Agonist Liquid Crystal

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Our friends at Agonist (aka. Those weird glass art bottle people) have a new offer on the table with Liquid Crystal. For those of you turned off by the price tag and bottle design of The Infidels, you might be swayed to like Liquid Crystal a bit more. As for the price tag–well, that’s probably not going anywhere any time soon.

Agonist Liquid Crystal

In Bottle: Sweet citrus, barely there though as the lavender hits up the forefront right away. I smell predominantly sweet lavender. It’s a beautiful lavender though so I’m okay with that.

Applied: The citrus opens this up with a sweet note that’s quite pleasing and does well to help lead in the lavender notes. This is full-bodied, complex, high-quality lavender at its best. It’s like fields of lavender basking on a sunny day. It’s very pretty for a fragrance that’s dedicated to one rather predominant smell. You can tell the lavender is good and blended well with the slightly sweet notes also present in the fragrance. This doesn’t smell like straight up lavender essential oil as there’s some mild hints of clove and oregano that I get from this when the lavender starts to calm down a bit near the end of the show. She’s not one-dimensional, she’s prominently biased  on one note but allows a mixture of other elements to merge and form something that amplifies the beauty of that one note. With that having been said, it is very much  based on lavender and that is what you will smell the most here. So if you hate lavender for some reason, you will probably hate this.

Extra: I’m going to talk about the bottle for Liquid Crystal because the bulk of the money basically goes into the packaging for Agonist’s stuff, it seems. The bottle is handmade, which adds to its value. It’s intricately designed, add more to its value. And it’s a high end niche brand, more value added. So it’s no surprise that you are going to have to pay up a pretty penny for this. I wouldn’t mind if I had a few million dollars laying around and $1,200 was pocket change as the bottle is gorgeous. It comes in two pieces, a stand and the bottle itself, so if you don’t like the melted glass look of the stand, you still have the bottle to display on its own. Though it looks fantastic on that stand too.

Design: Agonist’s bottle designs have been that one polarizing element to their stuff, and while I knew a lot of people who hated how The Infidels looked, Liquid Crystal is an easier to accept design. It’s absolutely intricate, very interesting to look at and makes for an absolutely fabulous conversation starter. “Hey Kay, I noticed you’ve got this weird artsy doohickey on your coffee table.” “Thanks, it’s Liquid Crystal from Agonist.” “Oh, is that what it’s called?” “Yeah, it’s a perfume.” “Really? A perfume? Where’d you get it?” “Oh, I got it online. it’s a bit expensive though.” “Expensive? Like $200 or something?” “Um, $1,200.” At that point I finally admit to myself that I’d never have the spare change handy to justify buying an actual bottle and will settle for refill bottles ($100 for 50ml) and sampler vials.

Fragrance Family: Aromatic

Notes: Bergamot, lavender, english clove, lavandin absolute, lavandin essential oil, oregano, vetiver, coumarine, praline, everlasting flower.

In case you were wondering, yes there’s three types of lavender in the notes. And mixed together, it’s just lovely.

Reviewed in This Post: Liquid Crystal, 2011, Eau de Parfum.

Calgon Morning Glory

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Last of my original Calgon four-pack of body mists that Calgon referred to as the “Take Me Away” series. Morning Glory was a another fresh floral in the line. Unlike its very familiar sister, Turquoise Seas, Morning Glory opts for green fresh rather than blue marine fresh.

Morning Glory

In Bottle: Green sharp opening with a floral backing. I get lily and green, very clean and sharp.

Applied: The green freshness in this isn’t the normal grassy green, you can tell this is an unabashed and unapologetic synthetic element being used to give the fragrance that clean and crisp feel. If you look past the green opening there’s a very thick layer of florals in the mid-stage that’s marked, once again, with a prominent lily note that’s intermingled with varying degrees of florals. However, there’s something a bit sweet and licorice like about Morning Glory that’s very appealing. It makes this fragrance seem a bit more grown up than the other three body mists I reviewed. I love that little licorice nip in the mid-stage and it sticks around for a bit as we round off near the end where the fragrance ends on a floral woodsy affair.

Extra: Morning Glory flowers don’t really smell like this but this is a nice interpretation of it anyway. I don’t mind Morning Glory though I doubt many of the notes in its notes list (see below) were really present or they were their heavily synthetic elements.

Design: Last time you get to hear this for a while but, Morning Glory is a blue liquid bottled in a tall plastic cylinder with a plastic spray nozzle. Once again, functional if somewhat plain in form.

Fragrance Family: Clean Floral

Notes: Green notes, galbanum, anise, apple, peach, pineapple, jasmine, lily of the valley, clove, oakmoss, musk, sandalwood.

