Britney Spears Cosmic Radiance

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Cosmic Radiance is a flanker from Britney Spears’ Radiance fragrance. It is supposed to be inspired by stars and jewels and other things that made Radiance a fairly benign fragrance.

Cosmic Radiance

Cosmic Radiance

In Bottle: I had to double check that I was holding the right bottle because this smells exactly like Radiance.

Applied: Goes on with a sweet tuberose fragrance with a minor difference from the original Radiance in that I don’t get any tartness in the opening. I get a face full of litchi but otherwise, the tuberose and the sweet treatment of the fragrance is very reminiscent of Radiance. The scent heads into a midstage in the same type of construction too with a tuberose and jasmine treatment and eventually nosedives into the end stage as a clean white musk with a hint of vanilla. My impressions of this stuff don’t differ much between Cosmic Radiance and regular Radiance. It is quite disappointing of a flanker.

Extra: Unless you don’t already own Radiance, I would suggest skipping this iteration. There’s not much different to it unless the tartness in the opening of the original Radiance was particularly bothersome. Otherwise, the two fragrances are remarkably similar and if you own one, there really isn’t a point in having both unless you’re a collector or like the bottle design.

Design: Same basic design as the original Radiance and I’m still put off by it. It’s got those jewel things on the glass making the bottle look disproportionate and lumpy. The black and clear motif just makes the lumpy look more pronounced. The colors are garish to me too and I just can’t get on board with the look of this thing.

Fragrance Family: Sweet Floral

Notes: Mandarin, pear, litchi, peony, jasmine, gardenia, tuberose, musk, sandalwood, vanilla, amber.

I have to give Cosmic Radiance a thumbs down for not being at all different from the original Radiance. It should be reiterated that Radiance was–while a bit pedestrian–a decent fragrance. I just didn’t think there needed to be two versions of it that smell almost exactly alike.

Reviewed in This Post: Cosmic Radiance, 2011, Eau de Parfum.

Kenzo Power

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Kenzo Power was described as a spicy woodsy scent–a rather banal genre for men’s fragrances which wouldn’t turn very many heads. That is, if only Power kept to that spicy woodsy description. Instead, Power is less so a spicy wood fragrance and more like a spicy floral.

Power

Power

In Bottle: Powereded florals and spice, I get cardamom but I definitely get some florals in this with some woods as well.

Applied: Starts off with a citrus opening that fades in with the spices almost immediately. Power starts off strong with an opening befitting of a classic men’s fragrance. The scent heads into its midstage with an increasingly floral presence as it settles in with a powdered flowers, a bit of creaminess and residual spiciness from the opening. The dry down is a fairly generic woods fragrance with a hint of amber and lingering spices.

Extra: Power isn’t your average men’s fragrance–at least not the average that I’ve been smelling. It’s got the male progression in the strong citrus blast up top and the woody dry down but the mid-stage has a nice femininity to it that doesn’t overpower the masculine aspects of the scent. Sure, there’s florals in this but it is still a men’s fragrance at heart. It’s soft and sophisticated and definitely different from your average aquatic or spicy wood. Kenzo Power was composed by Olivier Polge (Burberry The Beat and Balenciaga Paris).

Design: Rather interesting design, reminiscent of Montale’s fragrance bottles except done much better. Shiny metal with a fantastic heft to it. Feels good to hold, has a masculinity to the aesthetic but is not over the top and still manages to look modern and a little different. At the very least, the metal helps balance out the flower logo that should hint that this ‘Power’ has a little bit of floral in it.

Fragrance Family: Spicy Woodsy Floral

Notes: Bergamot, coriander, cardamom, florals, amber, woods.

Kudos to Kenzo for making Power smell the way it does. It’s a new and interesting contender in the rather repetitive abstract that is the men’s fragrance industry. Check this one out if you want a more creative men’s fragrance and you aren’t too afraid of flowers in your cologne.

Reviewed in This Post: Power, 2011, Eau de Toilette.

