Cacharel Scarlett

Cacharel Scarlett happened upon my cluttered desk a while ago, it was a little sample knocking around from some of the circles I used to frequent back when perfumes were I hobby where I had time to indulge. I really miss it–the perfumes, I mean. So I gave Scarlett and a few others a whiff to see how things stacked up. And to dust off that long neglected notebook.

Scarlett

Scarlett

In Bottle: A light floral, a little pungent upon first whiff but I fear I may have smelled it a little “too hard”. Nothing really fancy about it yet.

Applied:  Bright and floral, a little juicy upon first application. There’s a sharp citrus to this at first that smells into a more rounded white florals style of scent. It’s very classically flowery and pleasant enough to wear. Scarlett isn’t really light, and nothing in it really reminds me of Scarlet O’Hara. But then, my vision of her doesn’t paint her in a dainty, floral at all and I expected something headier if it was to truly represent her. After a while of the white florals, the scent mellows into a mild warmed amber, honey and floral scent.

Extra: Scarlett was dedicated to the famous Scarletts in past and present including O’Hara and Johansson.

Design: I was actually surprised to see the bottle when I looked it up. It’s definitely not your typical curvy flacon and I actually kind of like it, though it clashes with my usual tastes. It’s different, and I guess that’s plenty to lend it credit to me.

Fragrance Family: Floral

Notes: Lemon, pear, jasmine, orange blossom, honeysuckle, amber, sandalwood, honey, white musk.

So I mentioned this didn’t really remind me of Scarlet O’Hara, it’s close and I understand where they’re trying to take it. To me, O’Hara is a heady, dark floral with a distinctive tuberose and a flash of something sharper and tangier like a cedar. I don’t know much about Johansson. In the end Scarlett is a nice, grown-up scent. It’s not groundbreaking enough to really set it apart from many of the other florals I’ve experienced, unfortunately.

Reviewed in This Post: Scarlett, 2015, Eau de Toilette.


Lucien Lelong Indiscret

Indescret is one of those rare finds that a lovely friend supplied me with on one of her many sojourns into antiques markets, estate sales, flea markets, and all other manner of excellent places I wish I lived close enough to her to enjoy too. I’ll always be grateful when she finds a fragrance treasure and sends me even the smallest samples though!

Indiscret

Indiscret

In Bottle: Heady and bitter, highly floral and possessing of that classic perfume scent that’s always hard to describe and can only be smelled and experienced to understand.

Applied: Indiscret is very strong upon application. It fills my nose, floods into my sinus cavity and clears things out as it hits my brain screaming of a bitter green and sharp orange. It settles down after about an hour but don’t think Indiscret gets any more mellow, it’s a powerhouse, keeps going and evolving and growing stronger the longer you wear it. The woodsiness comes up a bit more, along with some faded floral notes, the most I get is a very rounded jasmine that adds a very nice touch to smooth out the scent. The whole thing smells classic and I wish I had the eloquence to describe that classic, vintage fragrance smell adequately because it’s a beautiful thing and all budding perfumistas or fragrance fan needs to smell and experience it at least once. Indiscret, or at least the version I have, seems to have taken on a musty lower note as it ages hours later. It has a bit of spiciness with that woodsy scent but at the same time, there’s something a bit funky about the dry down that puts me off a little, but doesn’t turn me away. Judging from the other reviewer reactions, I have a feeling my particular juice may have gone off a little, which is a shame since people seem to describe the final stage of Indiscret as a smooth, creamy woodsy spicy affair.

Extra: Indiscret was released in the mid-1930s to Lucien Lelong, a very fancy brand back in the day. Indiscret was discontinued at some point, but is still somewhat available via eBay and select vintage fragrance sellers.

Design: The bottles I see have lovely, classic sweeping feminine curves and a beautiful looking flacon. If I could get my hands on it, I totally would. There are other designs as well, ranging from simpler rectangular flacons to mini sizes to more modernized bottles with shiny metallic-looking caps.

