Annick Goutal Mandragore

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The best thing about Annick Goutal fragrances for me is the fact that they all tend to have this lovely light, garden flowers type of smell. The kind of fragrances that take something mainstream and improve on it. Like Guerlain often did. Mandragore

In Bottle: Fresh bright citrus, cooling mint and a lovely sweet anise note. Very fresh, nice amount of citrus and thankfully, no presence of lemon as fresh scents do tend to use that note as a crutch. Mandragore gets its freshness from mints and other citrus instead which I am very grateful for.

Applied: Citrus, mint, herb and a lot of anise. I’m really impressed with the mint and other herbal notes in this. They’re crisp and green and extremely refreshing. The anise sweetens and spices up Mandragore quite a bit. The fragrance remains fresh and bright with gentle wafts of spiciness coming in and out as the fragrance ages on my skin. The citrus leaves the fragrance some time during the mid-stage but the freshness doesn’t suffer from it. Mandragore uses those herbal aromatic notes to freshen things up instead of citrus. I’m really impressed. The dry down is a great fresh herb and woodsy ending. Unfortunately, Mandragore doesn’t last a very long time and needs to be reapplied more often than other eau de parfums. But the scent is absolutely lovely.

Extra: Mandragore is one of Annick Goutal’s more popular fragrances and with good reason. It’s got enough freshness to be a fantastic office scent, is excellent for places where you might need your scent to go on light and it’s quite a good unisex scent too. That is, if you don’t mind or like the feminine bottle design.

Design: Bottled in the same way as other Annick Goutal fragrances, in a ribbed glass bottle with a gold ribbon tying the fragrances name to the bottle. Mandragore also comes in a butterfly bottle. These things are round glass bottle with a butterfly topper. Finally, Mandragore can be purchased in a square bottle. Which is just that, a square-shaped bottle with a metal cap. Standard look if you would prefer something a little simpler in design.

Fragrance Family: Fresh Aromatic

Notes: : Bergamot, star anise, peppermint, sage, ginger, black pepper, boxwood, mandrake powder, ciste roots, labdanum.

I really love the bottles Annick Goutal presents their fragrances in. Not simple but very elegant and classic in style. Lining these things up is a great past time if you’re insane like I am.

Reviewed in This Post: Mandragore, 2008, Eau de Parfum.

Guerlain Tonka Imperiale

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Guerlain’s L’Art et la Matière line of fragrances celebrating great perfumers and great perfumes. The line has been going for some time now and Tonka Imperiale, as of this writing, is the newest release.Tonka Imperiale

In Bottle: Boozy vanilla with a slight almond edge and sourness. Tonka Imperiale reminds me a lot of Spiritueuse Double Vanille but the major difference is in the sourness. Tonka Imperiale has a sour almond scent to where. Spiritueuse Double Vanille, on the other hand, had smooth smokiness to back it up.

Applied: Vanilla liqueur with that hint of sour again. The sourness is quick to fly away though, leaving me with vanilla, almond and booze. The booze then escapes me leaving me with a lovely rich vanilla and almond scent that signifies the mid-stage of Tonka Imperiale. Lovely spiciness comes in to the join the parade, turning this into full on gourmand as I’m reminded of cookies at Christmas time, very vanilla and decadent rum and spice cookies. The dry down after the Christmas cooking phase is a smoky woodsy fragrance with the beautiful vanilla note hanging on by a thread.

Extra: L’Art et la Matière is Guerlain’s long awaited answer to their lost niche when they were acquied by LVMH. I always felt most of the mainstream Guerlain releases were really pedestrian and lacking that exquisite Guerlainess that defined them so well prior to the acquisition. Though I do like most of their mainstream releases, I am also overjoyed that they’re still putting out stuff like Tonka Imperiale,  Spiritueuse Double Vanille and the other L’Art et la Matière’s scents.  Guerlain’s still got it.

Design: Bottled in a similar shaped presentation as Spiritueuse Double Vanille, Tonka Imperiale has a neater presentation without the big label and the honey bee wax seal. It still comes in that fitted box that you can’t do anything with if you plan on using the fragrance while keeping it in its original box. But, in addition to having a regular sprayer, Tonka Imperial also comes with a pump atomizer.

Fragrance Family: Gourmand

Notes: : Bergamot, rosemary, tonka bean, honey, spices, almond, jasmine, vanilla, cedar, pine, incense, tobacco and amber.

I really wrestled with wanting a bottle of this and wanting to keep money in my pocket. The L’Art et la Matière line is a few price points above Guerlain’s mainstream releases. It’s even a few price points above some niche houses. At $230 for 75ml, I found the price a bit rich for my tastes. I liked this, but not enough to blow that much on it.

