Taylor Swift Wonderstruck Enchanted

I didn’t happen upon Wonderstruck Enchanted by accident. It was actually somewhat pushed on me by a well-meaning sales associate who said it would suit me.

Wonderstruck Enchanted. In case you weren't tired of looking at Taylor Swift yet. I am.

Wonderstruck Enchanted. In case you weren’t tired of looking at Taylor Swift yet. I am.

In Bottle: I was underwhelmed when I smelled it prior to application. It had the hallmarks of faux vanilla and too sweet berries.

Applied: Well-meaning sales associate tells me Wonderstruck Enchanged was new, smelled fresh, clean, sweet and that it would suit me quite well. I was a little perturbed by that assessment, but figured I would try it anyway. Upon application, the sweetness and faux vanilla make themselves known right away. It’s not outright plastic-smelling but it isn’t natural. The sweetness is dialed way up in this to the point where my teeth felt like they needed to be drilled and filled in. And by the time I had walked away from the fragrance counter, gone home, went for a jog, showered then sat around for a few hours–I could still smell the sweetness on me. It clings like a powerhouse. Wonderstruck Enchanted isn’t special or unique. To me, it’s like a pile of berry candies coated with a vanilla air freshener. It’s just unappealing and kind of a mess. And unfortunately for it, it’s strength and longevity make it last an absurd amount of time. It wasn’t until I woke up the next morning did I finally rid myself of the cloying sweetness.

Extra: Wonderstruck Enchanted is obviously the flanker for the original Wonderstruck. It was released in 2012, and I really wish they had taken some time to think about it a little bit more because the fragrance manages to be both uninspired and messy.

Design: Similar shape to the original Wonderstruck. It’s red this time instead of just purple and features some slightly different charms around the neck of the bottle. I like the ornate cap, but that’s really about all I can say for it because every other design detail is clearly aimed at a younger audience.

Fragrance Family: Fruity

Notes: Passionfruit, berries, poppy, freesia, peony, champaca, sugar, musk, woods, vanilla.

Well, there you go. A few months go by and I get this urge to write about a celebuscent and Wonderstruck Enchanted just had to be it. It really wasn’t anything special and I found it mildly annoying that Taylor Swift was every where I looked. But hey, at least it wasn’t Lady Gaga again.

Reviewed in This Post: Wonderstruck Enchanted, 2012, Eau de Parfum.


Calypso St Barth Bellini

I love a good fruity floral sometimes. A well composed one that has all the hallmarks of a fruity floral fragrance without being way too popular or way too complex.

Bellini

Bellini

In Bottle: Fresh, clean and fruity. It’s sweet, but doesn’t overdo it on the sugar.

Applied: Bellini opens with a lush tropical scent that embodies the idea of a bellini cocktail. It’s lush, it’s juicy and very fruity. It reminds me of summer in the middle of November and has this hint of faux coconut and pineapple that does that, “Summer! The beach! Tropical paradise!” Chant to me. There’s a lighter layer of florals that rolls in after the first stage and settles into this gentle, refreshing midstage that makes me feel like I just stepped out of the shower to a waiting cocktail in the midst of a tropical island. The dry down is a clean sandalwood and white musk with a hint of cool amber.

Extra: I feel a little like I missed the summertime and these days I’m playing catch-up with Bellini here. Maybe some day I’ll actually vacation on a tropical island and I’d be tempted to wear this. Bellini is quite the embodiment of a tropical vacation.

Design: The cap is a bit uninspired, but the fragrance is what it is. The packaging for the bottle itself is quite minimalist, with a bell-shaped bottle, featuring the house name and fragrance name on it. The cap is your standard tall, gold metal. The box, on the other hand, has a rather cute bow adorning it. Something about me and bows, I suppose. Overall, not bad, not very exciting but it does the trick.

Fragrance Family:  Fruity Floral

Notes: Citrus, peach, coconut, pineapple, , frangipani, freesia, jasmine, orange flower, amber, musk, sandalwood.

Bellini is neither interesting or exciting. It is very safe, and it’s one of the better composed fruity floral fragrances out there. I quite like it. And if you like it too, but can’t see yourself wearing it, it comes in a candle form.

Reviewed in This Post: Bellini, 2012, Eau de Toilette.