Jean Paul Gaultier Le Male

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Le Male’s something of a classic for men’s fragrance, I guess. Well, maybe classic is putting it a bit too high on the totem pole. What Le Male is, however, is a very successful, very nice oriental fragrance that many men who prefer something outside of Acqua di Gio tend to enjoy.

Le Male

Le Male

In Bottle: Initial whiff of lavender and spices in Le Male. It’s at once familiar and unique.

Applied: Spicy lavender up top. Le Male’s reminiscent of a fougere fragrance with a major spicy kick. The cardamom, to my nose is particularly strong along with the cinnamon note. It reminds me a bit of this awesome chai tea that I really like that features cinnamon and caraway rather heavily. The lavender helps pull the fragrance together from the get go, as its little whiffs of mint and bergamot that were in the initial spray make way for a warm, dry midstage that sees an introduction of a slight floral sandalwood scent. The dry down is very dry with lavender hints hanging on and its spicy cinnamon making a very good run as the sweet, dry, woods scent of the base takes the rest of the show.

Extra: Le Male is strong and has excellent projection, so watch how much of this you spray on yourself. Especially you guys who wear this almost every day. Your nose may have adapted to the scent from prolonged use and you might be overdoing it a bit. I’ve stood close to a man who overdid the Le Male and it turns this brilliant spicy fougere into a powerful mess. Easy on the trigger and you’ll smell awesome though.

Design: Iconic design from Jean Paul Gaultier of the “torso bottles”. Le Male is packaged in a blue torso bottle resemble a man’s chest and hips. The fragrance itself comes in a tin can. Great for keeping out light and helping the fragrance keep a little cooler, but I can’t say I like having a tin can sitting on a fragrance shelf. Still, the torso bottle is a classic piece of design to some people, but for me, it kind of freaks me out to be honest. Still,as soon as you see these torso designs, you probably instantly think, “Oh, it’s Jean Paul Gaultier doing his thing again”. So if nothing else, it is memorable.

Fragrance Family: Spicy Oriental Fougere

Notes: Artemisia, lavender, mint, bergamot, cardamom, caraway, orange blossom, cinnamon, sandalwood, tonka bean, amber, vanilla, cedar.

On myself, Le Male smells too iconically male. Though it’s a great scent that I really like. It smells like it belongs on a man though and that is probably because of the prevalence of the gender that often wears it. Still, it’s like I always say, if you like this enough then who cares what gender it was made for? Just wear it and rock it.

Reviewed in This Post: Le Male, 2001, Eau de Toilette.

Frederic Malle Portrait of a Lady

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Portrait of a Lady was the talk of Niche Town when it was first released. It took me a while to get my sample of this fragrance but I’m glad that I did.

Portrait of a Lady

Portrait of a Lady

In Bottle: Sour to my nose thanks to the currants with a spicy kick from the cinnamon and clove.

Applied: Sour currants that give way to spicy cinnamon and clove that mixes in with the incense in the midstage. I get mostly smoke from Portrait of a Lady until she keeps aging on my skin and there’s a bit of earthiness that comes up from the patchouli as the scent keeps aging the amber and its warmness rushes up to mingle with the smoke and spice. The rose in this scent doesn’t come up until later in the fragrance where the spicy notes settle down a bit to leave us with a soft, warmed, rose with a hint of spice.

Extra: Portrait of a Lady was created by Dominique Ropion who also created fragrances such as Burberry The Beat, Cacharel Amor Amor, and Armani Code for Women.

Design: Bottled in much the same way as other Frederic Malle scents, in a cylindrical glass bottle. It has a nice weight to it and the simple design makes you focus more on the scent inside the bottle than the flashy exterior. It’s simple and functional for what it is.

Fragrance Family: Oriental

Notes: Raspberry, blackcurrant, clove, cinnamon, rose, sandalwood, patchouli, incense, musk, amber, benzoin.

Portrait of a Lady is a really well done oriental, it smells a bit like an oriental powerhouse but also has elements of a sophisticated modern scent. I especially like the spicy rose present in this fragrance.

Reviewed in This Post: Portrait of a Lady, 2011, Eau de Parfum.

