Parfums Retro Grand Cuir

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Grand Cuir was another inclusion in the March 2014, Olfactif package. Its copy tells me to expect a leather, smooth and unique. Dove right in.

Grand Cuir

Grand Cuir

In Bottle: Fresh, smooth and animalic upon first sniff. Heavy like a classic fragrance but lacking that “aged” feel you’d get from a vintage.

Applied:  I get an initial burst of freshness upon initial application. Woodsy and leathery with a lick of herbal. Grand Cuir is a chameleon, it changes before I can put a finger on what I expect it’s trying to smell like. There’s a note of stickiness to it as well, like an animal creeping around in the woods. I think that ultimately is how I’d describe this, something primal creeping around in some glorious woods. There’s a note of a flower bed, a hint of clean, and a dusting of leather. Grand Cuir fades down to a clean, light scent at the end. Complex with a good bit of throw and longevity, Grand Cuir is interesting at the very least. Not my kind of thing, but it’s something to consider if you want a smooth leather.

Extra: Grand Cuir was a more recent launch in 2013 and designed by Hugh Spencer. There’s also a rather interesting interview with Jeffry Dame about Parfums Retro you should check out.

Design: Very simple bottle, somewhat retro in design as well so I’d have to say they hit the visuals right on the mark. Good and clean, nothing garish. Well done bottle and design overall.

Fragrance Family: Woodsy Leather

Notes: Labdanum, birch tar, clary sage, orange flower, lavender, carnation, rose, violet, geranium, cinnamon, tarragon, pine, moss, sandalwood, rosewood, patchouli, musk.

No vanilla in this, but I don’t think it really needs it. At least, I got no vanilla. I was perfectly happy with the cute soda-like opening and the mellow, relaxing florals in the middle. The woods note in this is fantastic too. You can get your hands on Parfums Retro’s Grand Cuir from Olfactif.

Reviewed in This Post: Grand Cuir, 2013, Eau de Parfum.

Serge Lutens La Fille de Berlin

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Getting stuffed up and being unable to smell any fragrances due to allergies is no fun. And during that time, I kept trying to get fleeting sniffs of La Fille de Berlin in the hopes that my sense of smell had come back. Finally, I can say today that I can–indeed–smell with no allergy yuckiness getting in the way.

La Fille de Berlin

La Fille de Berlin

In Bottle: Peppery, dusty rose with a hint of dirt, like someone dropped a bouquet of very aromatic roses in a mud puddle.

Applied: I know the above description doesn’t make it sound too great, but it’s actually a rather fascinating experience. I get a lot of pepper from this and rose tends to amplify in my nose anyway. So La Fille de Berlin feels like two strong notes or rose and pepper battling it out with each other and I have to say, I think the rose is winning. The scent changes very little from my first impression of it, to the midstage where as I wait a while and start to pay attention to it, the musk or as I like to call it, “that muddy smell” comes up a bit more. La Fille de Berlin is certainly an interesting trip, I was delighted when my sense of smell started to clear past the rose and I could get a bit of something else, but I wouldn’t say this fragrance appealed to me.

Extra: La Fille de Berlin was released in 2013, and translated into English means, “The Girl from Berlin”.

Design: Designed similarly to most other Serge Lutens bottles, the packaging is beautiful, simple and elegant. I have always been a fan of the Serge Lutens’ packaging looks.

Fragrance Family: Floral

Notes: Rose, violet, pepper, musk.

The rose and peppery kick aren’t really what I’m after so I feel fairly neutral to this in that I don’t love it or dislike it. I had been intrigued by mostly the name without having read about any of its notes.

Reviewed in This Post: La Fille de Berlin, 2013, Eau de Parfum.

Etro Royal Pavilion

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Another sample that was sent to me from Steve at The Scented Hound. I wore Royal Pavilion to work one day, feeling like something ought to mix things up a little.

Royal Pavilion

Royal Pavilion

In Bottle: Jasmine, plenty of it mixed with ylang-ylang with a base of sandalwood and a pretty, juicy, mimosa.