Fragrance Family: Floral Woodsy

Notes: Mandarin, bergamot, jasmine, tuberose, orange flower, rose, ylang ylang, geranium, iris, galbanum, woods.

Like most fragrances my friend picks up from antique stores, I can’t fully classify the year of the bottle and can only guess. My only recommendation for this one is to look for it, the more vintage and pure the better the experience. It’s a beautiful, full-bodied, very long-lasting vintage beauty!

Reviewed in This Post: Indiscret, ~1940, Eau de Parfum.


Katy Perry Killer Queen

So work is starting to pick up and I might have a little bit of cash to drop on some niche and vintage goodies. And I say this with all the love I can muster for dime a dozen, easily accessible department store celebuscents that tide me over when I don’t have a decant of a rare fume on hand. Unfortunately for me, most celebuscents have lost their luster since I’ve smelled so many of them and most have the unfortunate habit of being really, really, really generic.

Killer Queen

Killer Queen

In Bottle: Sugar and berries. Almost smells like a collection of liquified jelly berries. You know, these things: Haribo Gummy Candies. Don’t get me wrong, I love those gummy berries. I just expected more out of a fragrance that’s going to call itself Killer Queen.

Applied: Smells like sweet berries, rolled in vast amounts of sugar. Killer Queen is so sweet, I’m going to assume the killer part of it is from a sugar overdose. From what I’m smelling, there’s very little else other than the berry smell. I don’t get any jasmine, I can’t smell any patchouli or anything more sophisticated than really sweet berries. The midstage does get a little flowery. But it’s that sugary-sweet frangipani flower. The dry down is barely any different from the midstage. The sugar is still very prominent, the entire fragrance is quite one-dimensional and I mean, I guess I shouldn’t expect much from a celebuscent at this rate. But I will say I was pretty disappointed that they chose to name it something pretty awesome and then did something really lame with it.

Extra: Killer Queen was the title of a song by Queen, written by Freddie Mercury and released in 1974. The fragrance, Killer Queen by Katy Perry was released earlier in 2013. I’m going to have to throw it out there that someone else ought to take the name and make a more appropriate fragrance with it. I imagine something more powerful and unique. Maybe a number with leather, roses, a touch of sleazy civet, frankincense, tonka and amber. What about you?

Design: The bottle design isn’t that bad, though I’m noticing more bottles going for the “can’t stand it upright” design approach. Not sure how I feel about that particular choice yet, but the bottle itself is pretty attractive, if somewhat lacking in creativity.

Fragrance Family: Fruity Gourmand

Notes: Fruits, plum, bergamot, celosia, frangipani, jasmine, praline, cashmere, patchouli.

I will admit that I picked up Killer Queen and decided to give it a shot at the store because of its name. This, and I somehow managed to miss the large and very prominent poster of Katy Perry with the blasted thing on her scepter posted right above the bottle display. I’m not very observant apparently.

Reviewed in This Post: Killer Queen, 2013, Eau de Parfum.


Oscar de la Renta Tropical Flower

I smelled this fragrance before I saw the bottle and while the fragrance left me lukewarm, the bottle really turned me off. Something about the colors, the shape and the way it felt just didn’t settle well with me. Just as well for lukewarm perfume.

Tropical Flower

Tropical Flower

In Bottle: Tropical, pleasant but not especially unique or interesting. I get a lot of fruits, sweet and cooling.

Applied: Tropical fruits upon application, smells like a dewy melon mixed in a tropical drink and meant to be enjoyed under an umbrella. There is a floral, rose note that wafts in during the mid stage with a liberal coating of sugar that runs over the opening. If this had been a bit less sweet, it might have done a little better because there’s something decent about the mid stage and its florals that are trying to class up Tropical Flower, but aren’t quite making it because of the sugar. The dry down is a dead end of white musk and the remnants of sugary fruits and frangipani.

