Guerlain Shalimar Parfum Initial

Having missed out on numerous past Shalimar flankers, I resolved to go smell this one. At the very least, I could finally add a Shalimar flanker to my list. I wasn’t really sure what Parfum Initial is supposed to do to beloved Shalimar but it wasn’t what I expected.

Shalimar Parfum Initial

Shalimar Parfum Initial

In Bottle: Fresh and sweet citrus with a deep vanilla note lingering about in the back.

Applied: Fresh and clean citrus on opening with the rose and other florals rolling in soon after. There’s a dry woodsiness that joins the fragrance shortly after that as the scent warms up with a vanillic quality that doesn’t reach gourmand–and I’m glad. This is already different enough from original Shalimar that I’m a little disturbed when the mid-stage continues as we get a deep, warm vanilla, touched with a hint of florals. The fragrance ages into this warm, tonka quality that’s dense and deep but never reaches the point of gourmand because there’s that clean, fresh note keeping it from going full-on foody. There’s a lot missing in this fragrance that I would need if I were to call it anything related to Shalimar. Shalimar to me was that leathery vanilla scent. There’s vanilla in Parfum Initial but the missing leather makes this scent feel like it’s missing something. Maybe that’s just me though. What Shalimar Parfum Initial does is take an old classic, put a very modern spin on it and make it more accessible to a wider audience. I don’t know if I like this flanker, but it is nicely done regardless.

Extra: Shalimar Parfum Initial was released in 2011 and was composed by Thierry Wasser.

Design: I haven’t yet held the bottle for Shalimar Parfum Initial but if it’s anything close to the new Shalimar bottles then I can pretty much be guaranteed that it’ll be awesome. I love the redesign of the Shalimar bottles, it brings the fragrance back to the classic design that most people know Shalimar to.

Fragrance Family: Oriental

Notes: Bergamot, orange, rose, jasmine, vetiver, patchouli, vanilla, tonka bean, white musk.

The more I think about this fragrance, the less sold on it I am. I’ll always think Shalimar got it right almost a century ago. While is a nice, newer, more approachable interpretation I also think it lost a little bit of essential history along the way.

Reviewed in This Post: Shalimar Parfum Initial, 2011, Eau de Parfum.


Cacharel Amor Amor

Some days I like Amor Amor. Other days I think it’s a soapy mess. It ultimately comes down to my mood and Amor Amor has good days more than bad days, though it’s so far the only perfume I hate one day and love the other.

Amor Amor

In Bottle: Sweet and floral, a bit sharp, with a very strong soapy undercurrent. There’s a ton of white musk in this to me.

Applied: Sweet and clean with a bit of fruitiness that eventually evolves into a sweet and clean floral mid-stage. There’s something in this that’s sharp–I think it might be the white musk–that rears its head in the mid-stage and sticks around until the very end of the fragrance. Amor Amor is a bit of fun and girly balanced with sharp clean musk. The mid-stage reminds me of a bunch of fruity florals mixed together with an extra heaping of sugar slapped into the mix. The dry down gets a bit less sweet and a bit cleaner as the white musk takes over and sweeps the fragrance into a vanilla woods with a scrubbed amber scent.

Extra: I don’t know what to think of Amor Amor. Some days I think it’s one of the better fruit scents out there. Other days I think it’s just too sweet and too typical.

Design: I don’t like how Amor Amor looks. It feels like it wants to be a gimmick and reminds me too much of the rose under glass in Disney’s Beauty and the Beast. The bottle itself is easy to hold and use. I just don’t care much for the aesthetics.

Fragrance Family: Fruity Floral

Notes: Blackcurrant, orange, mandarin, bergamot, cassia, grapefruit, apricot, lily, jasmine, rose, white musk, amber, tonka bean, cedar.

I’m writing up this review from a set of notes so I haven’t smelled Amor Amor in a while. I do wonder if my opinion of it has changed since I wrote the review. I guess I can try to smell it some time soon and see if I’m having a good Amor Amor day or a bad one.

Reviewed in This Post: Amor Amor, 2007, Eau de Parfum.