Reviewed in This Post: Tonka Imperiale, 2010, Eau de Parfum.

Montale Soleil de Capri

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It’s a testament to how lovely Soleil de Capri is when I applied this and found it smelled so nice I had to stick my nose so close to the application site that I got some on my lips–then in my mouth. And before I knew it, I was swallowing the stuff and found it didn’t taste bad at all. Yeah, I’m a goof. But when a perfume tastes not bad and smells wonderful, you know it’s a keeper. Soleil de Capri

In Bottle: Light, sweetly floral and soapy scent with a very pleasant clean and clearness that I’m thinking might be white musk.

Applied: Lovely, clean and fresh and clear juicy, crisp citrus and clean white florals backed by a beautiful faintly sweet white musk. The scent sticks close to my skin. That’s how the little accident with me tasting this happened, you see. And you know what? It tastes like soap. Not at all unpleasant, though I wouldn’t recommend eating this all the same. The citrus stays around a bit but dissolves into the florals and white musk giving this a faintly soap scent. It dries down into a nice sheer musk. Soleil de Capri is lovely for sure, versatile for every day wear situations, not adventurous but manages to be beautiful just the same.

Extra: Sadly this isn’t the first time I’ve accidentally eaten or tasted my perfume. And funny enough, Soleil de Capri was the least offensive of the ones I’ve accidentally tasted.

Design: Bottled in much the same way as other Montale fragrances. Soleil de Capri’s container is a light brushed metal.

Fragrance Family: Fresh

Notes: : Grapefruit, kumquat, white flowers, white musk, spices.

I couldn’t smell much of the spices but the rest was certainly pleasant. Out of all of Montale’s fresh and clean fragrances, I really have to hand it to Soleil de Capri. It took light, airy, fresh and beautiful and made paradise for my nose.

Reviewed in This Post: Soleil de Capri, 2009, Sample Vial.

Creed Green Valley

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Creed’s Green Valley is the feminine answer to Creed’s enigmatic Green Irish Tweed. The softer, gentler, more girly fragrance is supposed to be a similar treatment. I don’t see the similarities, unfortunately. Green Valley

In Bottle: Sweet aqueous scent with a fruity note further adding sweetness to the water. This has the sweet water treatment that I smell in similar feminine aqua scents. Including Bath and Body Work’s Dancing Waters. Obviously Green Valley is several steps above Dancing Waters in complexity and beauty.

Applied: More sweet water, slightly green note in the opening. Sweetness come up with the violet leaf as a very pleasant blackcurrant note. Unfortunately, as Green Valley starts to dry down, it falls apart. I seem to be having a spat with lemon notes as the lemon in this fragrance throws everything off as it comes in, tips its hat and proceeds to become the biggest thing in the fragrance, overtaking everything and throwing its weight around to the point where all I smell is unbearably sharp lemon. Once in a while, I can get a safe whiff of what Green Valley was, smooth, sweet, watery and blackcurrant. But the lemon will come in immediately after and exert its massive influence. It’s a shame too as this gigantic lemon will stick around until the dry-down phase where it fades to nothing just before the pleasant woodsy base disappears too.

Extra: I certainly don’t get the Green Irish Tweed tie-in. And it isn’t just me and my feud with the lemon note either. Green Irish Tweed is in a different class than this. If you want to smell like Green Irish Tweed, why not just get Green Irish Tweed? Or the knock-off version, Cool Water.

Design: Bottled in much the same way as other Creed fragrances. This bottle is in a clear glass with a clear cap. Nothing spectacular about it with regards to the design elements though Creeds are fairly well packaged in some lovely and quality material.

Fragrance Family: Fresh

Notes: : Mandarine, bergamot, ginger, lemon, black currant, ambergris, musk.

I’m thinking I should stay away from anything with lemon in it. But just this one particular lemon used in some fragrances that ends up ruining the whole deal. I seem to be fine with the lemon in Pure and Nina. This stupid gigantic lemon, however, has so far ruined Green Valley, Versense, Light Blue, and Covet.

Reviewed in This Post: Green Valley, 2009, Sample Vial.

Boadicea the Victorious Pure

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Boadicea the Victorious is one of the luxury niche brands. I know, I know, just what does luxury mean in an industry defined as luxury? The price points for this house tends to be higher than the others, thus defining it as the luxury of the luxuries? Who cares, bottom line, it’s expensive. Pure

In Bottle: Fresh, crisp citrus and pink and white flowers. Pure smells like laundry,  just barley, but with a citrus topper and an even cleaner lead.