Extra: Having been too busy this summer to make it to the beach, I tried to replace my beachless summer with a fragrance. Some day I’ll make it to the Bahamas, but for now, the Tropical Flower just isn’t a substitution.

Design: I really can’t say I like the design of Tropical Flower’s bottle. It looks very plastic, even though it isn’t. And maybe that’s what they were going for all along, it just doesn’t appeal to me.

Fragrance Family: Fruity Floral

Notes: Passionfruit, melon, raspberry, gardenia, jasmine, frangipani, white musk.

So that was Tropical Flower, a fairly underwhelming fragrance.

Reviewed in This Post: Tropical Flower, ~2008, Eau de Toilette.


Acqua di Parma Profumo

First released in the 1930s, Acqua di Parma Profumo for Women was re-released in 2000 after a reformulation. The chypre vintage shares very little to its re-released version aside from the name.

Profumo

Profumo

In Bottle: Mild, slight sharp citrus on the opening with a heady floral background.

Applied: Aside from a slight citrus bite at the beginning, this fragrance goes on thick with the florals. I’ve never tried the original, so I didn’t expect very much in the way of chypres. Still, this newer iteration is a pleasant enough composition. Heavy on the florals, almost smothering me in a jasmine and rose composition. The dry down is an earthier floral with a couple of dust bunnies flying around (it reminded me of how dust smells, is that weird? Am I weird? I must be). Profumo smells like it’s trying hard to be sophisticated and live up its original version, but the smothering floral angle didn’t capture my interest and at times it came on a bit too strong. A nice fragrance to test out to see how it works on you.

Extra: The original vintage’s chypre build has piqued my interest and maybe I was a little biased because, oh, I love those chypres. I had gotten this one before reading up on vintage vs. reformulation. Someday, I’ll find a reformulation that I like more than the original. It’s going to have to be something rather drastic.

Design: Fairly simple design, a little outdated to me with the banding on the bottle. Reminds me a bit of the 70s or 80s. Otherwise, nice bottle.

Fragrance Family: Floral

Notes: Citrus, rose, jasmine, iris, ylang-ylang, woods.

Profumo can be purchased at major stores online and offline. Sephora, for example, carries it for $228.00USD. With that price tag, I’d rather snatch up something else I like a bit more. Didn’t work out this time, but I’d definitely smell the vintage if I could get my hands on it.

Reviewed in This Post: Acqua di Parma Profumo, ~2000, Eau de Parfum.


Juicy Couture Viva la Juicy la Fleur

Maybe I’m not being fair. Or maybe I felt like I’ve been spoiling myself with niche and independent fragrances lately, but I went on a department store perfume bender and have a book full of notes that I have only just now gotten around to starting. There’s still more niche to come, but these mass market scents seem fun to me–some less fun than others.

Viva la Juicy la Fleur

Viva la Juicy la Fleur

In Bottle: A big pile of sugar and flowers. Smells a lot like the original, with a weird cloying burnt sugar smell that I didn’t get from the original.

Applied: So Viva la Juicy la Fleur is one of those less fun fragrances I mentioned above. In the past, I’ve been pleasantly surprised and amused by a lot of mass market offerings, but this one hits the ordinary right on the head. The original Viva La Juicy, I had to give props to. Despite myself, I actually liked it on occasion. Granted, I was younger then and had more opportunities to wear hot pink. I’m not sure the original would strike my fancy as much these days, because la Fleur isn’t doing anything for me. If you thought Viva la Juicy was just too strong and didn’t have enough of that burnt sugar smell, then la Fleur might be worth it. For me, the original was better, but these two smell very similar. Same sugary candy opening, same sweet florals, same hint of fruits throughout, and same achingly sweet persona. This is the smell teen girls in high schools and colleges might like and wear. It would only smell ridiculous on me now.

Extra: I still pull out the original Viva la Juicy now and then, take off the cap, spray and smell and then promptly go to wash it off. I really outgrew the fragrance and making it lighter didn’t make it any more grown up.