Maitre Parfumeur et Gantier Bahiana

We’re stuck in the middle of summer and what better way to celebrate the excruciating heat than to load up on the tropical scents and pretend we’re lounging on a well-groomed beach instead of sweating out our livelihoods in an office with poor air circulation?

Bahiana

Bahiana

In Bottle: Bahiana smells like a little touch of tropical inspired paradise. It’s not really unique in that it smells largely like many tropical inspired fragrances. But it does come up smelling very well made.

Applied: A nice hit of sweet citrus up front to introduce the refreshing feel of this fragrance, followed by a nice little dose of green woodsiness. Refreshing is the word, with a hint of sophistication as Bahiana sends in the tropical duo of coconut and pineapple. What I’m left with is a very rapidly aging fragrance that settles into a comfortable niche of woodsy coconut, pineapple, and a soft breeze. I really like it. But is it really special? Eh, not so much. What Bahiana is, however, is a very well made fragrance. I can smell the clean coconut in this. It isn’t that sour, weird coconut that goes into some cheaper fragrances. This stuff is on par with the coconut note in Virgin Island Water. Cool, refreshing, and just a tad more authentic. Nicely done, Maitre Parfumeur et Gantier!

Extra: My one complaint with Bahiana is its lasting power. It’s quick to go on and go through its motions and then disappear. There’s very little left by the end except a faint waft of woodsiness, which is more than I can say about Virgin Island Water’s complete disappearing act.

Design: Due to the lack of stores available nearby that carry Maitre Parfumeur et Gantier, I have yet to hold this bottle. From the images of it, however, it looks absolutely fantastic. An awesome marriage of perfume and whimsy with those feathers attached to the bottle.

Fragrance Family: Fresh Fruity

Notes: Orange, caipirinha limon, mandarin, tagette, green leaf, rosewood, gaiac wood, elemi, amber, musk, coconut.

So is the fact that Bahiana smells well-made compared to other tropical-like scents worth the money? To me, probably. There’s a big difference to me when it comes to using the right amount or right type of coconut in a fragrance and the synthetic-smelling, sour coconut that shows up in many tropical scents is distracting for me. So distracting that I’d probably pay the premium for a niche house that houses the right note.

Reviewed in This Post: Bahiana, 2009, Eau de Toilette.


Chanel Coco Mademoiselle

All right, it was bound to happen. A review for Coco Mademoiselle, possibly the most popular fragrance amongst perfume consumers today. True, she doesn’t have the history of Chanel No. 5 but she’s undeniably pretty with a very appealing personality. So let’s cut to the chase already.

Coco Mademoiselle

In Bottle: Strong, very sweet lychee on top with a layer of very sheer florals you really have to focus in order to detect.

Applied: I know what the notes list says but there’s lychee in this and it’s the tippy-top of the notes pyramid. Coco Mademoiselle opens with a blast and a loud announcement that you’ve just arrived and you feel fabulous. It’s sweet, very loud, and predominantly lychee with a faded florals sort of scent lingering in the back. As the lychee settles a bit you get a hint of sweet orange flower and equally sweet mimosa. The fragrance starts to age into the mid-stage and that’s where you get something a bit more exciting. There’s a sheer white florals scent that keeps Coco Mademoiselle from being completely ridiculous as it blends so beautifully with the sweet notes in this fragrance. The rose note in this is particularly beautiful, it masks itself well with the florals and the lingering fruitiness of the opening, but it’s very, very modern rose. I might be a bit crazy here too but there’s something to Coco Mademoiselle that smells a bit like powder to me. Chanel giving me powder in a fragrance this modern? Kudos, Chanel! The dry down is lovely as well, when Coco Mademoiselle flings off the last of her silly lychee and embraces a warm, very clean, vanilla scent. Coco Mademoiselle, like most Chanels, projects and lasts a long time so go light on that sprayer.

Extra: Coco Mademoiselle was composed by Jacques Polge in 2001. It has consistently performed well in terms of sales since its release. Due to the popularity of Coco Mademoiselle, it is often one of the most counterfeited perfumes out there. In fact, I did a quick look on eBay and there’s at least three counterfeits on the first page of results at the time of my writing this. Definitely beware if you plan on buying this online.