Applied: I get the Ylang-ylang before I get the jasmine when applied. It flares up first and stays up, giving the scent this dusty floral vibe. The jasmine brings it down a little closer to familiar territory with a nice mimosa in the background and a rose that settles near the base. I had expected something else from Royal Pavilion. Perhaps more cypress or green. What it is delights me, however. With it’s classically beautiful floral and it’s nice sandalwood touch upon dry down. There’s warnings of civet and castor in this too, and I had a couple of faint whiffs as I sat in the back and wondered if anyone else noticed. Royal Pavilion was like a quiet, peaceful journey with a light bump at the end. It envelops you in lovely, classical floral notes then when you’re at the end and enjoying your sandalwood fade, a couple of small animal notes hits your nose just to make sure you were still paying attention.

Extra: I went into this knowing very little about Royal Pavilion. It was very much a random pick as I was running out the door in the morning. So I was surprised to find this was released in 1989 because I was going to peg it for a few years earlier.

Design: Bottled in much the same way as other Etro fragrances, in a very nicely shaped class flacon with a silver cap. Nice and simple with just enough design elements to impart “luxury” without any gaudiness.

Fragrance Family: Woodsy Floral

Notes: Jasmine, ylang-ylang, rose, mimosa, violet, sandalwood, vetiver, oakmoss, castor, civet.

Lovely scent, very excited that something from the late 80s is still around and kicking. Kudos, Etro!

Reviewed in This Post: Royal Pavilion, ~2012, Eau de Toilette.

By Kilian Good Girl Gone Bad

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Hello, By Kilian. Long time no see. Still packaging things to make me covet you, I see. Good Girl Gone Bad is a recent release from By Kilian and features a gorgeous white and gold case.

Good Girl Gone Bad

Good Girl Gone Bad

In Bottle: Fruity, light and floral. I smell a bit of soapiness too.

Applied: A fruity opening with a osmanthus and jasmine showing. It smells like and soapy with a hint of jasmine. The jasmine becomes more prominent as the fragrance wears on and a touch of tuberose can be detected in the midstage. Jasmine takes on a green aspect mixing with a rose note. Good Girl Gone Bad isn’t going bad so far, and as I continue to wait her out, I get impressions of cedar and patchouli with a speck here or there of darkness. The fragrance never really gets very dark or daring. It remains a rather tame rose jasmine and cedar composition all the way until its fade.

Extra: I haven’t been following By Kilian in a while, and when I saw this fragrance had come out, I was drawn in by the name. I had this idea that it would start off light and airy and turn into a sinister beast. But it never really reaches beast form, and the florals in the midstage carry its good girl vibe all the way to the end. Good Girl Gone Bad was released in 2012 and can be had for $245 at Luckyscent.

Design: By Kilian usually does very well with its packaging. Good Girl Gone Bad comes in a beautiful bottle decorated to exquisite detail with a white and gold box featuring a golden snake coiling on top. Everything about it screams luxury.

Fragrance Family: Floral

Notes: Osmanthus, jasmine, rose, tuberose, narcissus, violet, plum, cedar, amber, patchouli, vetiver, musk.

Okay, so the bad girl never got to the party. Maybe she was too busy rocking out somewhere else? Wherever she went, she just wasn’t in this fragrance. What is here is a rather nice floral scent with decent longevity and a beautiful casing.

Reviewed in This Post: Good Girl Gone Bad, 2012, Eau de Parfum.

Coty Masumi

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Someone asks me if I want to test out a classic Coty, I don’t know how I could say no. Masumi was a Coty chypre from the 1960s.

In Bottle: Spicy with a very grown-up fruity vibe with a layer of deep green woods.

Applied: Bergamot up front with a fruitiness that rolls in rather quickly. The fruits in Masumi can’t be described in any terms that one would use for a modern perfume. Certainly not, “girly” or “fun and sweet”. Masumi’s fruits are reminiscent of Mitsouko’s peach note, in that it’s slightly sweet but very, very sophisticated. The fruits are joined by a spicy floral in the midstage with a big showing from the woods and a smooth earthiness that I’m thinking might be the oak moss at work. The fragrance stays a floral woodsy scent with a hint of spice. The fruitiness I got in the opening was rather short lived and the scent isn’t missing anything because of it. Quite lovely, very classic, helps me remind me that Coty did some great things.