Design: Someone refreshed design. I had thought the original Viva la Juicy was absurdly girly, but apparently all they had to do to top it off was slap some graphical flowers on the bottle, use a cheaper bow, throw in a script typeface and here we are. Not ugly. The form actually still looks nice. It is just very, very girly.

Fragrance Family: Fruity Floral

Notes: Orange, berries, water lily, honeysuckle, gardenia, jasmine, caramel, vanilla, sandalwood.

Couldn’t remember the last time I had smelled a generic fruity floral like this. It was actually somewhat nostalgic. Long story short, though, don’t buy this if you have and like the original Viva La Juicy. Unless you just want something weaker and sweeter.

Reviewed in This Post: Viva la Juicy la Fleur, 2012, Eau de Toilette.


Biehl Parfumkunstwerke gs03

Another sampler from Jeffrey Dame at Hypoluxe. I wasn’t sure what I was expecting after gs02, though I was pleasantly surprised when I tried out gs03!

gs03

gs03

In Bottle: Nice, soft white florals with an layer of woods.

Applied: Slight citrus kick on spray but quick to dissipate as it’s replaced with a smooth white floral fragrance with an under layer of woods to back it up. The opening is fabulous. Very airy white florals, a slight spice to tie it together. It’s mid-stage is marked with a more prominent woodsy showing with those white florals layered on top. The dry down sees a smoother wood note, less florals and more soft warmth from a vetiver with a mild return of the citrus that disappeared in the top layer. This reminds me of laundry or very nice soap. And something in it also reminds me of something my mother used to wear. Nice, lovely and soft.

Extra: gs03 is a new launch from biehl parfumkunstwerke targeted both men and women. It was composed by by Geza Schoen, like gs02.

Design: A similar minimalist bottle design as gs02. Nothing flashy or outrageous. After having seen some of the latest celebuscent bottle designs, I appreciate simplicity like this a lot.

Fragrance Family: Floral Woodsy

Notes: Mandarin, orange blossom, neroli, pepper, juniper, rose, jasmine, iris, cedar, vetiver, castoreum, oakmoss, benzoin, tonka bean, musk.

Very nice, though a couple of times during the midstage I got a little worried about the cedar. That note doesn’t behave for me, but it did fine in gs03 as it was light and well done in this fragrance. Overall very nice and I prefer it over gs02 for its softness.

Reviewed in This Post: gs03, 2013, Eau de Parfum.


Lalique de Lalique

Lalique de Lalique was released in 1992 with a limited edition version released in 2012 that I can’t seem to find anywhere.

Lalique de Lalique

Lalique de Lalique

In Bottle: I get a sweet, creamy fruits with a pleasant soft and sweetness in the background with a layer of equally sweet florals.

Applied: Chevrefeuille starts off with a rather strong fruit showing that mellows out fairly quickly into a stronger wave of florals with the sweet fruit opening still hanging on well into the mid-stage where the florals become a touch dusty like a wave of light powders. I get plenty of jasmine with a delightful introduction of clove that adds a bit of edibility to the fragrance as it rolls into the end where a vanilla musk and dusty sandalwood pick up the scent to carry it the rest of the way. The entire fragrance is very soft and easy to wear and very modern while at the same time having a classical edge.

Extra: Lalique de Lalique (or just Lalique) was released in 1992. A limited edition version of it bottled in a fancier way was released in 2012 as a part of its 20th anniversary. It’s nearly impossible to find the limited edition version anywhere as a result. Lalique is an old perfume house, their earliest fragrance dates back to 1931.

Design: Beautiful design, usually I don’t go for things quite as embellished as these bottles, but they are made in a way that makes them eye-catching and luxurious. The limited edition bottles are also very beautiful.

Fragrance Family: Floral Oriental

Notes: Pear, blackberry, iris, rose, jasmine, clove, cassis, sandalwood, vanilla, white musk.

