Estee Lauder Youth Dew

Posted on by

Youth Dew by Estée Lauder was released in 1953 as a bath fragrance and for years, it was the fragrance that women reached for much like Light Blue by Dolce & Gabanna is reached for today. Youth Dew’s popularity might be waning with the ages, but it remains a relevant piece of fragrance history. Youth Dew

In Bottle: A citrus scent with a kick of something heady and dark underneath. Youth Dew has this shadowy undercurrent that’s very endearing to it for me but it’s also this shadowy undercurrent that a lot of people would say this smells like grandma or some other silliness like that.

Applied: Initial blast of citrus and aldehydes receding into a spicy, mature floral scent that echoes that darkness in the juice. Like with most aldehyde-based scents for me, they never really go away and end up lingering throughout the fragrance. The florals hover around the animalic and dirty. A lot of modern fragrance wearers find this offensive because perfumistas refer to this “animalic and dirty” note as “indolic”. Indole being found in either jasmine or clove and in Youth Dew’s case, probably the clove. Maybe even both! The gloves are off on this one. The spice and florals do little to temper the indole in Youth Dew but if you let it stay on long enough and focus, a strange thing happens–it becomes easier to understand. Youth Dew isn’t “smelly grandma”, it’s a complex, daring fragrance that you aren’t going to get with your Light Blues or your Circus Fantasies. If you really wanted sexy, this is probably the stuff. It smells like what it is and you can accept it or get out as far as Youth Dew is concerned. Anyway, after the mid-stage that indole note hangs around for a bit into the dry down that, to me, smells mostly of patchouli trying desperately to clean up the mid-act.

Extra: Youth Dew is a strong fragrance. It comes on strong and leaves a strong impression and it’s gotten something of a bad rap over the years. People call it, “granny juice”, “hell juice”, “smells like corpse” and a multitude of other things. But Youth Dew is a piece of history, whether these people like it or not. But please, Youth Dew lovers, go easy on the trigger.

Design: Youth Dew is bottled in a ribbed glass affair with a bow tying it in the middle where the bottle gets a little thinner. It’s topped with a golden metal cap that has some detailing near the top. I can see its concept borrows from the figure of a woman and appreciate its subtle homage more than Gaultier’s bottles which are often more literal. In general, a simple design but an effective and memorable one.

Fragrance Family: Oriental

Notes: Aldehydes, orange, peach, bergamot, cinnamon, cassia, orchid, jasmine, clove, ylang-ylang, rose, tolu balsam, peru balsam, amber, patchouli, musk, vanilla, oakmoss, vetiver, incense.

I’ll come clean, I don’t like the smell of Youth Dew. But I don’t hate it either. It’s not a fragrance I can really see myself wearing because I can’t get past the indole in this stuff but it is a classic through and through and if nothing else, you gotta give credit to this classic.

Reviewed in This Post: Youth Dew, 2000, Eau de Parfum.

Amouage Lyric for Women

Posted on by

Amouage is a luxury niche fragrance house base based in Muscat. Most famous for their very expensive and very decadent Attars, Amouage is well known as one of the most artistic and luxurious fragrance houses in the world. Lyric for Women, released in 2008 is one of their newer fragrances. Lyric for Women

In Bottle: Big kick of spicy citrus upon first application. It immediately reminded me of a BPAL oil. I cannot put my finger quite on which one but I’m going to tentatively say it reminds me of a more complex Lear. At least, that’s what my mind flew to first.

Applied: Lyric for Women only vaguely resembles BPAL’s Lear for the first ten seconds. It starts to smooth out and become more floral, softer, definitely more feminine as the initial spice gives way to a lovely bouquet of jasmine, rose and angelica flowers. The rose is the star in the mid-stage, vibrant but not overbearing. It’s kept tame by a fantastic and very well-done incense note. It’s a beautifully blended fragrance with a clear and fascinating progression as Lyric for Women dries down into a complex medley of clean incense woods and smooth spicy vanilla.

Extra: Amouage is a world famous, luxury niche fragrance house with roots in the Sultanate of Oman. It’s most famous fragrances are the Attars, rich and decadent scents that can run you upwards of $400 for 12ml. Lyric for Women is not one of these Attars but it is beautiful just the same.