So that about wraps it up for my trip down memory lane. These four body mists were far from the first perfume I ever wore but they were the first four I wore on a regular basis. I’m sure many of us can attest to trying on mom’s perfume when we were younger. I don’t quite remember what my first actual brush with perfume was, I want to say it was a Givenchy or maybe even Chanel No.5. What about you?

Reviewed in This Post: Morning Glory, 1999, Body Mist.

Frederic Malle Musc Ravageur

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A lot of good things have been said about Musc Ravageur. The one that caught my eye the most was the comment that this stuff smells like cinnamon buns and leather. Always on the look out for a cinnamon bun-like fragrance, I got my hands on Musc Ravageur. Musc Ravageur

In Bottle: Spicy citrus, I get the cinnamon but mostly I get citrus, a little bit of dark musk and strong lavender.

Applied: That lavender mixed with citrus makes an interesting scent that many people might say smells medicinal or even powdery. But no, that’s just lavender doing its thing. Wear Musc Ravageur for a little more and it will evolve into a sweeter confection with a blend of smooth vanilla and cinnamon with clove dashed in there for extra spice. This stuff is powerful, projects like crazy, and it clung to me all day, staying in that delicious mid-stage where, I have to admit, it does smell a little bit like cinnamon buns but there’s an undercurrent at work here making it far more exciting. I catch whiffs of leather, incense, and musk.  Musc Ravageur has a dark  base that wafts in and out here and there taking this a little farther away than just as a gourmand. It’s a spicy, dense, sweet, delicious but very grown up. When Musc Ravageur finally chills out, the sweetness leads way into a spicy woodsy scent with a dark vanilla note, aided a bit by fading leather, and a lingering animalic muskiness.

Extra: Frederic Malle’s line of fragrances includes such beauties as Musc Ravageur and one of my other favorites; Angéliques sous la pluie by the much esteemed Jean-Claude Ellena. You may also find in the Frederic Malle line the rather famous Carnal Flower a–what else–tuberose dominant fragrance. Musc Ravageur, itself, was composed by Maurice Roucel who also composed Insolence by Guerlain, Donna Karan Be Delicious, and many others.

Design: I don’t own a bottle of Musc Ravageur but it looks like its bottled in a rather simple cylinder. Musc Ravageur, I guess, is not about the packaging as it keeps things as simple looking as possible. Classic-looking bottle and I really like it that way.

Fragrance Family: Spicy Gourmand

Notes: Lavender, bergamot, clove, cinnamon, gaiac wood, cedar, sandalwood, vanilla, tonka, musk.

Out of all the gourmands I’ve tried, Musc Ravageur is one of the nicest. It’s a well blended fragrance with a lot of interesting evolution going on when you wear it. It has excellent longevity and projection.

Reviewed in This Post: Musc Ravageur, 2009, Eau de Parfum.

Hugo Boss Hugo

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Hugo is your run of the mill fresh aquatic that doesn’t bring much to the table and doesn’t leave with much either. The tide of aquatics has petered out in the latest years as the incoming flood of fruity florals starts dominating the scenes. Some of these are works of olfactory art in their own respect while others are forgettable. And some even regrettable. Unfortunately for Hugo, it was one of the less notable aquatics of its time. Hugo

In Bottle: Green and blue aquatic. Fresh, sharp, and a little bit spicy. The herbal notes up front are paired with pine and citrus.

Applied: The green flare, just a touch sweet before it settles into its spicy woodsiness where the pine is predominant on me. I smell kind of like one of those pine-shaped air fresheners you use for your car. Not unpleasant, I just have a strange association with anything pine scented. Well, perhaps not strange, just persistent. The scent stays with pine as it introduces a few spicy herbal notes into the mix. Hugo takes a turn for the interesting near the complete dry down stage as it leaves its fresh pine-scented herb garden and veers toward a darker, murkier, funnier funky note that’s reminiscent of the blast of aquatics upon application. It’s fleeting though, a one or two second moment that could just be me. Hugo dries down to a benign woodsy, spicy, fresh accord that doesn’t make any presumptions and doesn’t even want to think about standing out.

Extra: Hugo Boss fragrances have largely been a miss for me. The only one I can say I actually like is Deep Red. Even then, I don’t particularly like it that much. I can say nice things about it though. But this fragrance, it’s the generic men’s scent with the all too familiar aquatic citrus opening, the woodsy spicy middle, and the miasma of leftover freshness at the base.

Design: I could give or take with this design. It’s clean and simple and functional. Holding it is easy. Spraying it is easy. Kind of looks like a water bottle which is a bit cheesy but overall, not bad.

Fragrance Family: Fresh Woodsy

Notes: Grapefruit, green apple, pine needles, thyme, spearmint, basil, cedar, rum, jasmine, sage, geranium, clove, lavender, cedarwood, moss, fir balsam, sandalwood, vetiver, suede.