I do really like Lalique de Lalique, though it’s not the kind of thing I would go out of my way to hunt down. The bottle, though, makes it really hard to resist.

Reviewed in This Post: Lalique de Lalique, 1999, Eau de Toilette.


Hermes Bel Ami

I’ve been on a chypre bender lately, wanting something full-bodied and classic once again. Enter Hermes Bel Ami, which inspired an hour-long look at some new Hermes scarves.

Bel Ami

Bel Ami

In Bottle: Now, it should be noted that I have the newer formulation of Bel Ami, so this isn’t a true vintage chypre. It’s one of those “modern” deals. But Hermes did a good job with it, sweet, deep, masculine and woodsy.

Applied: Sweet upon application with a nice bergamot and lemon opening. The spiciness is only a hint in this fragrance. What I’m getting the most out of it is a deep, rich leather scent with a hint of animal and a big dose of earthiness from the orris. There’s a pleasant touch of cedar in the background that doesn’t overwhelm but is in there enough to give the fragrance a hint of woodsiness. The herbal notes probably lend a tempering effect to this fragrance as it’s more of a blast of leather than anything else. I can see where the chypre construction in this lies and it’s fabulous, but it isn’t quite what I’m looking for. Still a really great, strong, masculine scent with a very interesting composition and a great sense of projection.

Extra: Bel Ami was released in 1986 and has, unfortunately, been reformulated a few times, I suspect. Still, it smells pretty good for having been tinkered with over the years.

Design: Bottled simply, and somewhat reminiscent of some other Hermes bottles. Looks classical and functions pretty well. No one is going to immediately notice this bottle, but it’s a joy to look at it nonetheless.

Fragrance Family: Chypre

Notes: Mandarin, sage, bergamot, lemon, cardamom, patchouli, orris, carnation, basil, jasmine, cedar, leather, coconut, vanilla, oakmoss, vetiver, styrax, amber.

So Bel Ami isn’t really my thing. I don’t go crazy much for this much leather as it tends to smell too bold for me. But it is still a very well constructed fragrance.

Reviewed in This Post: Bel Ami, ~2000, Eau de Toilette.


Histoires de Parfums 1804

Okay, no more silly celebrity stuff for the time being. I went a little crazy for Histoires de Parfums. Gimmicky as the concept might seem sometimes, I can’t deny for a minute that it hooked me. So I went and got a few more years from the line.

1804

1804

In Bottle: I really didn’t expect the pineapple to be quite so prominent, but it’s just about the only thing there on first sniff.

Applied: Yep, pineapple. Very tropical, quite sweet with a juiciness to it that I want to attribute to the peach. The pineapple note is very strong and quite loud. I rather like it as it screams holidays and summer at me. Strange because I expected something entirely more subdued from 1804, still feminine, still fruity but not screaming fun and sun like it is right now. All confusion and expectations aside, 1804’s pineapple opening is pretty delightful. It’s sweet and girly and fun. It rolls into a mild floral bouquet with a sweet and clean finish at the end. I was looking for the spices the whole time, but they never made themselves known. Not elegant, but not at all bad. I quite like it.

Extra: 1804 was inspired by Amantine Aurore Lucile Dupin, who might be more recognizable by her pen name, George Sand.

Design: Designed in the same way as most other Histoires de Parfums bottles. I would love to have a full set of these, lined up in a neat row. I would finally be able to pretend I’m some sort of chemist with impeccable taste.

Fragrance Family: Fruity Floral

Notes: Pineapple, peach, gardenia, jasmine, rose, lily-of-the-valley, cloves, nutmeg, sandalwood, patchouli, benzoin, vanilla, white musk.

Probably not an instance where I’m dying to throw money at it, but 1804 remains a very pleasant, very feminine fragrance. If I had a hankering for pineapple, I think it would be the first thing I go for.

Reviewed in This Post: 1802, 2012, Eau de Parfum.