Design: I love the bottle. Deep red glass, has a fantastic feel to it. Has a good amount of weight, is easy to hold, and very pleasant to look at with the Amouage seal on the bottle’s glass and the fragrance’s name running along the circumference of the neck.

Fragrance Family: Floral Oriental

Notes: Bergamot, spicy cardamom, cinnamon, ginger, rose, angelica, jasmine, ylang-ylang, geranium, orris, oakmoss, musk, wood, patchouli, vetiver, sandalwood, vanilla, tonka bean, frankincense.

Now, while I love how Lyric for Women smells, I’m not so sure about the cost of the fragrance itself. Running at $300 for a 100ml bottle, if I were to drop some serious cash on an Amouage fragrance, it would be going into an Attar instead.

Reviewed in This Post: Lyric for Women, 2008, Eau de Parfum.

Guerlain Mitsouko

Posted on by

I don’t think highly enough of myself to kick off this blog with a review of a Guerlain classic because I feel I’m particularly versed in olfactory luxuries. I just wanted start with a relatively agreed upon fragrance. A classic, in other words, where so many others have said what needed to be said and I’m just filling in an already overflowing gap.

Mitsouko is Guerlain’s 1919 debut girl. Formulated by Jacques Guerlain with a following that describes her with such words as deep, sensual, sophisticated, and mysterious.Mitsouko

In Bottle: The fragrance is so well blended that I have a hard time picking out any specific notes. This is not a bad thing as it means Mitsouko has that unique quality. She smells like something never smelled before. I immediately associate her with with the word ‘classic’ and ‘old world’. Old world being a very endearing term to me, of course.  It’s spicy, it’s woodsy, just a little floral and very lightly fruity, but it’s all of those things at once too. To separate the notes and describe them feels wrong.

Applied: Mitsouko’s initial application is a burst of complex florals and soft woodsy notes. In a manner of seconds, as if she shed her flower coat as she drifted from the air onto skin, Mitsouko begins to deepen. The woods and spices come up creating this miasma of scent that makes me think darkness, headiness, and shadows drifting in and out of a sunless forest. As she dries the woods and moss come up more, blending with the spices as the components practically meld together. It is easy to forget that this is a fragrance composed of different notes and the fruitiness that people love in this fragrance is the softening agent used to tame rather than dominate. It’s hard to separate the notes and what’s left is just Mitsouko as a whole.

Extra: So it is said that Guerlain’s Mitsouko is a homage to many things, the name, the novel, the woman herself. Most people seem to subscribe to the theory that Guerlain based Mitsouko on the novel, La Bataille by Claude Farrčre. Where the novel is now difficult to find, at least for an English speaker with no foothold in French, the fragrance lives on in those who continue to love her.

Design: Mitsouko’s bottle design, I suspect, is supposed to reflect its scent and the artistry of the time. It looks and feels like a piece of design history. It’s a piece that, to me, reflects the orientalism of the fragrance and while art and design has since evolved into abstract shapes, clean and sharp lines, with flowing bulbous nodes of color bold against white, Mitsouko’s bottle design is an echo from an era gone but never forgotten. The one thing about my bottle I dislike is the plastic cap which seems to be on par for most recent Guerlains. I would have liked for them to invest in some nicer caps but you can’t have it all.

Fragrance Family: Oriental Chypre

Notes: Citrus, rose, peach, clove, pepper, spices, oakmoss and woods.

I believe a modern fragrance lover, and I wholly admit myself as a rotten, no-good, fruity-floral loving modernist, would find it difficult to like Mitsouko. But liking and respecting are two different things to me. I own a bottle of Mitsouko, a small one, for the simple fact that it is a piece of fragrance history. Once in a while I’ll bring her out and try to analyze  the complexities of her nature and to assuage my guilt of not warming up to Shalimar yet (I’m getting there). I find her too deep for normal wear as the people I’m around most often tend to react poorly to her. It’s not their fault, and it’s not Mitsouko’s fault either. Mitsouko is to be appreciated for sure as one of those classics you’ve just got to try at least once because reviews just don’t do her justice. As for wearing her? That depends on what you like.

Reviewed in This Post: Mitsouko, circa 2008, Eau de Toilette.