Extra: Masumi was released in the 1960s and was later repackaged in the 1970s. It has since been discontinued.

Design: The design for Masumi was very reminiscent of the era in which it was released. The shape is a bit familiar in Guerlain’s Idyll but with a great deal more authenticity. It looks simple, with a teardrop style shape and a tall metal cap. I don’t have a physical body to judge by, but the design works for what it is.

Fragrance Family:  Classic Chypre

Notes: Bergamot, pineapple, melon, rosewood, rose, violet, cardamom, musk, sandalwood, oak moss, cedar, amber, vanilla.

The more classic Cotys I experience, the sadder I am that most of their great fragrances are no longer available.

Reviewed in This Post: Masumi, ~1970, Eau de Toilette.

Illuminum Tahitian Yuzu

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Tahitian Yuzu promised me something clean and fresh with a bit of the tropics. I certainly wasn’t let down.

Tahitian Yuzu

Tahitian Yuzu

In Bottle: Clear, clean and crisp. The yuzu is present, as are the florals and the sweet pineapple at the start.

Applied: Tahitian Yuzu is a pretty simple composition. It comes in with a sweet, tropical feel. The pineapple lends a lot to the tropics in this scent and makes me wish it was still summer and I had spent more time at the beach. The blackcurrant helps carry the pineapple into the floral midstage where Tahitian Yuzu takes on a slight hit of citrus and delves into the jasmine. It is primarily jasmine to my nose, with very small dashes of violets that mingle rather safely with the white musk at the bottom of the fragrance. Tahitian Yuzu doesn’t develop too much further from its midstage, its base is marked with a soft floral layered over clean musk. Smells simple, very wearable, if you were looking to smell fresh out of a shower and wanted something less soapy and more fruity than Cashmere Musk then Tahitian Yuzu would be a great candidate.

Extra: I frequently wondered when I was first really getting into perfumes just what on earth a yuzu was and why it was any different than a grapefruit. It took years to finally differentiate the two in my mind. To me, the yuzu is a bit stronger, a little more tart, and with a hint of smoothness that reminds me of a ripe orange. It’s difficult to describe how yuzu smells more complex to me than grapefruit because it took me years just to get to the point where I can even tell the difference–and even now, I’m pretty sloppy about it.

Design: All of Illuminum’s branding looks similar. Bottled in frosted glass, rectangular or square in appearance. Looks good lined up in a row, but not really my cup of tea in terms of design.

Fragrance Family: Clean Floral

Notes: Pineapple, blackcurrant, yuzu, jasmine, violet, white musk.

I like Tahitian Yuzu. I like that it’s clean and crisp and easy to wear and that little bite of the tropics at the start was a nice hook. But then, I didn’t think I would have much trouble with Illuminum’s offerings. Many of their scents were simple, clean and echoed a lot of Boadi’s work on the Boadicea the Victorious line. If you want to snag a bottle of Tahitian Yuzu, it is available in 50ml or 100ml and you can get one at Luckyscent or Illuminum’s website.

Reviewed in This Post: Tahitian Yuzu, 2012, Eau de Parfum.

Disclaimer: The fragrance sampler spray reviewed in this post was provided to me for free for the purposes of review. In no other way am I receiving pay or compensation for this review. This review was written based upon my personal experiences and opinions of the product.

Histoires de Parfums 1826

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The Histoires de Parfums line has always interested me. I loved the concept behind it and had been meaning to get a sample of one of the fragrances for years. My main hold up was not knowing where to start and what year to order first. I settled on 1826 thanks to a recommendation from a friend.

1826

1826

In Bottle: Strong bergamot and woody presence with a hint of smooth vanilla and spice.