Balmain La Mome

Ambre Gris by Balmain was one of the first perfumes I ever reviewed for this blog. Back then I was still in my “Oh gosh! Fruits and flowers are so good!” phase. I’ve since grown a bit in terms of taste (or at least I like to think I did) and while I still love my flowers, my clean smells, and my fruits I’ve also warmed to Ambre Gris enough to be excited about La Mome rolling out of my sampler box for a try.

La Mome

La Mome

In Bottle: Roses, violets and an undercurrent of amber.

Applied: A flash of sweet raspberry that opens the fragrance under a fruity, sweet pretense. The rose is quick to fall in and I’m glad for that because I think I’ve had my fill of raspberry for a while. The rose has a lovely soft and classic affect mixing beautifully with an amber note that sweetens and warms the fragrance. I get violets the longer I wear this, giving the fragrance a bit of dusty appeal like I’m wearing a fine fragrance and just dusted myself down with some violet powder. This reminds me of fancy windows for some reason. Windows with intricate little patterns in the glass. Windows that lead to an exquisite sitting room. It’s deceptively simple because this is a much more complex scent than the seemingly easygoing violet, rose and amber mixture.

Extra: A little bit of research yielded an explanation for the naming convention of this fragrance. La Mome means “The Kid” which is a dedication to Edit Piaf.

Design: I love the design of this bottle. Balmain does very well with its packaging. The juice, the color of the juice, down to the materials and the style of the bottle, and the weight of the whole thing are meticulous. I love everything about it, up to and including the little tassels.

Fragrance Family: Floral Oriental

Notes: Pink pepper, raspberry, freesia, rose, violet, myrrh, iris, opoponax, amber, musk.

Sometime I should sit down and take a good sidelong stare at how my tastes in fragrance have changed over the past two years. I went from a pretty uneducated lover of fruity florals to a pretty uneducated lover of everything else too. I never would have thought a little hobby blog could take me this far.

Reviewed in This Post: La Mome, 2008, Eau de Parfum.


Doir Tendre Poison

The more of the Poison line I discover, the more I puzzle over the fact that the original Poison, released in 1985, has eleven flankers. No matter what fragrance you’re talking about, that’s still a lot of flankers.

Tendre Poison

Tendre Poison

In Bottle: Fresh, sweet and woodsy with a hint of spice and a bit of ambery quality.

Applied: Tendre Poison comes out right away with a big hit of fresh citrus that rolls with a sweet opening that takes you on a trip down to floral and woodsy in no time. There’s a bit of amber quality to this, perhaps a result of the honey warming up the scent as it combats the blast of cool citrus that came out from the opening. The fragrance hits a floral chord in the middle stage with a nice tuberose making a rather grand entrance to my nose. The tuberose gives the rest of the florals–and the scent as a whole–a very nice creamy quality that compliments the woodsiness that settles this fragrance down and takes it into its base notes. Tendre Poison ends with a smooth woody and spicy fragrance.

Extra: Tendre Poison is a rather old showing when it comes to the Poison line of flankers. It came out in 1994 and seems to be a bit difficult to find in the general market these days. At least, I haven’t seen any of it kicking around store shelves. You may have to hit up eBay for this one, but be careful, there’s a sizable counterfeit presence for the Poison line of fragrances.

Design: The shape is generally similar to the original Poison bottle. It’s still a very nice bottle and I still think it’s a lovely use of the apple shape that imparts a certain level of playfulness while maintaining an aura of luxury at the same time. I’m not too wild about how bright green this iteration is, but the general aesthetic is all right.

Fragrance Family: Woodsy Floral

Notes: Bergamot, tangerine, mandarin, galbanum, rosewood, honey, freesia, orange blossom, rose, tuberose, musk, heliotrope, vanilla, sandalwood.

I rather liked this one. It’s unique in that I haven’t quite smelled something that’s progressed in this way before. It also smells modern, despite its release in the early 90s. But then, it’s earlier release date might help it steer clear of the more recent releases that tend to smell a little generic to me.

Reviewed in This Post: Tendre Poison, 1995, Eau de Toilette.


Cacharel Liberte

Liberte is a beautiful and vastly underrated fragrances. I don’t hear much about this one, but if you can find it, it’s quite a beauty in a girly, sweet scented way.

Liberte

Liberte

In Bottle: Somewhat harsh with the orange scent mixed with a very sweet note. Reminds me a bit of orange marmalade of which I’m not a very big fan of.