Design: The eau de parfum version of Coco Mademoiselle sports the beautiful Chanel No. 5 style with the squarish glass bottle and cap. The cap for Coco Mademoiselle is a frosted glass. The shape is beautiful, the design is fitting and I simply love it. I still abhor most of the eau de toilette versions of Chanel’s fragrances though.

Fragrance Family: Sweet Floral

Notes: Orange, mandarin, orange blossom, bergamot, mimosa, jasmine, turkish rose, ylang-ylang, tonka bean, patchouli, opoponax, vanilla, vetiver, white musk.

All right so what do I think of Coco Mademoiselle? Well, its’ a very popular fragrance. I think it consistently shows up in top perfume sales so I doubt it’s going away any time soon. I actually own a bottle of the stuff but I rarely use it. It is very strong, has very good longevity but it is everywhere. Absolutely everywhere. There’s no exclusivity to Coco Mademoiselle. The fragrance is highly recognizable and it’s a household perfume at this point. Couple these two facts with the realization that a lot of people love it and you get a perfume that pretty much haunts you no matter where you go.

As for me? I’ll be happy spray this on when I feel like it, but Coco Mademoiselle isn’t an every day thing and certainly not a perfume I’d wear if I wanted to avoid smelling like everyone else.

Reviewed in This Post: Coco Mademoiselle, 2009, Eau de Parfum.


Hermes 24, Faubourg

Hermès is rapidly becoming my new favorite friend in the world of modern designer perfumes. What they come out with is almost always good, or at the very least–decent and I have yet to smell something from their line that I found outright terrible. Let’s hope the streak continues.

24, Faubourg

In Bottle: 24, Faubourg is the fragrance you wear when you know you’re about to make a statement. Sweet, warm and gardenia straight to the face.

Applied: Airy florals with a bergamot note up top and a blend of slightly sweet peach. The mid-stage is a set of amped up and huge white florals with a predominance of gardenia. Actual gardenia, even, not that tuberose nonsense people try to pass off as gardenia sometimes and a faint jasmine note wafting around like a warm bouquet. There’s also a gorgeous layer of spices here that mixes so well, no one spice is too strong or not strong enough and it plays into the utterly pretty but very loud florals. The drydown is a warmed up sandalwood, a hint of vanilla and the sophisticated dryness of a good patchouli note. 24, Faubourg is sophisticated. It’s a perfume that smells expensive and experienced. It’s the kind of perfume you could totally wear to a formal. Projection on this is fairly good, with longevity doing very well on me.

Extra: 24, Faubourg was released in 1995 and was developed by Marcel Roucel.

Design: Beautiful glass bottle with accents on the glass that looks like one of Hermès’s famous silk scarves. The cap is a rose gold and the bottle’s shape even mimics that of a silk scarf. Beautifully designed, not at all too busy. Every element is so nicely balanced and beautifully designed.

Fragrance Family: Floral

Notes: Bergamot, hyacinth, ylang-ylang, orange, peach, black elder, orris, orange blossom, jasmine, gardenia, sandalwood, amber, vanilla, patchouli.

I’d unashamedly say that I’d buy this for the bottle alone. Thankfully the juice inside is good too.

Reviewed in This Post: 24, Faubourg, 2006, Eau de Parfum.


Coty L’Origan

Sometimes, just because I’m immature, I like to pretend that Coty only came out with the good stuff and all the stuff they’ve made that’s been terrible just simply doesn’t exist. When I think of Coty these days, the first thing that pops into my head is Lady Gaga and everybody freaking out about her up and coming “blood and semen” perfume. I won’t mention our favorite friend from Etat Libre d’Orange but I will say that the Coty of the early 1900s could have taken “blood and semen” and turned it into something beautiful. These days, I kind of hope Gaga at least gets something that isn’t a fruity-floral. Oh, Coty.

L'Origan

In Bottle: L’Origan has that classic smell that you just can’t imitate these days. It’s dense and complex with a varying, slightly discordant mixture of big honking spices and florals up top.