Applied: Beautiful citrus opens up the fragrance. Green and fresh, a lot of lime and a bit of lemon then the white florals come in and add a slight powdery sweetness to this while the citrus notes hang on into the mid-stage where that clean laundry scent gives way to a beautiful, airy beach-like floral and green tea. The dry down comes too soon as I was appreciating that lovely white sides, blue ocean, green palms feel of Pure. Upon dry down I finally get word of the sandalwood in this as Pure becomes a dusty, pretty citrus. This fragrance triggers a vague memory from my childhood. Green fields, dusty country road and laundry hanging from the lines.

Extra: Boadicea the Victorious is a relatively new British niche house headed by Michael Boadi. The house features some exclusive scents, and a ready to wear line referred to as The Victorious, which Pure is a part of.

Design: Presented in a rectangular glass bottle with lovely metal trimmings. You will receive the bottle nested in its own box and you shouldn’t settle for less, especially given how much this goes for on Luckyscent at $265.00 per 100ml. Yikes.

Fragrance Family: Fresh

Notes: : Bergamot, Sicilian lemon, green tangerine, Mediterranean cypress, basil leaves, Egyptian cumin, juniper berry, ylang ylang, sandalwood, amber, patchouli, vanilla.

Given how much this is, I wouldn’t settle for less than a fragrance that completely knocks my socks off. Pure is a lovely scent, for sure, a few degrees above a mainstream house’s general fair when it comes to clarity of the fragrance. I do love that juicy, pure citrus opening.

Reviewed in This Post: Pure, 2009, Eau de Parfum.

By Kilian Prelude to Love

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Prelude to Love is one of the six original fragrances released in 2007 By Kilian. It’s a part of that expensive lacquered box collection that costs an average of $200-and then some for a thrill. So since this fragrance humbly requests that I throw down the cash for it, it should wow me. I was mostly fascinated with how beautiful Beyond Love’s tuberose was so I decided to slap on Prelude to Love and see how it rocked the boat. Prelude to Love

In Bottle: Sharp citrus and pleasant slightly sweet orange blossom with what smells like fresh dirt.

Applied: Sharp citrus with orange blossom and slightly bitter and green floral. Prelude to Love is a notch stronger than Beyond Love but it’s also not to my liking. The opening is just too sharp for me and a bit too earthy. The mid-stage starts up with a more earthy note. I couldn’t wait to get the top notes away because I didn’t really appreciate their earthy, bitter, sharp brightness. As the fragrance ages though, I noticed the citrus calms down a little while the earthiness continues its crusade with a bed of miscellaneous green florals and a pleasant spice and dryness. The dry down is even earthier, greener but lacks the sharpness the opening top notes had. This scent smells spicy from mid-stage to dry down. It’s a green, earth scent. Like digging up vegetables from your garden.

Extra: Prelude to Love was composed by Calice Becker. She did some of the other By Kilian fragrances too like Taste of Heaven and Pure Oud.

Design: Like Beyond Love, Prelude to Love is bottled in a rectangular lacquered bottle and will be presented to you in a nice cushy box complete with a lock and key. A little over the top? Maybe, but for $200 per 50ml, you might as well take the bonus features too.

Fragrance Family: Earthy

Notes: : Lemon, mandarin, bergamot, lavender, freesia, neroli, rose, iris, cardamom, pink pepper, ginger, orange blossom, leather, musk.

So far I’m not enchanted enough by this collection and Prelude to Love is a bit too earthy for my tastes. I do prefer Beyond Love because it’s more to my tastes.

Reviewed in This Post: Prelude to Love, 2007, Sample Vial.

Guerlain Spiritueuse Double Vanille

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Two of the more interesting vanilla based fragrances I’ve ever smelled have been Tom Ford Tobacco Vanille and Spiritueuse Double Vanille. Being a vanilla lover, I wanted something that captured the essence of a really great vanilla. Tobacco Vanille was a nice one. Being more accessible was also a bonus. Then I found a bottle of Spiritueuse Double Vanille kicking around and fell hard for it. Spiritueuse Double Vanille is heralded by many fragrance lovers as the most convincing, the most real vanilla fragrance. And I have to agree. She’s beautiful. Spiritueuse Double Vanille

In Bottle: Smoky sweet vanilla liqueur. Very smooth, extremely pleasant. Reminiscent of Tobacco Vanille but with a nicer, milder, less tobacco interpretation. The smokiness is pretty light in the bottle as Spiritueuse Double Vanille smells mostly boozy.