Creed Aventus

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Creed’s gone tropical with Aventus but doesn’t dive in immediately into the fruity tropical pool. There are elements of sophistication still associated with Aventus.

Aventus

Aventus

In Bottle: Fruity opening with a smoky leather background that has a certain earthiness to it too.

Applied: Fruity, almost tropical and probably helped along in that direction thanks to the pineapple note. The opening smells rather familiar to a women’s fragrance actually with a deeper masculinity that comes up smelling mostly like fresh fruits and a bit of tar. Tar being that smoky–sometimes plastic–smell that I don’t particularly find enticing if not mixed well enough. Aventus does a good enough job of keeping it in check so that it enhances the fragrance for me instead of takes away from it. As the midstage wears on, there’s a little bit of floral but what I mostly get is this sharp earthy  scent that dwells on in the fragrance way into the end where it fades with a bit of sweet vanilla.

Extra: If you were afraid of other Creeds and those smelling a little too classic for you then Aventus is probably a good Creed starter. It’s got excellent projection and power but is an easy to wear fragrance. It is, however, a bit of a departure from how Creeds used to be. It is, nevertheless, still a competent fragrance.

Design: Bottle design is similar to other Creed bottles. The niche houses tend to keep their designs fairly uniform and Creed’s not much different in practice. The bottle has a nice weight and is easy to hold and use. It also looks quite sharp with its clear glass elements combined with the black and metal treatments.

Fragrance Family: Fruity Modern Chypre

Notes: Bergamot, blackcurrant, apple, pineapple, jasmine, rose, birch, patchouli, musk, oak moss, amber, vanilla.

I’m not that big of a fan of Aventus on my own skin but it is a funny fragrance that starts off a bit feminine then nosedives right into a masculine scent. It’s playful then sophisticated at the same time.

Reviewed in This Post: Aventus, 2011, Eau de Parfum.

Caron Acaciosa

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Acaciosa is one of perfumery’s greatest floral perfumes. It was released in 1924 and remains one of the most beautiful, lush jasmine and rose fragrances ever.

Acaciosa

Acaciosa

In Bottle: A big floral bouquet of jasmine and rose with a slight hint of amber.

Applied: Jasmine and rose are the stars here and the major players throughout the entire fragrance. The instant Acaciosa is applied you will smell these two principle notes that have endured the test of time and have continued to appear together in some of the fragrance world’s most popular classics and contemporary fragrances. Acaciosa does jasmine and rose proud because it plays up their authentic beauty and blends them together so well that a sniff of Acaciosa tells you immediately that you’re smelling a fantastic floral. There’s no real debate to be had, you’re smelling history and you’re smelling a floral perfume as it should be. Right from the start, into the middle, and down into the base you get jasmine and rose mingling together in a gorgeous medley. There’s a faint hint of sweetness and a jolt of tart pineapple that serves to deepen this fragrance with its mostly heady floral bouquet. The base intensifies with a warm amber quality. This amber note is present during the opening and midstages but doesn’t become too strong until you reach the base.

Extra: Caron has a fountain version of Acaciosa available for those of you who wish to experience the full on artistry of this fragrance. One of these days I’d like to see a Caron fragrance fountain for myself.

Design: The bottle pictured above is from a vintage ad dating back to the 1930s when Acaciosa was a bit easier to find. It’s a shame this fragrance is so exclusive now. I have yet to hold or even see more than a small sample of this stuff but everything Caron made back in its hey day looks beautiful.

Fragrance Family: Classic Floral

Notes: Orange flower, pineapple, jasmine, rose, amber.

I have no idea and no way to tell how old the decant of Acaciosa I have is. We can only take a blind stab in the dark that it is a vintage that could have been from the 40s, but even then we can’t be quite sure. So take the dating of my sampler with a grain of salt since I can’t guarantee its accuracy.

Reviewed in This Post: Acaciosa, ~1940, Parfum.

Betsey Johnson Perfume

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Betsey Johnson’s fragrance is a polarizing affair with fans and dissenters alike. I just happen to be on the dissenter side. Even though I see what Betsey Johnson is trying to do with the kitschy design and equally kitschy fragrance, I just  can’t say that I like it.