Applied: Spicy on arrival with a floral touch coming up. There’s a very old-world style to the way this perfume goes on and starts to age. People have compared L’Origan to L’Heure Bleue–well,  I should say they compare L’Heure Bleue to L’Origan because Guerlain’s hit fragrance was released after this one. It’s similar in that both scents trail the same sort of fragrance with L’Heure Bleue exhibiting a much colder, more melancholy personality. L’Origan, to me, is warm and much more animalic. There’s a hint of animal in the opening there and I experienced hints of animalics throughout the livespan of the scent. It’s blended very well, though, not overpowering the scent but rather giving it a bit of sensuality and added depth. Another thing about L’Origan vs. L’Heure Bleue, it’s spicier with slightly less noticeable florals and it’s ultimately a brighter scent though its uses of the  spices are very familiar. There’s a powderiness to this that tends to show up in vintage fragrances as well as a heavy dose of clove. As L’Origan approaches dry down it maintains that spiciness the whole time the florals are totally gone but what’s waiting at the bottom is this thick, rich warmness that reminds me a bit of slick metals and mosses.

Extra: L’Origan was released in 1905 and still survives today–though in an undoubtedly heavily reformulated state. As always, vintage is leaps and bounds better.

Design: The original L’Origan was bottled in a flat glass bottle of a squarish shape with the Coty seal on it. I had a warm, amber-like color and was a bit reminiscent of Chypre de Coty in appearance. The modern bottle (pictured) is reminiscent of a flower bulb with a spiky crown for a cap. I have to say I prefer the old style better.

Fragrance Family: Spicy

Notes: Bergamot, orange, coriander, pepper, peach, nutmeg, clove, jasmine, violet, rose, ylang-ylang, orange flower, benzoin, cedar, incense, vanilla, sandalwood, musk, coumarin, civet.

Somehow L’Origan comes out as the happy side of L’Heure Bleue. These two could be best friends, though probably not sisters. I have to say, despite my love for L’Heure Bleue–I like L’Origan a bit more.

Reviewed in This Post: L’Origan, ~1950, Eau de Parfum.


Escada Island Kiss

Escada’s fragrances have never struck much of a chord with me. The ones that are popular are pretty generic, the more obscure ones are just not my thing. So here comes another generic!

Island Kiss

Island Kiss

In Bottle: Island Kiss starts off predictably enough with a fruity blast up my nose of clean tropical mango and other girly sweet fruits.

Applied: There’s a slight layer of sweet white florals in the opening that I’m detecting on me along with the fruits. I smell the fruits the most though with mango making the biggest splash followed by a sweet peachy note. Most Escada fragrances tend to go like this, big fruity openings evolving into bland floral mid-stages and going on some sheer note like white musk or sandalwood. And from the looks of things, Island Kiss will continue the tradition. The mango and sweet fruity opening of the fragrance leads way to an equally sweet floral mid-stage that’s a bit better than Marine Groove in terms of strength but it’s still quite benign, quite easy to wear, and when Island Kiss reaches its dry down the same sheer ending is waiting for me in a cleaned up sandalwood and sharp white musk. Aside from Island Kiss having some more fruits up in the opening with a hint of floral layering, there’s not a whole lot to set this fragrance apart from Marine Groove or any of the other fruity florals that Escada’s released. If you want to smell like girly, fruity, fun shampoo, Island Kiss is a good start. It’s clean, it’s modern, it’s easy to wear and it smells like fun.

Extra: Island Kiss was released in 2004 and was supposedly inspired by the Greek islands. Frankly, it is interchangeable with most of Escada’s summer line.

Design: Same bottle shape as the other summer line Escada fragrances. That stretched heart thing with the gradiating color on the glass. In Island Kiss’ case, the gradient goes from blue to a pink base.

Fragrance Family: Fruity Floral

Notes: White florals, magnolia, mango, passion flower, orange, passion fruit, raspberry, white peach, hibiscus, musk, sandalwood.

Island Kiss is one of the better ones from the summer line. That’s not really saying much since choosing between the Escadas in their summer line can pretty much boil down to which top note you want to smell first. You want mango? Island Kiss. You feel like pineapple? Marine Groove. Big on pears? Get Tropical Punch.