Applied: The orange marmalade scent throws me off for a bit and has me a bit worried but it goes away rather quickly. What replaces it is a beautiful crystal clear honey scent with a delicate floral heart. I haven’t smelled mainstream this good in a while. It reminds me a teensy bit of the more complex Aftelier Honey Blossom. Honey Blossom still has this stuff beat in terms of authenticity and complexity, but Liberte has a more delicate scent after its initial wave of citrus jam. If you don’t want to get too complex and if you want something flowery and honey-like then Liberte is a good catch. It’s dry down introduces a bit of spices and vanilla to join in the honeyed florals. There’s a bit of patchouli, but it adds rather that distracts from the rest of the fragrance. Very nicely done!

Extra: Liberte doesn’t seem to be too hard to track down. I’ve found it on at least two discounter sites and for a fairly reasonable price too. Liberte was released in 2007 and composed by Olivier Polge and Domitille Berthier.

Design: Bottle simply in a tall glass flacon. Liberte sports one of the better designs from Cacharel. It’s nice and elegant with a sophisticated look. The bottle itself is easy to hold and use. I couldn’t be happier with the design choice for Liberte.

Fragrance Family: Chypre Oriental

Notes: Bergamot, lemon, orange, bitter orange, mandarin, sugar, freesia, frangipani, gardenia, heliotrope, honey, marmalade, spices, vanilla, patchouli, vetiver.

All in all, I would still pick Aftelier’s Honey Blossom over Liberte, but it all depends on what you want in a fragrance. Liberte is certainly beautiful and shouldn’t be underestimated. It’s miles better than most fragrances that claim to be honey-based.

Reviewed in This Post: Liberte, 2007, Eau de Toilette.


Estee Lauder Beautiful

A pleasant surprise arrived for Christmas 2011–a book of perfume samples. Many of the fragrances were new and I was just thrilled. Estée Lauder’s Beautiful was one of the first I pulled out and giddily peeled back the flap to smell.

Beautiful

Beautiful

In Bottle: Extremely floral and a bit powdery. There’s no floral standing out, it’s just a big homogenous bouquet at the moment.

Applied: Initial hit of citrus then the floral bouquet rolls into town and takes over the whole operation. From then on, it’s all flowers all the time. Now, I love a good floral fragrance. But the key is balance and moderation. It seems like those are the two things missing from this iteration of Estée Lauder’s Beautiful. I heard the original Beautiful is a far different animal. So don’t turn yourself off from the classic based on what I say about this contemporary version. The florals in Beautiful really do smell like a confused mish mash that doesn’t quite know what it wants to do with itself. The scent seems to suffer a bit from over composition where there are too many ingredients vying for space and there just isn’t enough space to go around. The result is a fragrance that people can distinguish as “flowery”, but no one can truly say what kind of flower. I’m not the kind of person who just likes smelling like a bunch of flowers. I wanted more depth to it than this, but Beautiful settles into it’s explosion of florals in the midstage then ends it all with a bit of cedar at the end as my nostrils continue to burn from the florals thrown at me earlier.

Extra: The first iteration of Beautiful was released in 1985. It has since gone through a few cosmetic changes and some formula changes. I do not have any access to classic Beautiful, which is a real shame as I’d love to see how it compares to this.

Design: The bottle is reminiscent of Calvin Klein’s designs. I want to say Obsession for Women comes to mind when I look at this, but Beautiful is a little easier on the eyes. It’s metallic cap really helps pull it together a little more.

Fragrance Family: Floral

Notes: Bergamot, lemon, cassia, fruit, blackcurrant, galbanum, mimosa, magnolia, carnation, chamomile, tuberose, orange blossom, freesia, lilac, narcissus, jasmine, neroli, clary sage, violet, iris, lily of the valley, ylang ylang, marigold, geranium, sandalwood, myrrh, vanilla, vetiver, cedar.

As I looked up the notes list for this one, I found every single source listed an enormous amount of stuff. I just ended up picking out what I thought I could get out of this. In the end, I’m sorry, Beautiful, but you really just smell like flower stuff.

Reviewed in This Post: Beautiful, 2011, Eau de Parfum.


Coach Poppy

In some ways Coach’s progression from its beautiful, durable, everlasting classic bags to the monogram chic bags reflects the direction of the perfume industry. Both things were once lovingly crafted objects made with fine materials have been reduced to faster, larger, and cheaper. So I found it rather funny to be reviewing Poppy, the fragrance from Coach and named in similarity to Coach’s youthful line of bags that feature vibrant colors and–of course–the Coach monogram.