Betsey Johnson

Betsey Johnson

In Bottle: Incredibly sweet and floral with a bit of musk. A rather discordant fragrance with a fruity hint and a strange medley of scents that don’t play nice with my nose.

Applied: Opens with a very sweet blackcurrant and citrus fragrance that quickly introduces the florals and a very sweet and very obvious freesia note. The apple wiggles in with the midstage and turns up the fruity side of this fragrance a few notches. It’s sweet and flowery and smells a bit synthetic and cheap and very cloying as the fragrance just continues to amp up on the sweetness the longer it sits on my skin. When the base notes arrive there’s a bit of sugary woodsiness that mingles with the equally sugary floral.

Extra: Betsey Johnson’s style has always been bright and colorful and pop artsy. I can’t say I’m a big fan of it, but the fragrance and the design itself do reflect these aesthetics. This particular perfume was created by noses Mathilde Bijaoui and Bernard Blanc.

Design: The bottle for Betsey Johnson is just about everything I don’t like in a design. It’s big and girly and flashy and bright and pretty much the epitome of kitsch. I don’t like the aesthetics and think they are a little ridiculous but rest assured, the bottle was designed to look like this. I just don’t like the look at all.

Fragrance Family: Fruity Floral

Notes: Grapefruit, blackcurrant, tangerine, pear, freesia, lily of the valley, apple, sandalwood, amber, musk, cedar, praline.

So all in all, this fragrance just isn’t for me but that shouldn’t stop someone else from looking this one up. It’s got a nice fruity floral with a very sweet tooth. If you love fruity floral and sweet scents, try this stuff out.

Reviewed in This Post: Betsey Johnson, 2008, Eau de Parfum.

Calvin Klein Eternity

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Eternity is one of those classic smelling Calvin Klein fragrances with a ton of ingredients that kind of sends em off into ‘meh’ territory for some reason.

Eternity

Eternity

In Bottle: Spicy carnation with rose and lily notes there’s a hint of citrus up top with a bit of earthiness too.

Applied: Citrus opener that follows with a sharp green and clean note that fades away rather quickly to reveal very spicy carnation with a bit of sage and a lily and rose flowery midstage. This stuff smells like a spicy flower bouquet and if you let it keep aging on your skin, you’ll be treated to a woodsier interpretation near the end that falls into a warm spicy and earth fragrance that finishes itself off with a faded carnation note.

Extra: Eternity was composed by Sophia Grojsman who also did fragrance such as White Linen for Estee Lauder and Lancome’s Tresor.

Design: Eternity is bottled rather simply in a tasteful shape and with subdued design elements. It’s a rectangular glass bottle with a metal topper. Very nicely done, Calvin Klein. But then again, CK has always been pretty good about its bottle designs. Kudos.

Fragrance Family: Spicy Floral

Notes: Citrus, mandarin, green notes, freesia, sage, lily, carnation, violet, rose, jasmine, lily of the valley, marigold, narcissus, heliotrope, sandalwood, musk, amber, patchouli.

I’m not wild about this fragrance for some reason. Maybe it’s because I used to smell this a lot when I was around this one woman who swore by her Eternity and wouldn’t wear anything else. It’s been almost a decade since I was around her but maybe that’s why I feel like Eternity just isn’t exciting to me. You smell a perfume for a certain amount of time and it just ceases to be amazing, I suppose.

Reviewed in This Post: Eternity, 2002, Eau de Parfum.

BnBW Paris Amour

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Another new-ish release from Bath and Body Works, Paris Amour is supposed to be a sophisticated, romantic fruity floral scent. I already have my doubts.

Paris Amour

Paris Amour

In Bottle: Very fruity, the strawberry is really present along with this peach and apple combination. Everything is also very sweet.

Applied: Strawberry all up in my face. There’s the apple blossom kind of waffling about with the peach note as the big fruity opening starts drying off in the mid-stage where the floral notes start to come up. We got a little bit of something green but there is a lot of frangipani to my nose and an equal amount of cleaned up lotus mixed with a tiny hint of cleaned up jasmine. The dry down is not too much more interesting as the floral midstage gives way to a vanilla sandalwood scent that’s been bathed in white musk.