Reviewed in This Post: Island Kiss, 2004, Eau de Toilette.


American Idol Idol Moments

Happy Valentine’s Day! And yes, there is an American Idol perfume. Two, actually. This one’s for women. The one for men–which I can’t seem to find anywhere in a sample size or decant, is called Idol Spirit.

Idol Moments Perfume

In Bottle: Hey citrus, how you doing? This is a pretty normal self-explanatory citrus opener with nothing to feed it any inspiration. I don’t think American Idol perfumes are supposed to be special or unique in any way so I’m not disappointed in the citrus opening–just kind of disinterested.

Applied: After citrus, of which I detect mostly clean slightly sweet orange with a bit of bergamot spice. The mid stage is a light white floral consisting mostly of lily and jasmine with a hint of rose lingering here and there. The floral bouquet is done fairly well for what it is. I don’t actually have a whole lot to say except this is decent and wearable though I don’t find anything particularly noteworthy or beautiful about it. It’s light and flowery, not too sweet, and the dry down is inoffensive enough with a fading floral scent. Idol Moments is pretty banal but highly wearable. It’s fresh, it’s clean, the heavy use of florals leans it more towards feminine. It’s dull but it’s not terrible and I can at least commend it for not relying on vanilla to carry the scent.

Extra: I expected to hate this but I actually didn’t. I wouldn’t exactly call this competent but I would call it passable. Idol Moments was released in 2004. I don’t really  watch the show but their fragrance  for women is decent.

Design: The bottle is a no frills pink cylinder that kind of reminds me half of Lacoste’s Love of Pink and half of Pink Sugar. Why does everything have to remind me of Pink Sugar? Anyway, if you were looking for beautiful packaging this probably won’t be it as it’s pretty utilitarian and not in an elegant way like Chanel. More like utilitarian in a hairspray can kind of way. The box it comes in is a little silly too with a see through cover where one of the idol figures is standing around in front of the bottle encased within.

Fragrance Family: Floral

Notes: Bergamot, mandarin, orange, rose, jasmine, geranium, magnolia, lily, ylang-ylang.

Well, that wasn’t too bad. What is bad is tracking this stuff down. You know, some of these gimmick fragrances are a lot harder to track down than some niche and vintage perfumes. If you want a bottle of Idol Moments now your best bet is to hit up eBay.

Reviewed in This Post: Idol Moments, 2004, Eau de Toilette.


Bruce Willis Cologne

Hey, did you guys know Bruce Willis came out with a perfume? Yeah, me neither. The reason? The distribution company for this fragrance does not service North America. So, amusingly enough, tracking this stuff down is even harder than tracking down some niche perfumes.

Bruce Willis Cologne

In Bottle: The scent bills itself as elegant, green and woody. And green is what I’d definitely call this opening. Straight out of the bottle and it is a clean, sharp green grapefruit fragrance with a dash of pepper. There’s a touch of sweet orange in here. Some people have noted that it reminds them of Terre d’Hermes. I can see that. This also reminds me of John Varvatos Artisan without the pepper. But when I said sharp, I really mean sharp. I was actually surprised it didn’t go with the lowest common denominator (aqua and citrus) and the opening is pleasant with a bit of a kick. Not bad.

Applied: After the initial blast up your nose with the pepper and citrus, Bruce Willis (heh) mellows out a little but remains spicy as the rest of its notes come in–when I say notes, I really meant, note because from hereon in, I smell one thing predominantly. But let make a note about the grapefruit. The grapefruit is a bit of a lingerer, holding onto the top to clean up the black pepper a bit and I do like the opening it’s competently done. However, Bruce Willis goes into the mid-stage smelling more woodsy with the cedar note slowly amping up until it reaches maximum tolerance, then keeps going up. And here comes the cedar, loud and sharp and obnoxious and I’m sorry. I think I’ve already established that me and cedar don’t belong together when its overused and Bruce Willis overused the cedar. This fragrance is really strong, and the powerful cedar does not do it any favors for me. Mingled with the pepper and this stuff gets almost unbearably loud. Nothing special, just really loud. Bruce Willis Cologne has fantastic longevity, I’ll give it that and its projection is massive. I sprayed this twice from a tester vial and people could smell me from across the room. When this stuff does calm down hours later, the cedar mellows out a little and I can smell some earthiness peaking through before it disappears too and leaves me with the merciless cedar until I scrub it all off.