Yeah, I definitely cannot get past the predominant evergreen scent in this. Too much pine, maybe, or maybe I’m just not the kind of person who likes that in a scent.

Reviewed in This Post: Hugo, 2000, Eau de Toilette.

Estee Lauder Youth Dew

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Youth Dew by Estée Lauder was released in 1953 as a bath fragrance and for years, it was the fragrance that women reached for much like Light Blue by Dolce & Gabanna is reached for today. Youth Dew’s popularity might be waning with the ages, but it remains a relevant piece of fragrance history. Youth Dew

In Bottle: A citrus scent with a kick of something heady and dark underneath. Youth Dew has this shadowy undercurrent that’s very endearing to it for me but it’s also this shadowy undercurrent that a lot of people would say this smells like grandma or some other silliness like that.

Applied: Initial blast of citrus and aldehydes receding into a spicy, mature floral scent that echoes that darkness in the juice. Like with most aldehyde-based scents for me, they never really go away and end up lingering throughout the fragrance. The florals hover around the animalic and dirty. A lot of modern fragrance wearers find this offensive because perfumistas refer to this “animalic and dirty” note as “indolic”. Indole being found in either jasmine or clove and in Youth Dew’s case, probably the clove. Maybe even both! The gloves are off on this one. The spice and florals do little to temper the indole in Youth Dew but if you let it stay on long enough and focus, a strange thing happens–it becomes easier to understand. Youth Dew isn’t “smelly grandma”, it’s a complex, daring fragrance that you aren’t going to get with your Light Blues or your Circus Fantasies. If you really wanted sexy, this is probably the stuff. It smells like what it is and you can accept it or get out as far as Youth Dew is concerned. Anyway, after the mid-stage that indole note hangs around for a bit into the dry down that, to me, smells mostly of patchouli trying desperately to clean up the mid-act.

Extra: Youth Dew is a strong fragrance. It comes on strong and leaves a strong impression and it’s gotten something of a bad rap over the years. People call it, “granny juice”, “hell juice”, “smells like corpse” and a multitude of other things. But Youth Dew is a piece of history, whether these people like it or not. But please, Youth Dew lovers, go easy on the trigger.

Design: Youth Dew is bottled in a ribbed glass affair with a bow tying it in the middle where the bottle gets a little thinner. It’s topped with a golden metal cap that has some detailing near the top. I can see its concept borrows from the figure of a woman and appreciate its subtle homage more than Gaultier’s bottles which are often more literal. In general, a simple design but an effective and memorable one.

Fragrance Family: Oriental

Notes: Aldehydes, orange, peach, bergamot, cinnamon, cassia, orchid, jasmine, clove, ylang-ylang, rose, tolu balsam, peru balsam, amber, patchouli, musk, vanilla, oakmoss, vetiver, incense.

I’ll come clean, I don’t like the smell of Youth Dew. But I don’t hate it either. It’s not a fragrance I can really see myself wearing because I can’t get past the indole in this stuff but it is a classic through and through and if nothing else, you gotta give credit to this classic.

Reviewed in This Post: Youth Dew, 2000, Eau de Parfum.

Guerlain L’Heure Bleue

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Another Guerlain Classic, L’Heure Bleue was created in 1912 with a little story about the inspiration behind L’Heure Bleue. Even though the story came to be a while after the fragrance did.

L’Heure Bleue, being an old classic of the Guerlain classics family finds its niche in such greats as Shalimar, Jicky, and Mitsouko. It has that definitive Guerlain base to it that makes fragrance lovers–well, anyone who’s smelled more than one classic Guerlain–instantly know where it’s coming from and what levels of history they can expect. L'Heure Bleue

In Bottle: That Guerlain signature scent is present in pretty much every classic they’ve put out. Though the base is a bit masked in the newer creations, it is the base that sets the stage for the old perfumes. L’Heure Bleue is no different. I get the base immediately, followed by neroli’s powerful presence, and the spiciness of carnation.

Applied: The base is the first to fade to the background but it never goes away. Neroli is up front and center followed by the spiciness of carnation. It’s strange how a fragrance can make one feel warm or cold. L’Heure Bleue feels cold. It’s a reflection of its namesake, the twilight hour when the land is coated in blue. The name itself is a dead giveaway, L’Heure Bleue translated to “Blue Hour”. And like most classic fragrances, I often have a hard time deconstructing them because they’re blended to discourage deconstruction. I can only get the feeling and have this mental block telling me that’s silly to try to describe it beyond that. So what I can say of this experience is that this starts off as a chilly citrus. It maintains the chilliness as the citrus melts away into a very classic fragrance with dominant notes of neroli, carnation, and a vanilla base that’s barely detectable.