Applied: Spiritueuse Double Vanille instead opens with a fabulous liqueur reminiscent of bay rum. The vanilla is up front too, smooth and sweet and pure. The smokiness and cedar make the next appearance as Spiritueuse Double Vanille heads toward the spice. This fragrance is golden and warm and has the most utterly pleasant vanilla fragrance I’ve smelled yet. It’s like having a drink, wearing a monocle, smelling a box of cigars and hanging out in your mahogany library. This stuff smells classy. And that vanilla? It’s the kind of vanilla you’ve always wanted in a fragrance but never quite got. It smells like true full-bodied, boozy with a touch of spice vanilla–not that stuff you usually smell that’s sweet, and a little plastic. As the fragrance ages on my skin I get less smokiness and more pepper and more spice. All the while, the vanilla is hanging about lending the fragrance a fabulously smooth and rich treatment.  The mid-stage is like a blend of tobacco, mahogany, vanilla bean, and cedar and it seems to have lost its booziness from earlier. When Spiritueuse Double Vanille dries down, it resembles a pleasant predominant vanilla. Sweet, smooth, sophisticated and utterly beautiful.

Extra: Spiritueuse Double Vanille is a limited edition by Guerlain released in 2007. Jean-Paul Guerlain himself composed this fragrance for the house. I am not clear on whether or not it is still in production but I sure hope so because I believe this one is a definite keeper.

Design: Love the bottle. Thin and rectangular and easy to hold and spray. The details on it are also fantastic, with a wax seal-like design sporting Guerlain’s iconic bee. The major thing I didn’t like was how this was boxed, making it near impossible to both use this regularly and store it in its original packaging. Spiritueuse Double Vanille comes in a fitted box with a travel cap (that’s just a regular screw on cap) and a separate atomizer spray nozzle that you affix onto the bottle yourself. Due to the different heights of the travel cap and the spray nozzle, and the fitted box this fragrance comes in, once you install the atomizer, you can no longer make it fit in its original packaging. Very annoying. So you can’t keep Spiritueuse Double Vanille in its original box and if you’re nuts about keeping your perfumes out of the sunlight and light in general like me, you will have to shove it into a dark corner or drawer and hope the lack of extra protection from the box won’t make that much of a difference.

Fragrance Family: Woodsy Gourmand

Notes: Vanilla, benzoin, frankincense, spices, cedar, pink pepper, bergamot, Bulgarian rose, ylang-ylang.

Guerlain has been using vanilla for so long as a base for its fragrances. So when a house that built its prestigious reputation on vanilla outputs a vanilla fragrance, you better believe I’m going to go smell it. And of course they hit the nail on the head. When I first got into this whole fragrance thing I was afraid of two things. 1) That I would fall in love with a limited edition fragrance. 2) That the fragrance would be expensive. Thanks a lot, Guerlain.

Reviewed in This Post: Spiritueuse Double Vanille, 2007, Eau de Parfum.

Eau de Guerlain

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While known for its deep and rich fragrances back in the day, Guerlain also carries a series of light scents featuring sheer and airy notes mean to go on light and wear like pleasant rain. Eau de Guerlain is one of these such scents. Eau de Guerlain

In Bottle: Beautiful bright lemon, bergamot and herbal scent. So light you would swear this is a modern Guerlain and not one from the 1970s. 1974, to be exact.

Applied: Beautiful lemon opener. Eau de Guerlain does not suffer from the chemical lemon that I experienced in Covet or Versense. This is a nice, background lemon that comes in, does its thing and leaves without fanfare or a fight. Only, it imbues its freshness in the rest of the scent and hangs about as the basil throws in a dash of greenness and herbal. The mid-stage of Eau de Guerlain is a lovely jasmine and rose deal headed by the fresh green basil. Dry down starts with a lovely spicy sandalwood and musk. Eau de Guerlain is a bit of a stretch considering this house was Jicky central. It’s a bit removed from what I’m used to when it comes to pre-1990s Guerlains but it is lovely, fresh, very wearable. One of the nicest, complex, fresh fragrances ever.

Extra: If you’re looking for a spicy fresh scent and have some money to drop, Eau de Guerlain is a very worthwhile fragrance. It’s deceptively simple at first but has a very beautiful mid and dry down stage that you just can’t find with today’s spicy, woodsy sports scents.

Design: The tester I used was presented in a Guerlain bee bottle. I just don’t get tired of looking at these and want to own one very badly. The Aqua Allegorias do a throwback to this style of bottle and I absolutely love the distinctive look of them. The glass has raised details in it making it fun to both look at and hold.