Applied: Starts up with a strong bergamot and tangerine showing that is quick to make way for the floral aspect. I get a lot of lowers, and a bit of spice that creeps up to the midstage making for a complex and pleasant blend that gets slapped with a soft vanilla incense halfway through its progression. 1826 settles into a floral vanilla with a hint of woods. It’s giving off a clean floral vibe. Heck, this thing changes on me like crazy, one minute being a spicy floral and another being a vanilla floral that throws in a clean note out of no where. There’s a dark edge to it with the patchouli too, that settles in the background in the early midstage where it lends 1826 a bit of depth. The dry down is markedly woodsy with a final showing of florals and that elusive, but brilliant vanilla.

Extra: 1826 is dedicated to the last French empress, Eugénie de Montijo, whose birthday is reportedly May 5th, 1826. She lived a very long life given the time period and passed away at the age of 94 in Spain. The Empress, formerly known as María Eugenia Ignacia Augustina de Palafox-Portocarrero de Guzmán y Kirkpatrick, is somewhat understandably more well known as the fashionable wife of Napoleon III, and the last empress of the French court.

Design: Histoires de Parfums keeps a somewhat uniformed look for their bottles. I am a huge fan of uniform looks for series because I can imagine if I were ever wealthy enough to buy an entire series of perfumes, that I could line them up and be a little giddy about how awesome that would look. Histoires de Parfums is one of those bottle designs that would look fabulous lined up in a row and still looks pretty good even if you own just one of the bottles. The box tells you what notes are in the fragrance along with a little blurb about the name of the scent. The bottle itself has a label on the side that gives you the notes you should expect to smell. Simple, functional, and would look awesome lined up in a row.

Fragrance Family:  Floral Oriental

Notes: Bergamot, tangerine, white florals, violet, cinnamon, ginger, patchouli, amber, incense, woods, white musk, vanilla.

I have to admit that I expected a little less punch during the initial spray phase, but the rest of the fragrance smells divine. It’s got a great complexity to it, and it’s quite the shape shifter to boot. It smells great, has a young streak, tends toward a sweet youthful vanilla, though it’s probably not the kind of thing you’d want to recommend for a teenage girl or someone with a teenage girl’s sensibilities. 1826 is definitely a woman’s fragrance and needs a sophisticated nose to appreciate it.

Reviewed in This Post: 1826, 2012, Eau de Parfum.

Balmain La Mome

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Ambre Gris by Balmain was one of the first perfumes I ever reviewed for this blog. Back then I was still in my “Oh gosh! Fruits and flowers are so good!” phase. I’ve since grown a bit in terms of taste (or at least I like to think I did) and while I still love my flowers, my clean smells, and my fruits I’ve also warmed to Ambre Gris enough to be excited about La Mome rolling out of my sampler box for a try.

La Mome

La Mome

In Bottle: Roses, violets and an undercurrent of amber.

Applied: A flash of sweet raspberry that opens the fragrance under a fruity, sweet pretense. The rose is quick to fall in and I’m glad for that because I think I’ve had my fill of raspberry for a while. The rose has a lovely soft and classic affect mixing beautifully with an amber note that sweetens and warms the fragrance. I get violets the longer I wear this, giving the fragrance a bit of dusty appeal like I’m wearing a fine fragrance and just dusted myself down with some violet powder. This reminds me of fancy windows for some reason. Windows with intricate little patterns in the glass. Windows that lead to an exquisite sitting room. It’s deceptively simple because this is a much more complex scent than the seemingly easygoing violet, rose and amber mixture.

Extra: A little bit of research yielded an explanation for the naming convention of this fragrance. La Mome means “The Kid” which is a dedication to Edit Piaf.

Design: I love the design of this bottle. Balmain does very well with its packaging. The juice, the color of the juice, down to the materials and the style of the bottle, and the weight of the whole thing are meticulous. I love everything about it, up to and including the little tassels.

Fragrance Family: Floral Oriental

Notes: Pink pepper, raspberry, freesia, rose, violet, myrrh, iris, opoponax, amber, musk.

Sometime I should sit down and take a good sidelong stare at how my tastes in fragrance have changed over the past two years. I went from a pretty uneducated lover of fruity florals to a pretty uneducated lover of everything else too. I never would have thought a little hobby blog could take me this far.

Reviewed in This Post: La Mome, 2008, Eau de Parfum.