Extra: Paris Amour, like pretty much all other Bath and Body Works fragrances comes in a variety of different products. You can get a lotion, body mist, body cream, shower gel. I wouldn’t be surprised if there was a candle version of this scent.

Design: Designed in much the same way as other Bath and Body Works fragrances. Essentially, you’ve got a square bottle with some cute pastel colors and the Eiffel Tower. Nothing too exciting though the design of this particular fragrance is a little unbalanced with the tower standing out a little too much in my opinion.

Fragrance Family: Fruity Floral

Notes: Mandarin, strawberry, cassis, freesia, apple blossom, peach, jasmine, lotus, frangipani, tulip, musk, sandalwood, amber, vanilla, coconut.

Paris Amour is pretty generic for what it is. I don’t know, Bath and Body Works seems to have one hit fragrance and that was Japanese Cherry Blossom. Everything else is kind of like this, “It smells all right” kind of affair with no real sense of the dramatic or the unique. As for whether or not Paris Amour is the sophisticated and romantic scent it was toted as being–eh, not really. This makes me think, “fun”, “girly”, “happy”. Romance and sophistication don’t come into the picture.

Reviewed in This Post: Paris Amour, 2011, Eau de Toilette.

Houbigant Fougere Royale 2010

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Usually when a fragrance company says they’ve taken one of their classics and ‘modernized’ it, big red alarms go off in my head. I’ve never had the pleasure of sampling the original Fougere Royale from 1882 and the oldest vintage I’ve even seen was on an eBay auction of questionable quality. So I went into this 2010 reformulation with as little knowledge of the original perfume as possible–being ignorant of the original fragrance, I’m going to have to say Fougere Royale 2010 is pretty darn good.

Fougere Royale 2010

Fougere Royale 2010

In Bottle: The lavender note is rather strong in this, dominating for the moment over the green herbal quality of the fragrance. There’s a spiciness in the background that blends in beautifully with the rest of the fragrance making Fougere Royale smell  sophisticated.

Applied: Opens with a clear greenness to it layered over a lavender note that’s helping a spicy floral note along that might be the carnation. As the fragrance heads into its midstage the lavender sticks around but also blends in with a strong herbal note that I presume is the clary sage. There’s a lot of complexity in this fragrance but I can pick out a few key notes here and there. Most notable is the lavender, then the sage and a spicy note in the midstage where I get the cinnamon notes. The final dry down is marked with a creamier personality as the tonka and amber notes come up to blend with the herbal and spicy notes. The lavender is still faintly recognizable in the dry down as well.

Extra: Fougere Royale has had a tumultuous past, much like the fragrance house that originally released it. After its release in 1882 it has gone under numerous reformulations. Like with all modern fragrances, any oak moss note is likely to be synthetic or a substitute. The original Fougere Royale was composed by Paul Parquet and was considered one of the first modern fragrances thanks to its use of synthetic coumarin. The 2010 version of Fougere Royale was composed by Rodrigo Floures-Roux (Clinique Happy, John Varvatos Artisan and Artisan Black).

Design: Fougere Royale 2010 is designed to appeal to a more masculine audience with a square-ish bottle featuring cut patterns in the glass. The bottle reminds me a bit of classical fragrances but also remains a little bit of modern appeal. It’s a pretty good design that does the fragrance and its history justice, in my opinion.

Fragrance Family: Aromatic

Notes: Bergamot, chamomile, lavender, herbs, carnation, geranium, cinnamon, rose, patchouli, oak moss, amber, tonka bean, clary sage.

I do believe Fougere Royale 2010 did the best that it could with a notes list from the 1800s that would have been expensive and near impossible to replicate now. I don’t doubt that 2010’s version and the fragrance from 1882 would smell drastically different but the 2010 version is a great fragrance nonetheless.

Reviewed in This Post: Fougere Royale, 2010, Eau de Parfum.