Poppy

Poppy

In Bottle: Smells like a dime-a-dozen candy floral fragrance. Not bad, not too exciting. It hits me right away with the mandarin note and wastes no time digging into the marshmallow.

Applied: Mandarin up top followed quickly by the clean, crisp tones of cucumber. Freesia and the other florals are present in the first minute of the opening and the fragrance evolves more into its floral candy-coated personality near the mid-stage with that marshmallow vanilla thing they did. Poppy settles into its floral candy self for the majority of the rest of the fragrance as the wood notes make themselves known near the very end and in a very faint way.

Extra: I used to be something of a Coach fan and was ecstatic to receive a Coach Wilson bag from the 90s. These days, Coach’s bags don’t interest me too much. I don’t see the appeal of the Poppy line at all and I don’t see the appeal of the Poppy fragrance either, unfortunately. It’s probably another one of those instances where my tastes clash with the company’s aim. But Poppy is like a generic perfume for which I can name several alternatives. If you do need an actual recommendation, the perfume community likens this to Britney Spears’ Fantasy. I can see the connection between the two, especially when the fragrance hits its mid-stage. If you want a personal alternative recommendation, try smelling Bath and Body Works’ Be Enchanted that has a similar progression from refreshing to sweet.

Design: I do like the bottle and feel that scribbly the monogramed look of the Poppy line works rather well for this fragrance and what it’s trying to be. It’s cute and functional and simple. It’s clearly marketed towards girliness and people who like that sort of thing. So in terms of looks, Poppy’s got it down.

Fragrance Family: Sweet Floral

Notes: Mandarin, cucumber, freesia, jasmine, gardenia, water lily, rose, sugar, marshmallow, sandalwood, vanilla, cedar.

A big disappointment in terms of uniqueness but Poppy, like pretty much everything else similar to it works well if you’re into the sweet and flowery fragrances. You can, however, get more affordable fragrances that have a similar aim for the amount that Poppy costs if your chief concern was how it smells.

Reviewed in This Post: Poppy,  2011, Eau de Parfum.


Escada Magnetism for Women

Magnetism by Escada is an easy to like and easy to wear sweet floral oriental with a stroke of pure fun.

Magnetism

Magnetism

In Bottle: Sweet vanilla blended with a fun fruity and juicy opening coated with flowers.

Applied: Sweet and green rather crisp and juicy up top with a distinct fruitiness that blends well with the fragrance. The scent delves into this floral mish-mash that comes out smelling distinctly flowery but keeps a rein on its strength. There is a sweetness throughout this fragrance that doesn’t take away from the fragrance’s purpose. In the end, it is a sweet sandalwood with an earthy vibe and a strong sweet vanilla finish.

Extra: Magnetism for Women was introduced in 2003. It’s a fairly decent fragrance though it’s not in any way groundbreaking. It does smell good and does the Escada brand some fine justice.

Design: Not too wild about the design of the bottle but then Escada’s bottle designs have always seemed a bit off to me. Magnetism is a hot pink curved glass bottle. It’s vaguely unpleasant and looks a bit too suggestive for me to take it seriously.

Fragrance Family: Sweet Floral Oriental

Notes: Pineapple, black currant, melon, berries, cassia, litchi, magnolia, orris, green leaves, freesia, basil, jasmine, caraway, heliotrope, lily of the valley, rose, sandalwood, amber, patchouli, musk, benzoin, caramel, vetiver, vanilla.

So in the end, Magnetism isn’t attracting me, but it is doing a good job of trying. If you want a nice, wearable floral oriental with a dollop of sweet then this might be good. As a bonus, Magnetism can be purchased from several discounters for a rather fair price.

Reviewed in This Post: Magnetism for Women,  2010, Eau de Parfum.


Karl Lagerfield Sun Moon Stars

I saw the bottle, said, ‘No way!’ and decided it had to be tried. I don’t actually have a bottle or held a bottle of this but I do have a somewhat aged sampler vial.

Sun Moon Stars

Sun Moon Stars

In Bottle: Strong fruitiness up top. That’s pretty much all I get.

