’Instant goes out smelling like warm, sweet, golden amber.

Extra: Resins and resinous notes can include amber, labdanum, ambergris, frankincense, myrrh, benzoin, etc.

Design: Nicely shaped rounded corner bottle with slightly purple tinged clear glass showing off the light amber juice inside. The cap on the bottle I have has a nice weight to it unlike the flighty, flimsy clear plastic deals on the other Guerlains I own. I wish they would go with this denser feeling cap more often. It looks better, feels better, and helps class up the project.

Fragrance Family: Oriental

Notes: Citrus, honey, magnolia, golden amber.

It was a bit difficult choosing which way to go on this fragrance. To me, it is really close to being a gourmand despite having only one gourmand-esq note in it. Had the amber been vanilla this wouldn’t have been so hard. In the end I stuck to the safe bet as L’Instant does have the amber necessary and does have that thick, resinous golden base to it that could label it as an oriental even though it doesn’t truly slot itself neatly there either. See, people say oriental and I think resins and dark musky scents.  There’s no dark musk in L’Instant. In the end, I hate agonizing over something that’s essentially my opinion anyway so you get oriental.

Reviewed in This Post: L’Instant, 2010, Eau de Parfum.

Guerlain Mitsouko

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I don’t think highly enough of myself to kick off this blog with a review of a Guerlain classic because I feel I’m particularly versed in olfactory luxuries. I just wanted start with a relatively agreed upon fragrance. A classic, in other words, where so many others have said what needed to be said and I’m just filling in an already overflowing gap.

Mitsouko is Guerlain’s 1919 debut girl. Formulated by Jacques Guerlain with a following that describes her with such words as deep, sensual, sophisticated, and mysterious.Mitsouko

In Bottle: The fragrance is so well blended that I have a hard time picking out any specific notes. This is not a bad thing as it means Mitsouko has that unique quality. She smells like something never smelled before. I immediately associate her with with the word ‘classic’ and ‘old world’. Old world being a very endearing term to me, of course.  It’s spicy, it’s woodsy, just a little floral and very lightly fruity, but it’s all of those things at once too. To separate the notes and describe them feels wrong.

Applied: Mitsouko’s initial application is a burst of complex florals and soft woodsy notes. In a manner of seconds, as if she shed her flower coat as she drifted from the air onto skin, Mitsouko begins to deepen. The woods and spices come up creating this miasma of scent that makes me think darkness, headiness, and shadows drifting in and out of a sunless forest. As she dries the woods and moss come up more, blending with the spices as the components practically meld together. It is easy to forget that this is a fragrance composed of different notes and the fruitiness that people love in this fragrance is the softening agent used to tame rather than dominate. It’s hard to separate the notes and what’s left is just Mitsouko as a whole.

Extra: So it is said that Guerlain’s Mitsouko is a homage to many things, the name, the novel, the woman herself. Most people seem to subscribe to the theory that Guerlain based Mitsouko on the novel, La Bataille by Claude Farrčre. Where the novel is now difficult to find, at least for an English speaker with no foothold in French, the fragrance lives on in those who continue to love her.

Design: Mitsouko’s bottle design, I suspect, is supposed to reflect its scent and the artistry of the time. It looks and feels like a piece of design history. It’s a piece that, to me, reflects the orientalism of the fragrance and while art and design has since evolved into abstract shapes, clean and sharp lines, with flowing bulbous nodes of color bold against white, Mitsouko’s bottle design is an echo from an era gone but never forgotten. The one thing about my bottle I dislike is the plastic cap which seems to be on par for most recent Guerlains. I would have liked for them to invest in some nicer caps but you can’t have it all.

Fragrance Family: Oriental Chypre

Notes: Citrus, rose, peach, clove, pepper, spices, oakmoss and woods.

I believe a modern fragrance lover, and I wholly admit myself as a rotten, no-good, fruity-floral loving modernist, would find it difficult to like Mitsouko. But liking and respecting are two different things to me. I own a bottle of Mitsouko, a small one, for the simple fact that it is a piece of fragrance history. Once in a while I’ll bring her out and try to analyze  the complexities of her nature and to assuage my guilt of not warming up to Shalimar yet (I’m getting there). I find her too deep for normal wear as the people I’m around most often tend to react poorly to her. It’s not their fault, and it’s not Mitsouko’s fault either. Mitsouko is to be appreciated for sure as one of those classics you’ve just got to try at least once because reviews just don’t do her justice. As for wearing her? That depends on what you like.

Reviewed in This Post: Mitsouko, circa 2008, Eau de Toilette.