Extra: One thing I’ve noticed with most people’s reactions to L’Heure Bleue is the aversion to a particular note. L’Heure Bleue, more so than other classics, is referred to as an “old lady perfume”. There’s a correlation there, I think. In particular, the neroli note derived from the bitter orange tree. To me, it smells extremely similar to the more acceptable, bergamot. By the way, wondering how to pronounce this? Here you go:  L’Heure Bleue (Lehr Bloo).

Design: The bottle of L’Heure Bleue I own is nearly as small as Mitsouko but I do own more of this juice. I find it more wearable than Mitsouko, personally. Even though some people would try to tell me I smell like an old lady. The bottle really is very similar and quite frankly, there’s not a whole lot to say beyond that. Mitsouko is a slightly greener, cooler color whereas, L’Heure Bleue (funny enough) is a warmer color. I find the bottle design to be more fitting for Mitsouko but I still appreciate the elements of it.

Fragrance Family: Floral Oriental

Notes: Bergamot, neroli, clove, jasmine, carnation, cedar, musk, vanilla.

Slowly working my way up to Shalimar whose initial burst still puts me off and it is the initial burst in that one that does it. I’m sure she’s beautiful once she settles down. In the mean time, I’ve got L’Heure Bleue, a fun fragrance to say and a beautiful, grown-up classic.

Reviewed in This Post: L’Heure Bleue, 2007, Eau de Toilette.

Guerlain Mitsouko

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I don’t think highly enough of myself to kick off this blog with a review of a Guerlain classic because I feel I’m particularly versed in olfactory luxuries. I just wanted start with a relatively agreed upon fragrance. A classic, in other words, where so many others have said what needed to be said and I’m just filling in an already overflowing gap.

Mitsouko is Guerlain’s 1919 debut girl. Formulated by Jacques Guerlain with a following that describes her with such words as deep, sensual, sophisticated, and mysterious.Mitsouko

In Bottle: The fragrance is so well blended that I have a hard time picking out any specific notes. This is not a bad thing as it means Mitsouko has that unique quality. She smells like something never smelled before. I immediately associate her with with the word ‘classic’ and ‘old world’. Old world being a very endearing term to me, of course.  It’s spicy, it’s woodsy, just a little floral and very lightly fruity, but it’s all of those things at once too. To separate the notes and describe them feels wrong.

Applied: Mitsouko’s initial application is a burst of complex florals and soft woodsy notes. In a manner of seconds, as if she shed her flower coat as she drifted from the air onto skin, Mitsouko begins to deepen. The woods and spices come up creating this miasma of scent that makes me think darkness, headiness, and shadows drifting in and out of a sunless forest. As she dries the woods and moss come up more, blending with the spices as the components practically meld together. It is easy to forget that this is a fragrance composed of different notes and the fruitiness that people love in this fragrance is the softening agent used to tame rather than dominate. It’s hard to separate the notes and what’s left is just Mitsouko as a whole.

Extra: So it is said that Guerlain’s Mitsouko is a homage to many things, the name, the novel, the woman herself. Most people seem to subscribe to the theory that Guerlain based Mitsouko on the novel, La Bataille by Claude Farrčre. Where the novel is now difficult to find, at least for an English speaker with no foothold in French, the fragrance lives on in those who continue to love her.

Design: Mitsouko’s bottle design, I suspect, is supposed to reflect its scent and the artistry of the time. It looks and feels like a piece of design history. It’s a piece that, to me, reflects the orientalism of the fragrance and while art and design has since evolved into abstract shapes, clean and sharp lines, with flowing bulbous nodes of color bold against white, Mitsouko’s bottle design is an echo from an era gone but never forgotten. The one thing about my bottle I dislike is the plastic cap which seems to be on par for most recent Guerlains. I would have liked for them to invest in some nicer caps but you can’t have it all.

Fragrance Family: Oriental Chypre

Notes: Citrus, rose, peach, clove, pepper, spices, oakmoss and woods.

I believe a modern fragrance lover, and I wholly admit myself as a rotten, no-good, fruity-floral loving modernist, would find it difficult to like Mitsouko. But liking and respecting are two different things to me. I own a bottle of Mitsouko, a small one, for the simple fact that it is a piece of fragrance history. Once in a while I’ll bring her out and try to analyze  the complexities of her nature and to assuage my guilt of not warming up to Shalimar yet (I’m getting there). I find her too deep for normal wear as the people I’m around most often tend to react poorly to her. It’s not their fault, and it’s not Mitsouko’s fault either. Mitsouko is to be appreciated for sure as one of those classics you’ve just got to try at least once because reviews just don’t do her justice. As for wearing her? That depends on what you like.

Reviewed in This Post: Mitsouko, circa 2008, Eau de Toilette.