Heidi Klum Me

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If I were ever in the position to have a fragrance made for me, I’d probably be unimaginative enough to just call it, “Me”. It’s really too bad Heidi Klum already beat me to it.

Me

Me

In Bottle: Fresh is probably the one and only word I’ve got for Me. The melon is pretty prominent to my nose along with the clean florals in the middle.

Applied: It’s got a nice blast of fruitiness that mellows into this juicy, clean melon scent which does a nice job eventually moving into an also pleasant and clean floral mid-stage that’s marked with a bit of sparkle and shine. There’s nothing so bold as an aldehyde in this, but the musk couldn’t be anything but white and the woods and vanilla couldn’t be anything but scrubbed with all impurities removed before being bottled. Me is quintessentially young, clean, and fresh. It’s a nice, mild-mannered scent for everyday wear.

Extra: Me was released in 2006 and hasn’t really garnered as much success as some celebrity perfumes. It seems to occupy that dark corner of celebrity fragrances where the lesser known perfumes with celebrity names hang out.

Design: Me isn’t very pretty. It’s actually rather bland in aesthetic and a little bit clunky too. It’s bottled in this roundish container with a standard baby pink cap that doesn’t do much for it’s appeal. It’s not ugly, not pretty, and ultimately not very memorable.

Fragrance Family: Fresh Fruity

Notes: Blackcurrant, apple, melon, pepper, violet, water lily, jasmine, plum, woods, sandalwood, vanilla, musk.

If you want a well done fresh melon and floral scent, then Me is your stuff. You can actually buy this stuff on the Heidi Klum website. Enjoy.

Reviewed in This Post: Me, 2006, Eau de Parfum.

Estee Lauder Beautiful

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A pleasant surprise arrived for Christmas 2011–a book of perfume samples. Many of the fragrances were new and I was just thrilled. Estée Lauder’s Beautiful was one of the first I pulled out and giddily peeled back the flap to smell.

Beautiful

Beautiful

In Bottle: Extremely floral and a bit powdery. There’s no floral standing out, it’s just a big homogenous bouquet at the moment.

Applied: Initial hit of citrus then the floral bouquet rolls into town and takes over the whole operation. From then on, it’s all flowers all the time. Now, I love a good floral fragrance. But the key is balance and moderation. It seems like those are the two things missing from this iteration of Estée Lauder’s Beautiful. I heard the original Beautiful is a far different animal. So don’t turn yourself off from the classic based on what I say about this contemporary version. The florals in Beautiful really do smell like a confused mish mash that doesn’t quite know what it wants to do with itself. The scent seems to suffer a bit from over composition where there are too many ingredients vying for space and there just isn’t enough space to go around. The result is a fragrance that people can distinguish as “flowery”, but no one can truly say what kind of flower. I’m not the kind of person who just likes smelling like a bunch of flowers. I wanted more depth to it than this, but Beautiful settles into it’s explosion of florals in the midstage then ends it all with a bit of cedar at the end as my nostrils continue to burn from the florals thrown at me earlier.

Extra: The first iteration of Beautiful was released in 1985. It has since gone through a few cosmetic changes and some formula changes. I do not have any access to classic Beautiful, which is a real shame as I’d love to see how it compares to this.

Design: The bottle is reminiscent of Calvin Klein’s designs. I want to say Obsession for Women comes to mind when I look at this, but Beautiful is a little easier on the eyes. It’s metallic cap really helps pull it together a little more.

Fragrance Family: Floral

Notes: Bergamot, lemon, cassia, fruit, blackcurrant, galbanum, mimosa, magnolia, carnation, chamomile, tuberose, orange blossom, freesia, lilac, narcissus, jasmine, neroli, clary sage, violet, iris, lily of the valley, ylang ylang, marigold, geranium, sandalwood, myrrh, vanilla, vetiver, cedar.

As I looked up the notes list for this one, I found every single source listed an enormous amount of stuff. I just ended up picking out what I thought I could get out of this. In the end, I’m sorry, Beautiful, but you really just smell like flower stuff.

Reviewed in This Post: Beautiful, 2011, Eau de Parfum.