Fragrance Family: Fresh Aromatic

Notes: : Lemon, verbena, bergamot, neroli, carnation, sandalwood, tonka bean.

The more I sniff this on the tester strip, the more interesting it seems to get. Certainly more interesting than Light Blue Pour Homme. There’s just something that makes Eau de Guerlain unique that I can’t quite put my finger on.

Reviewed in This Post: Eau de Guerlain, 2008, Eau de Toilette.

Guerlain Nahema

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Released in 1979, Nahéma is like an ode to the rose. Nahéma is a rose explosion that calls up the vision of what a rose is supposed to be. Nahema

In Bottle: Lush rose in that familiar Guerlain smell. Beautifully dense and musky delicate roses. So sweet that for a moment I’m thinking I smell cherry or anise instead but it’s all rose from here.

Applied: Big and fantastic and familiar. The rose goes on strong, comes out of the gates yelling and makes itself known. This is what a rose is supposed to smell like. A little sweet, a little floral, clean and dewy. Tea rose is what I’m smelling, and tea rose to me has a lighter, sweeter fragrance often used as a subtle addition but in Nahéma is the primary focus. I get roses for hours and hours as Nahéma has some fantastic staying power. The dry down is a lovely sweet rose on woodsy base and that familiar Guerlain scent.

Extra: Apparently, Luca Turin in The Guide shares with us a little rumor. That Nahéma, the greatest rose fragrance in perfumery, was made without any rose oil.

Design: The image in this post is not the bottle design that I’m talking about in this section. The modern Nahéma bottle that I held and sprayed is a mostly flat, rather boring bottle design whose shape is reminiscent of Tommy Girl except lacking that third dimension. It’s dull, drab and uninteresting and I wish they hadn’t changed it from the old bottle. But the bottle certainly is functional at least.

Fragrance Family: Soliflore Oriental

Notes: Rose, peach, vanilla, woods.

Even if you hate roses I highly recommend giving this a sniff. If not so you can find the perfect perfume but to know what conceptual rose smells like. If the rumor is true, that Nahéma doesn’t contain any actual rose oil then the mind-boggling alone is worth a smell.

Reviewed in This Post: Nahéma, 2003, Eau de Parfum.

Gucci Flora

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There’s nothing very special about Gucci Flora that you couldn’t get anywhere else. It has a nice scent, an inoffensive and pleasant aroma perfect for office or school wear. Something about its squeaky cleanness just slots it in generic category. Generic, boring, common but ultimately very pretty. Flora

In Bottle: Light, sheer, clean peony with citrus and a mixture of discriminatory florals. Nothing stands out too much in Flora.

Applied: Citrus opener that has a nice clean kick to wipe the palette before it calls in the peony and its entourage of florals as the scent prances in a field wearing a cotton dress into the mid-stage. Rose is used to bolster the scent in Flora as I can’t smell rose, exactly, except for its presence. That sweet pinkish feel that builds up the power of the other flowers must be those mysterious fruity notes that Flora alludes to while rose is happy to just settle in the background. I was looking forward to a few other notes in this but they never actually make an appearance. It’s all just lumped into one big bouquet of fresh and clean. If someone asks me what I smell in Flora, they’re likely to see my eyes bug out as I chirp, “Flowers!” Flora lasts a decent time, often getting hours of wear before approaching its dry down which is a clean patchouli, vaguely flowery, and sandalwood mix.

Extra: I like Flora. I really do. Don’t let my comments about how pedestrian it is turn you away. This is a very nice fragrance with a classy, clean aroma that’s pretty set to be widely worn and commented upon. Mostly you’ll get things of the, “Hmm, you smell nice” category. Then you get the pleasure of telling them what it is and it’ll be a great time.

Design: Cute squat bottle in a geometric shape with a little black ribbon on the bottle. The design is pleasant, the bottle isn’t too awkward to hold and everything works as it should. One thing I will note is that I love the floral pattern detail on the inside of the box. Reminiscent of botany texts and old woodcut floral patterns. I am a big sucker for that kind of thing.

Fragrance Family: Floral

Notes: Citrus, peony, osmanthus, rose, fruity notes, sandalwood, patchouli.

I own a small 30ml bottle of this stuff that I spray on whenever I want to smell clean and fresh but more interesting than one of my clean musk scents. I always find myself smiling a little whenever Flora wafts up to my nose, so something in this stuff is doing good work.

Reviewed in This Post: Flora, 2009, Eau de Toilette.