Applied: Very strong and sweet fruits up top in this fragrance. It’s the candy version of fruit and it’s a bit nauseating. I read some of the reviews on this one before I tried it and many people report a synthetic quality to the fragrance. I almost want to explain that particular problem on the over eager fruit opening. The sweetness does settle down in the mid-stage where the soft florals roll in with a spicy carnation making a pretty big impression to me. The  fragrance ends on a very nicely done vanilla with sandalwood. Normally I’d loathe the standard sandalwood vanilla mixture but the fragrance does it so well that I can’t fault it for taking a trope and doing it justice.

Extra: Sun Moon Stars was released in 1994 as a fabulous floral oriental. The Karl Lagerfield brand is primarily focused on fashion and headed by the iconic man of the same name. Presently the brand is owned by the parent company, Tommy Hilfiger.

Design: I saw the bottle and immediately thought of the Britney Spears Fantasy line. The shapes are so familiar that I couldn’t help but seek this one out. The bottle reportedly contains designs of a sun, a star and a moon as per its name. While I still think the shape is unappealing the blue glass used in the design is quite nice. At the very least, the design is much better put together than anything in the Fantasy line. It’s quite a bit more elegant, actually.

Fragrance Family: Fruity Floral Oriental

Notes: Bergamot, pineapple, orange blossom, lotus, rice, peach, heliotrope, freesia, jasmine, orange blossom, daffodil, lily of the valley, orchid, carnation, iris, sandalwood, cedar, amber, musk, vanilla.

Apparently there was a reformulation of this fragrance at some point. I’m not sure which version of the fragrance I have, but judging from the general disappointment in the reformulation, perhaps I have the old formula.

Reviewed in This Post: Sun Moon Stars,  ~1998 Eau de Toilette.


Taylor Swift Wonderstruck

So Taylor Swift’s name enters the world of celebrity fragrances. Did she do any better than the multitudes of celebrity fragrances that came before hers? Nope.

Wonderstruck

Wonderstruck

In Bottle: Sweet berries with a heavy sweet note that’s reminiscent of vanilla layered over a thin and sparse coating of flowers.

Applied: Smells like berry hard candy mixed with vanilla. Not particularly interesting and not particularly new or fascinating. I think I’ve officially burnt myself out on fruity florals now because Wonderstruck is actually striking me the wrong way. Again, it doesn’t smell bad. It’s just boring. Anyway the vanilla berry fragrance takes on a bit of juiciness from the peach or the apple or whatever the heck fruit smoothie concoction rolls in after the opening. This makes the thing smell like Hidden Fantasy by Britney Spears tripped and fell into a vat of Viva la Juicy. The midstage is marked with a hint of florals rising up like a horrible ocean of sweetness and girliness. The fragrance reminds me of any number of female celebrity perfumes and its identity really blends in with the rest of its competition. The dry down isn’t any more remarkable either, a dose of vanilla, a hint of warm amber, a bit of sandalwood and white musk to give the fragrance that clean, sweet, girly ending.

Extra: Wonderstruck was released this year to a happy audience of Taylor Swift fans who will be equally  happy to note that the perfume smells good if you’re into fruity floral fragrances. Heck, if you liked the Britney Spears Fantasy line then you’ll probably enjoy this. Or even if you just like Taylor Swift and want to collect things with her name on it. As a fragrance though, it’s not accomplished or unique. So serious fragrance lovers would get better wear out of a more competent fruity floral.

Design: It’s a bit cheesy but I have to admit that it isn’t poorly designed. There’s something Renaissance about it. Maybe it’s the carvings on the cap that remind me of the intricate stonework that would be present in a lovingly built church. Aside from the cap, I find the charms kind of garish and random and the bottle functional and unobtrusive at best. It’s not a bad design overall.

Fragrance Family: Fruity Floral

Notes: Blackberry, raspberry, peach, apple blossom, freesia, tea, hibiscus, honeysuckle, vanilla, musk, amber, sandalwood.

Saw a “teaser” on YouTube for this perfume where Taylor was wearing one of her trademark fancy dresses and looking ethereal as she wandered around while title text faded in to introduce the fragrance. I’m not sure how to feel about the whole thing except mildly perplexed. Why does a perfume need a teaser? Is Taylor doing something else that I’m missing? I don’t know anything about music and suspect that I’m tone deaf so why am I musing about any of this? I may never know the answers to these barely valid questions, but I do know that I loved Taylor’s dress.

Reviewed in This Post: Wonderstruck, 2011, Eau de Parfum.