Extra: I saw what it was made of and noted the cedar and decided that I did not need more than 2mls of this and I’m glad I only got that much. Bruce Willis Cologne is probably not bad. I just have an unfortunate intolerance for loud cedar. Otherwise, this fragrance is decent. It’s not special, it’s got a pleasant opening but by mid-stage it falls apart on me. If you want something with longevity and projection, this is a good contender.

Design: The bottle’s shape is quite nice, simple, elegantly designed, the cap adds a bit of masculinity to the design. The overall shape and aesthetics of the bottle is rather nice. The metal plate bearing the fragrance’s name and concentration is a tad ludicrous but it could have been a lot worse. Overall the design is pretty decent.

Fragrance Family: Woodsy

Notes: Grapefruit, orange, black pepper, cedar, gum benzoin, vetiver.

And there you have it, a Bruce Willis perfume. A really difficult to find and procure Bruce Willis perfume for people living in North America and given how it smells, I don’t think it’s worth importing it at a hefty price tag. You could get a more well-behaved fragrance that smells close to this with Terre d’Hermes. So unless you’re a Bruce Willis paraphernalia collector, I think the fragrance is a pass due to how hard it is to get and how unspectacular it is by comparison.

Reviewed in This Post: Bruce Willis, 2010, Eau de Parfum.


Old Spice

Today we’re smelling Old Spice. I’ve smelled new Old Spice (hah) plenty and I’m sure you’ve smelled Old Spice plenty too, so let’s take a minute to appreciate what Old Spice smells like. Just because.

Old Spice

In Bottle: Spicy sweet floral with a citrus palette cleanser, bold for a men’s fragrance I gotta say. This is sharp, clean, sweet and strangely complex. A surprise to me immediately as it adds to its opening concoction a slightly boozy note intermixed with a dash of sugar sprinkled in.

Applied: After the citrus is done its job, the spice lingers around as is to be expected as the fragrance slowly introduces a fantastic miasma of cinnamon and clove with a few powdered flowers tossed in there for good measure. This scent is very dry, like a basket of cinnamon sticks at a spice market sitting near a bunch of burning incense on a hot summer day. It’s dry and warm and comforting with an interesting note of smoothness that comes up to mix with the florals and the spices that I want to say is sweet vanilla. Old Spice is a remarkably complex fragrance that goes through several stages on me but it’s mid-stage–that mix of sweetness, smooth vanilla, dry spices, and incensed florals is truly something else. Don’t turn your nose up at this or you’ll miss out on a very, very respectable scent. When Old Spice dries down, it takes a while to get there, but when it does it introduces a woodsy quality to the spicy floral sweet vanilla incense and warms things up even more with an amber and toasty tonka bean scent. Something this complex is mind-boggling how it could work together but it does! And it’s delightful.

Extra: Unlike a lot of people, I don’t have any early memories of Old Spice. I don’t know anyone aside from my fiance who may have once used Old Spice deodorant. And I kind of wished I did because this stuff is great.

Design: Old Spice’s bottle can be seen above. I don’t actually own a bottle of this stuff though with the affordable price tag, I really have no reason not to. The shape is reminiscent of a cola bottle but it works for this stuff and actually looks kind of nice. I can imagine that sitting on someone’s vanity. Wait, do men have vanities? I’ll just call them sink counter. Bottom line, the bottle works, it looks fine, it’s a good design for what it is and good for what you pay for.

Fragrance Family: Oriental

Notes: Orange, lemon, spices, clary sage, aldehydes, cinnamon, carnation, geranium, jasmine, heliotrope, pimento berry, vanilla, musk, cedar, frankincense, benzoin, tonka bean, ambergris.

Don’t knock it ’til you try it. Old Spice is a confident little classic number that’s been around since 1937. Yeah, the Old Spice really is old and I have to say, it’s aged rather well.

Reviewed in This Post: Old Spice, 2010, Eau de Cologne.